Allysa B. Peyton – författare
Visar alla böcker från författaren Allysa B. Peyton. Handla med fri frakt och snabb leverans.
3 produkter
3 produkter
714 kr
Skickas inom 5-8 vardagar
This beautifully illustrated volume details how South Asian art has been acquired by public and private collectors in Europe and North America from the mid-nineteenth century onward. It highlights the various journeys and colonial legacies of artwork from Bangladesh, Bhutan, India, Nepal, Pakistan, and Sri Lanka.Contributors explore British collecting practices during colonial rule in South Asia, when military officials and individuals associated with the East India Company transported various pieces to the Tower of London, the British Museum, and the Royal Ontario Museum. The authors tell the stories of private collectors including Chester Beatty, who bequeathed his entire library of miniature paintings and rare manuscripts to the people of Ireland; Ananda Coomaraswamy, who played an integral role in introducing Indian art to the West; and Nasli Heeramaneck, who became one of the world’s leading dealers in Asian arts and antiques. The essays in this volume also address the ethical and political dilemmas of displaying South Asian art for Western appreciation, and how repatriated works are often used as centerpieces of political exhibitionism rather than celebrated as recovered symbols of cultural heritage. Featuring archival materials and high-quality images of key pieces, Arts of South Asia offers an inside look at early collecting practices while addressing contemporary concerns about how artwork obtained under colonial rule should be displayed abroad.A volume in the David A. Cofrin Asian Art Manuscript Series
Great Waves and Mountains
Perspectives and Discoveries in Collecting the Arts of Japan
Inbunden, Engelska, 2022
714 kr
Skickas inom 5-8 vardagar
Illuminating the history of collecting Japanese artThis richly illustrated volume addresses the history of collecting Japanese art and the factors that contributed to the growth of collections in North America following the Meiji Restoration in 1868. With wide-ranging essays that fill in gaps in the scholarly investigation of the subject, art historians discuss the historical development of the Japanese aesthetic and examine questions of connoisseurship, authenticity, and controversial collectors and their current-day reception. The volume also features case studies on the formation of Japanese art collections in North America, exploring the diverse array of factors that contributed to their quality, contents, and the role that these collections play for their respective communities. Contributors delve into university and museum archives and interview art dealers, collectors, and artists to better understand their own collections. They present original research on cross-pollination and dialogue between artists from Japan and the United States, the development and growth of museums, and the personal histories of the people who shaped art collections. Together, these essays illustrate the shifting priorities in the collection of Japanese art across 150 years.
769 kr
Skickas inom 5-8 vardagar
The role of women artists, collectors, archaeologists, and architects in Asian art historyFilled with exquisite color illustrations, this volume examines an underserved aspect of Asian art history by discussing women artists, collectors, archaeologists, and architects. The essays in Women across Asian Art cover a wide geographical area, from Japan to Pakistan, as they draw attention to people whose efforts have largely been left out of scholarship.The volume begins by looking at iconography representing the goddess Marīcī in Chinese art as well as ancient Chinese characters related to gender roles during the Shang dynasty. Contributors then discuss topics including women’s participation as hangeul (Korean alphabet) calligraphers, artists in Japanese Saison culture, and early archaeologists in China. Shedding light on individuals such as poet and painter Luo Qilan, collector Brenda Zara Seligman, architect Lin Huiyin, neo-miniaturist Saira Wasim, painter Tseng Yuho, and sculptor Tayeba Begum Lipi, these essays represent a broad range of contributions from pioneers in their respective fields to current-day activists.Using primary sources, museum collections, and archival material, the contributors—curators and independent scholars—investigate their collections and fields with new strategies and present original research. As museums are intentionally turning their attention to overlooked narratives of women, this volume continues the important work of uncovering their stories in Asian art history.A volume in the David A. Cofrin Asian Art Manuscript Series, edited by Allysa B. Peyton