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A maverick in the history of photography, lshiuchi Miyako burst onto the photography scene in Tokyo in the mid-1970s, at a time when men dominated the field in Japan. Working prodigiously over the last forty years, she has created an impressive oeuvre and quietly influenced generations of photographers born in the postwar era. Recipient of the prestigious Hasselblad Award in 2014, lshiuchi ranks as one of the most significant photographers working in Japan today. Spurred by her contentious relationship with her hometown, Yokosuka - site of an important American naval base since 1945 - lshiuchi chose that city as her first serious photographic subject. Grainy, moody, and deeply personal, these early projects established her career. This choice of subject also defined the beginning of lshiuchi's extended exploration of American occupation and the shadows it cast over postwar Japan. lshiuchi has since addressed the theme of occupation both indirectly - through her photographs of scars, skin, and other markers of time on the human body - and, more explicitly, with her Images of garments and accessories once owned by victims of the atomic blast in Hiroshima.Essays featured in this volume reveal the past as the wellspring of lshiuchi's work and the present moment as her principal subject. Ishiuchi Miyako: Postwar Shadows - which includes a selection of more than 100 works - is published on the occasion of an exhibition by the same name, on view at the J. Paul Getty Museum at the Getty Center, Los Angeles, from October 5, 2015 to February 21, 2016.
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Thomas Annan (1829-1887) was the preeminent photographer of Glasgow in the mid-nineteenth century, a period when the rise in industry and population dramatically altered the landscape of the "second city" of the British Empire. Often working in conjunction with civic projects, Annan produced numerous series that underscore the transformation of the city and its environs, though he remains best known for one series in particular: a group of enigmatic photographs of central Glasgow alleys, or "closes," on the verge of demolition. These haunting images, made between 1868 and 1871, and sometimes regarded as precursors of the documentary tradition in photography, represent the notion of progress that underpins much of Annan's oeuvre. Annan's publication history serves as the organizing principle for this book, which considers both the breadth of his body of work as well as the multiple formats in which his photographs appeared and circulated.Featured here are seven examplesincluding private albums and commercial booksthat focus on subjects as varied as the city's streets and closes, the Loch Katrine aqueduct, Glasgow College, the cathedral, and the country estates of the landed gentry, and highlight Annan's extensive engagement with the city of Glasgow. Plates from each of these works are faithfully reproduced in full color, and an introductory essay by the leading authority on Annan surveys the life and career of this little-known but influential photographer.