Allen Shawn – författare

For fans of Bradley Cooper’s film Maestro, an appreciation that gives Bernstein his due as composer as well as conductor  Leonard Bernstein stood at the epicenter of twentieth-century American musical life. His creative gifts knew no boundaries as he moved easily from the podium to the piano to television with his nationally celebrated Young People’s Concerts, which introduced an entire generation to the joy of classical music. In this fascinating biography, the breadth of Bernstein’s musical composition is explored, through the spectacular range of music he composed—from West Side Story to Kaddish to A Quiet Place and beyond—and through his intensely public role as an internationally celebrated conductor. For the first time, the composer’s life and work receive a fully integrated analysis, offering a comprehensive appreciation of a multi-faceted musician who continued to grow as an artist well into his final days.

Winner of the ASCAP Deems Taylor Award in Concert Music BooksProposing that Arnold Schoenberg has been more discussed than heard, more tolerated than loved, Allen Shawn puts aside ultimate judgments about Schoenberg’s place in music history to explore the composer’s fascinating world in a series of linked essays—“soundings”—that are both searching and wonderfully suggestive. Approaching Schoenberg primarily from the listener’s point of view, Shawn plunges into the details of some of Schoenberg’s works while at the same time providing a broad overview of his involvements in music, painting, and the history through which he lived.

A poignant, compelling and clear-eyed memoir of a life in music, with the dogged pursuit of composing at its center.Perhaps no art form has ever splintered into as many factions, genres, languages, philosophies, and mutually exclusive audiences as the art of music did in the mid-twentieth century.Allen Shawn's memoir fascinatingly evokes this tumultuous time, while weaving together his art and his life, hinting at their unexpected and sometimes paradoxical interconnections.Shawn grew up in an atmosphere of cultural privilege in New York City, the son of New Yorker editor William Shawn. An instinctive composing prodigy at age ten, it took him until the age of thirty to compose music he was proud of.Shawn sketches his childhood and long apprenticeship, his experiences composing for theater, dance, and concert hall, his forty years as a teacher at Bennington College, and his unexpected emergence as a writer. The book balances an account of his musical evolution, ups and downs, and life choices, offering glimpses into family life and of the many people with whom he interacted, including Leon Kirchner, Earl Kim, Nadia Boulanger, Pierre Petit, Jacques-Louis Monod, J. D. Salinger, John Updike, Benny Goodman, Louis Malle, and Vivian Fine.Along the way, Shawn offers reflections on such issues as social class, aging, loneliness, politics, and music education. In the Realm of Tones: A Composer's Memoir is a unique and touching account of one individual's internal search for self-expression and self-understanding, and of his effort to construct a life around it.