Amit Majmudar – författare

Poets on the march: 50 crucial poems written in response to the current political climate, selected and introduced by the Ohio Poet Laureate—and son of immigrants—Amit Majmudar. In a political atmosphere where language and even meaning itself are continually under threat, poetry has a critical role to play. And our poets have been responding—in the streets and at their desks, demanding a full accounting from themselves and from their nation. Majmudar''s elegant introduction to these vital poems reminds us that "false stories take a lot of killing because they are made of language. Because they are made of language, though, they can be killed." From Solmaz Sharif and Eileen Myles to Kevin Young and Juan Felipe Herrera, American poets of diverse styles and strategies have contributed their truths: scenes from the front lines of resistance, and from the interior of our collective conscience. A final cento by Majmudar—a poem including at least one line or phrase from each of the poems in the volume—celebrates the robust multiplicity of voices in this book and in America now.

The prize-winning poet reflects on our spiritual loneliness and on the ties that both bind us and sustain us in a fractured world.With his dazzling ability to set words spinning, Amit Majmudar brings us poems that sharpen both wit and knives as he examines our "life in solitary." Dividing the book into short sections around themes (Identity, Love, Grief, Art, History, Imperialism, Incarceration) and anchoring it with the stunning long poem "Letters to Myself in My Next Incarnation," the poet is both the Huck and Jim of his own adventures. He is unafraid to face human failings: from Oxycontin addiction to Gujarat rioting, he examines the fragility of the soul, the unchartability of pain, the reasons we kill and grieve and make love, often with dark comedy. The ironies of his own American otherness supply a bass note throughout, but even in confinement, Amit is a poet of exuberance and transcendence: "What I love here, / Poems and women mostly, / I know you can''t remember," he tells his future self, "But they were worthy of my love."

A captivating, no-holds-barred collection of new poems from an acclaimed poet and novelist with a fierce and original voice Dothead is an exploration of selfhood both intense and exhilarating. Within the first pages, Amit Majmudar asserts the claims of both the self and the other: the title poem shows us the place of an Indian American teenager in the bland surround of a mostly white peer group, partaking of imagery from the poet’s Hindu tradition; the very next poem is a fanciful autobiography, relying for its imagery on the religious tradition of Islam. From poems about the treatment at the airport of people who look like Majmudar (“my dark unshaven brothers / whose names overlap with the crazies and God fiends”) to a long, freewheeling abecedarian poem about Adam and Eve and the discovery of oral sex, Dothead is a profoundly satisfying cultural critique and a thrilling experiment in language. United across a wide range of tones and forms, the poems inhabit and explode multiple perspectives, finding beauty in every one.

A fresh, strikingly immediate and elegant verse translation of the classic, with an introduction and helpful guides to each section, by the rising American poet.Born in the United States into a secularized Hindu family, Amit Majmudar puzzled over the many religious traditions on offer, and found that the Bhagavad Gita had much to teach him with its "song of multiplicities." Chief among them is that "its own assertions aren''t as important as the relationships between its characters . . . The Gita imagined a relationship in which the soul and God are equals"; it is, he believes, "the greatest poem of friendship . . . in any language." His verse translation captures the many tones and strategies Krishna uses with Arjuna--strict and berating, detached and philosophical, tender and personable. "Listening guides" to each section follow the main text, and expand in accessible terms on the text and what is happening between the lines. Godsong is an instant classic in the field, from a poet of skill, fine intellect, and--perhaps most important--devotion.

Mala and Ronak are adults now. They've married, begun their own families and moved away from the suffocating world of their first generation immigrant parents. But when they learn their mother has only months to live, the focus of their world returns to her home. Having shown little interest in the Indian cuisine they eat at every gathering, Mala decides to master the recipes her mother learned at her own mother's knee. And as they cook together, mother and daughter begin to confront the great divisions of their lives, and finally heal their fractured relationship. But when Ronak comes up with a plan to memorialise his mother, the hard-won peace between them is tested to its limits. Written with tenderness and wry compassion, Amit Majmudar has captured anew the immigrant experience, the clash of cultures, the conflicts of assimilation, and, most poignantly, the tangled ties between generations.

