Amy C. Smith – författare

This volume completes the publication of the ancient Greek and Etruscan vases in the collection of the Reading Museum Service, most of which are displayed at the Ure Museum of Greek Archaeology, University of Reading (39 other vases were published in Corpus Vasorum Antiquorum, Great Britain 12, University of Reading, 1954). Most of the vases are published here for the first time, with new attributions to identifiable vase painters or workshops. Painter/workshop attributions, fabric identifications, and iconographic discussions enlighten the reader with regard to new findings based on excavations and other fieldwork. The fabrics detailed in this volume range chronologically from Minoan to early Hellenistic, and include South Italian (Apulian, Campanian, Lucanian, and Sicilian), Etruscan, possibly East Greek, as well as mainland (Attic, Boeotian, and Corinthian) wares. It includes patterned, black-glazed, and unglazed wares from almost all of these fabrics, as well as those with figural decoration. The collection therefore represents all the major fabrics of ancient Greek and Etruscan ceramics. The vases, many of which have recorded proveniences, share an interesting collections history, which is documented by Jill Greenaway in the Introduction.

Reinvigorates modernist analysis of myth in Virginia Woolf's fiction by illuminating Woolf's use of parataxis to engage both myth and contemporary social and political issues.

Brill's Companion to Aphrodite brings together an international and multidisciplinary team of experts in the study of Aphrodite—one of the best known, yet ambiguous and complex Graeco-Roman deities. The contributions, which reevaluate conventional approaches to this remarkable goddess, are thematically grouped in four parts according to aspects of the goddess: 'Aphrodite’s Identity’; ‘Aphrodite's Companions and Relations’; ‘The Spread of Aphrodite’s Cults’ and ‘The Reception of the Goddess.’ Each part draws on literary and visual sources, incorporates Greek, Roman, and later material, and ranges across places and periods—from prehistoric Cyprus and the Near East to the antiquities market in 19th century France. This book therefore crosses interdisciplinary boundaries, as well as the multiple aspects and characteristics of the goddess