Häftad, Engelska, 2023
308 kr
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Amelia Morris – författare
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4 produkter
4 produkter
- LjudbokEngelska, 2022
318 kr
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Amelia Morris''s Wildcat is an uproariously funny, surprisingly touching story of one woman’s journey through motherhood and female friendship, in a society that plays fast and loose with information. New mother, aspiring writer, and former shopgirl Leanne has lost her way. As she struggles with both her grief and the haze of motherhood, it also becomes clear that her best friend, the default queen of East Side Los Angeles, Regina Mark, might not actually be a friend at all.As Leanne begins to investigate and undermine Regina, she also strikes up an unexpected friendship with the lauded writer Maxine Hunter. Feeling frustrated and invisible next to Regina’s wealth and social standing, Leanne seeks security wherever she can find it, whether that’s by researching whether she should vaccinate her son, in listening to the messages she thinks her father is sending from beyond the grave, or in holding her own against a petulant student in her creative writing class. Most of all, however, she looks for it within Maxine, who offers Leanne something new.With a keen eye for the trappings of privilege, class, and the performative nature of contemporary domestic life, Morris’s tender and wicked debut shows us a woman who bucks against the narrative she’s been fed, only to find power in herself and the truth that emerges. A Macmillan Audio production from Flatiron Books
- Inbunden, Engelska, 2015
455 kr
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- E-bokPDF, Engelska, 2014
177 kr
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Essay from the year 2013 in the subject Gender Studies, grade: 1:0, University of Birmingham, course: International Relations with Political Science, language: English, abstract: Feminism observes and problematizes the fundamentally political relationship between gender and power (Stoker, 2002, p. 129), insisting upon ending sexist exploitation and oppression of women (Hooks, 2000, p. 1). However, post-feminists argue that feminism achieved its goals and is consequently 'dying' (Walby, 2011, p. 2). This essay will argue that the death of feminism is not imminent. Firstly, I will outline Naomi Wolf's argument that feminism is irrelevant as power is "e;there for the taking"e; (Browne, 2001, p. 53) , if women stop viewing themselves as 'victims' (Wood, 2013, p. 86). I will agree with Germaine Greer that such arguments appeal to privileged women who do not understand discrimination (Wood, 2013, p. 87). Secondly, I will argue that post-feminist trends such as "e;Raunch Culture"e; attempted to reject feminism as "e;embarrassingly out of touch"e; (Stephanie Genz, 2009, p. 12). Conversely, I will agree with Ariel Levy and Sylvia Walby that such consumerist trends are inequalities re-casted as 'liberating' (Powell, 2010, p. 76). Next, I will agree with Greer that feminism is not redundant, but needed now more than ever (UKFeminista, 2012). Women still face ridicule, objectification and violence (O'Hagan, 2012) despite apparent "e;emancipation."e; Therefore, such trends are a danger to feminism as they encourage young women not to challenge the social order and dismiss feminist activism as superfluous (Claudia A. Mitchell, 2008, p. 313). Finally, I will argue that despite "e;feminist backlash"e; in the media (Worell, 2002, p. 467), feminist resistance is still alive through groups such as "e;UK Feminista"e; (Chafetz, 2006, p. 161). In summary, the essay will argue that 'Power Feminism', 'Raunch Culture' and 'Girl Power' have endangered feminism by declaring themselves as an 'improved' feminist thought (Stephanie Genz, 2009, p. 12) whilst referring to feminism as 'out of touch' (Stephanie Genz, 2009, p. 12). Backlash from the media has also threatened feminism by demonizing feminists as 'man-hating dykes' and ignoring its past and present achievements (Worell, 2002, p. 467). However, feminist resistance is still alive and an "e;unfinished revolution"e; (Davies, 2011).