Mala and Ronak are adults now. They've married, begun their own families and moved away from the suffocating world of their first generation immigrant parents. But when they learn their mother has only months to live, the focus of their world returns to her home. Having shown little interest in the Indian cuisine they eat at every gathering, Mala decides to master the recipes her mother learned at her own mother's knee. And as they cook together, mother and daughter begin to confront the great divisions of their lives, and finally heal their fractured relationship. But when Ronak comes up with a plan to memorialise his mother, the hard-won peace between them is tested to its limits. Written with tenderness and wry compassion, Amit Majmudar has captured anew the immigrant experience, the clash of cultures, the conflicts of assimilation, and, most poignantly, the tangled ties between generations.

As India is rent overnight into two nations, sectarian violence explodes on both sides of the new border, with tidal waves of refugees fleeing the blood and chaos. Fighting to board the last train to Delhi, Shankar and Keshav, six-year-old Hindu twins, lose sight of their mother and plunge into the whirling human mass to find her. A young Sikh woman, Simran Kaur, flees her father, who would rather poison his daughter than see her defiled. And Ibrahim Masud, an elderly Muslim doctor driven from the town of his birth, limps towards the new Muslim state of Pakistan.

The first nonfiction collection by internationally acclaimed writer and translator Amit Majmudar, Black Avatar combines elements of memoir, biography, history, and literary criticism.The eight pieces in this deeply engaging volume reflect author Amit Majmudar’s comprehensive studies of American, European, and Indian traditions, as well as his experiences in both suburban Ohio and the western Indian state of Gujarat. The volume begins with the title piece, a fifteen-part examination of “How Colorism Came to India.” Tracing the evolution of India’s bias in favor of light skin, Majmudar reflects on the effects of colonialism, drawing upon sources ranging from early Sanskrit texts to contemporary film and television.Other essays illuminate subjects both timely and timeless. “The Ramayana and the Birth of Poetry” discusses how suffering is portrayed in art and literature (“The spectrum of suffering: slapstick on one end, scripture on the other, with fiction and poetry . . . in the vastness between them”), while in “Five Famous Asian War Photographs”—a 2018 Best American Essays selection—Majmudar analyzes why these iconic images of atrocity have such emotional resonance. In “Nature/Worship,” another multi-part piece, the author turns his attention to climate change, linking notions of environmentalism to his ancestral tradition of finding divinity within the natural world, connections that form the basis of religious belief.Perhaps the greatest achievement of these wide-ranging essays is the prose itself—learned yet lively, erudite yet accessible—nimbly revealing the workings of a wonderfully original mind.

In this essay collection, Amit Majmudar meditates on the poetic canon of the West and the traditions of world literature.In The Great Game, poet, critic, translator, and literary omnivore Amit Majmudar ranges widely, writing with characteristic verve on canonical authors such as Milton, Byron, and Emily Dickinson, contemporaries like Kay Ryan, and other traditions of world literature. He examines verse drama and philosophy and even touches on writers of popular prose like Robert Ludlum and Ray Bradbury. A radiologist as well as a writer, Majmudar brings together the diagnostician’s precision with the poet’s imagination and an encyclopedic base of knowledge. He practices literary criticism as a global art, one with the intensity of verse, the depth of philosophy, and the scope of history—and does so with the infectious curiosity of a passionate reader.Some of the most powerful essays here are synoptic meditations on science and poetry in which Majmudar shows that anyone trying to make fresh sense of the world, be it Milton or Kepler or Dickinson or Darwin, is practicing something like poetic meaning-making. The collection’s diverse inquiries are held together by Majmudar’s sustained, thoughtful, delightfully inventive attention to poetic form as an idea, to specific forms like the ghazal and the epic, and by his nimble, empathetic readings of individual writers. The Great Game is an intellectually thrilling tour of poetry across centuries, geographic divides, and even the disciplinary boundaries that separate science from philosophy from poetry.