Alma Guillermoprieto – författare

In 1970 a young dancer named Alma Guillermoprieto left New York to take a job teaching at Cuba’s National School of Dance. For six months, she worked in mirrorless studios (it was considered more revolutionary); her poorly trained but ardent students worked without them but dreamt of greatness. Yet in the midst of chronic shortages and revolutionary upheaval, Guillermoprieto found in Cuba a people whose sense of purpose touched her forever. In this electrifying memoir, Guillermoprieto–now an award-winning journalist and arguably one of our finest writers on Latin America– resurrects a time when dancers and revolutionaries seemed to occupy the same historical stage and even a floor exercise could be a profoundly political act. Exuberant and elegiac, tender and unsparing, Dancing with Cuba is a triumph of memory and feeling.From the Trade Paperback edition.

From the esteemed New Yorker correspondent comes an incisive volume of essays and reportage that vividly illuminates Latin America’s recent history. Only Alma Guillermoprieto, the most highly regarded writer on the region, could unravel the complex threads of Colombia’s cocaine wars or assess the combination of despotism, charm, and political jiu-jitsu that has kept Fidel Castro in power for more than 40 years. And no one else can write with such acumen and sympathy about statesmen and campesinos, leftist revolutionaries and right-wing militias, and political figures from Evita Peron to Mexico’s irrepressible president, Vicente Fox. Whether she is following the historic papal visit to Havana or staying awake for a pre-dawn interview with an insomniac Subcomandante Marcos, Guillermoprieto displays both the passion and knowledge of an insider and the perspective of a seasoned analyst. Looking for History is journalism in the finest traditions of Joan Didion, V. S. Naipaul, and Ryszard Kapucinski: observant, empathetic, and beautifully written.From the Trade Paperback edition.

An extraordinarily vivid, unflinching series of portraits of South America today, written from the inside out, by the award-winning New Yorker journalist and widely admired author of Samba.From the Trade Paperback edition.

For forty years and more Alma Guillermoprieto has wandered tirelessly over the countries of Latin America, interviewing assassins and the families of their victims, talking to street sweepers and artists, rowdy carnival makers and thoughtful politicians (and plenty of rowdy politicians as well). Guillermoprieto draws out common threads in different contexts, like the effects of The War on Drugs in rural and poverty-stricken regions and the experiences of people mixed up in the fray of state- or cartel-sponsored violence. At the same time, she shows how Latin American art translates nostalgia and pain into great beauty. In The Years of Blood, the third volume of her collected reporting, she completes her complex and always compelling portrait of the Latin America of our times, in all its tragedy and glory, as it enters a new era of populism and demagoguery, and tries, yet again, to answer the great unsolved question: How do we change our future so that it does not so exhaustingly resemble our past?

For forty years and more Alma Guillermoprieto has wandered tirelessly over the countries of Latin America, interviewing assassins and the families of their victims, talking to street sweepers and artists, rowdy carnival makers and thoughtful politicians (and plenty of rowdy politicians as well). Guillermoprieto draws out common threads in different contexts, like the effects of The War on Drugs in rural and poverty-stricken regions and the experiences of people mixed up in the fray of state- or cartel-sponsored violence. At the same time, she shows how Latin American art translates nostalgia and pain into great beauty. In The Years of Blood, the third volume of her collected reporting, she completes her complex and always compelling portrait of the Latin America of our times, in all its tragedy and glory, as it enters a new era of populism and demagoguery, and tries, yet again, to answer the great unsolved question: How do we change our future so that it does not so exhaustingly resemble our past?

For forty years and more Alma Guillermoprieto has wandered tirelessly over the countries of Latin America, interviewing assassins and the families of their victims, talking to street sweepers and artists, rowdy carnival makers and thoughtful politicians (and plenty of rowdy politicians as well). Guillermoprieto draws out common threads in different contexts, like the effects of The War on Drugs in rural and poverty-stricken regions and the experiences of people mixed up in the fray of state- or cartel-sponsored violence. At the same time, she shows how Latin American art translates nostalgia and pain into great beauty. In The Years of Blood, the third volume of her collected reporting, she completes her complex and always compelling portrait of the Latin America of our times, in all its tragedy and glory, as it enters a new era of populism and demagoguery, and tries, yet again, to answer the great unsolved question: How do we change our future so that it does not so exhaustingly resemble our past?