Amanda Rees - Böcker

Science, Religion, and the Human Future: Conflict, Collusion, and Consequences demonstrates that the myth of an inevitable conflict between science and faith is based on a misunderstanding of history, with potentially adverse consequences for human futures. The work focuses first upon ancient, medieval and Islamic scholars and the intimate connections they made between theology and the investigation of the natural world-and why we know so little about them. Moving into the modern era, it argues that one of the most concerning features of the science-faith relationship was their collusion in defining and validating the 'civilising mission' of Western imperialism. This collusion recontextualises the creation of the conflict thesis. Turning to the present day, the book investigates episodes of scientific controversy in which effective science communication was hindered not as a result of a clash between science and faith but because of a close and unexamined entanglement between the two. In cases ranging from space colonisation to AI, climate change to Covid-19, the problem is not so much science's split from faith as the unexamined and problematic theologies that remain implicit within it. Learning from these examples, the book outlines some productive and non-conflict-based frameworks for talking about science and faith in the future.

The role of fiction in both understanding and interpreting the world has recently become an increasingly important topic for many of the human sciences. This volume of Osiris focuses on the relationship between a particular genre of storytelling—science fiction (SF), told through a variety of media—and the history of science.The protagonists of these two enterprises have a lot in common. Both SF and the history of science are oriented towards the (re)construction of unfamiliar worlds; both are fascinated by the ways in which natural and social systems interact; both are critically aware of the different ways in which the social (class, gender, race, sex, species) has inflected the experience of the scientific. Taking a global approach, Presenting Futures Past examines the ways in which SF can be used to investigate the cultural status and authority afforded to science at different times and in different places. The essays consider the role played by SF in the history of specific scientific disciplines, topics, or cultures, as well as the ways in which it has helped to move scientific concepts, methodologies, and practices between wider cultural areas. Ultimately, Presenting Futures Past explores what SF can tell us about the histories of the future, how different communities have envisaged their futures, and how SF conveys the socioscientific claims of past presents.

The Great Plains region has cast an indelible image on the panorama of American culture. The vast expanses of land encompassed in Kansas, Nebraska, North Dakota, Oklahoma, South Dakota and surrounding areas have been home to an often overlooked cultural diversity. The Sun Dance of the Kiowan tribe, the folk ballads of Woody Guthrie, the fiction of Willa Cather and Louise Erdrich, the Great Plains school of architecture, bierocks (a.k.a. savory pie sandwiches), Buffalo soldier fashion, Territory Jazz and Native American hip-hop-all these elements and countless other have contributed to the patchwork of Great Plains regional cultures. Detailed narrative chapters on thirteen categories, each with illustrations and sidebars, of Great Plains culture provide an unprecedented look at the many ways in which America's Heartland have served as an oft-unheralded cross-section of America's melting pot, and each concludes with recommended further resources on the topic. This volume also includes an introductory essay on Great Plains regional identity as well as a timeline, bibliography, and index.The Greenwood Encyclopedia of American Regional Cultures is the first rigorous reference collection on the many ways in which American identity has been defined by its regions and its people. Each of its eight regional volumes presents thoroughly researched narrative chapters on Architecture; Art; Ecology & Environment; Ethnicity; Fashion; Film & Theater; Folklore; Food; Language; Literature; Music; Religion; and Sports & Recreation. Each chapters includes a Resource Guide with a carefully selected list of print publications, Web sites, organizations, as well as festivals, recordings, videos, special collections, and other sources for information when appropriate. All books in this set have a volume-specific introduction, as well as a series foreword by noted regional scholar and former National Endowment for the Humanities chairman William Ferris, who served as Consulting Editor for this encyclopedia.

What does it mean to be human? And what, if anything, does it have to do with being a member of the animal species Homo sapiens? This dazzling book gets to the very heart of our (rather unscientific) motivations and prejudices about humanity, showing how, by understanding them, we can go some way to resolving the world’s biggest problems. From beasts to aliens, widespread but often problematic links with six other beings are explored. Deep philosophical questions are tackled, including humanity’s common purpose, life’s meaning and what it means to be accepted as part of a community. Global in its outlook and illustrated by stunning pictures, Human is a powerful, funny and iconoclastic antidote to post-humanism.