Allison Pease – författare

How did explicit sexual representation become acceptable in the twentieth century as art rather than pornography? Allison Pease answers this question by tracing the relationship between aesthetics and obscenity from the 1700s onwards, highlighting the way in which early twentieth-century writers incorporated a sexually explicit discourse into their work. Pease explores how artists such as Swinburne, Aubrey Beardsley, James Joyce and D. H. Lawrence were responsible for shifting the boundaries between aesthetics and pornography that first became of intellectual interest in the eighteenth century and reinforced class distinctions. Her analysis of canonical works, such as Joyce's Ulysses and Lawrence's Lady Chatterley's Lover, is framed by a wide-ranging examination of the changing conceptions of aesthetics from Shaftesbury, Hutcheson and Kant to F. R. Leavis, I. A. Richards and T. S. Eliot. Based on extensive archival work, the book includes examples of period art and illustrations which eloquently demonstrate the shift in public taste and tolerance.

How did explicit sexual representation become acceptable in the twentieth century as art rather than pornography? Allison Pease answers this question by tracing the relationship between aesthetics and obscenity from the 1700s onwards, highlighting the way in which early twentieth-century writers incorporated a sexually explicit discourse into their work. Pease explores how artists such as Swinburne, Aubrey Beardsley, James Joyce and D. H. Lawrence were responsible for shifting the boundaries between aesthetics and pornography that first became of intellectual interest in the eighteenth century and reinforced class distinctions. Her analysis of canonical works, such as Joyce's Ulysses and Lawrence's Lady Chatterley's Lover, is framed by a wide-ranging examination of the changing conceptions of aesthetics from Shaftesbury, Hutcheson and Kant to F. R. Leavis, I. A. Richards and T. S. Eliot. Based on extensive archival work, the book includes examples of period art and illustrations which eloquently demonstrate the shift in public taste and tolerance.

Bored women populate many of the most celebrated works of British modernist literature. Whether in popular offerings such as Robert Hitchens's The Garden of Allah, the esteemed middlebrow novels of May Sinclair or H. G. Wells, or now-canonized works such as Virginia Woolf's The Voyage Out, women's boredom frequently serves as narrative impetus, antagonist and climax. In this book, Allison Pease explains how the changing meaning of boredom reshapes our understanding of modernist narrative techniques, feminism's struggle to define women as individuals and male modernists' preoccupation with female sexuality. To this end, Pease characterizes boredom as an important category of critique against the constraints of women's lives, arguing that such critique surfaces in modernist fiction in an undeniably gendered way. Engaging with a wide variety of well- and lesser-known modernist writers, Pease's study will appeal especially to researchers and graduates in modernist studies and British literature.

To The Lighthouse is one of the most important of Virginia Woolf's modernist achievements. Written by leading international scholars of Woolf and modernism, this Companion to To The Lighthouse will be of interest to students and scholars alike. Individual chapters explore the biographical and textual genesis of the novel; its narrative perspectives and use of form; its thematic and formal attention to time and space; and its representations of feminism and gender as well as generational change, race, and class. Complete with a chapter on the novel's critical history, a chronology, and a guide to further reading, this volume synthesizes To The Lighthouse's major ideas and formal innovations while also summarizing and advancing critical debate.

To The Lighthouse is one of the most important of Virginia Woolf's modernist achievements. Written by leading international scholars of Woolf and modernism, this Companion to To The Lighthouse will be of interest to students and scholars alike. Individual chapters explore the biographical and textual genesis of the novel; its narrative perspectives and use of form; its thematic and formal attention to time and space; and its representations of feminism and gender as well as generational change, race, and class. Complete with a chapter on the novel's critical history, a chronology, and a guide to further reading, this volume synthesizes To The Lighthouse's major ideas and formal innovations while also summarizing and advancing critical debate.

Modernism, Sex, and Gender is an up-to-date and in-depth review of how theories of gender and sexuality have shaped the way modernism has been read and interpreted from its inception to the present day. The volume explores four key aspects of modernist literature and criticism that have contributed to the new modernist studies: women’s contributions to modernism; masculinities; sexuality; and the intersection of gender and sexuality with politics and law. Including brief case studies of such writers as May Sinclair and Radclyffe Hall, this book is a valuable guide for those looking to understand the history of critical thought on gender and sexuality in modernist studies today.