Amy Herzog – författare

Yarn and fiber enthusiasts everywhere will celebrate the latest addition to Amy Herzog’s beloved knitting series (which includes You Can Knit That, Knit to Flatter, and Knit Wear Love). This essential guide details every aspect of sweater knitting, starting with instructions for four basic sweater types: yoke, raglan, drop shoulder, and set-in sleeve. Patterns are offered in multiple sizes and yarn gauges for broad appeal. Following the basics for each of the four sweater types are a diverse range of customizing options, including how to add a hood, cowl neck, turtleneck, pockets, and zip or cardigan front, just to name a few. Amy’s clear instruction and expert tips expand the many knitting possibilities, creating the essential knitting resource for knitters everywhere.

As Mary Jane navigates both the mundane and the unfathomable realities of caring for Alex her chronically ill young son she finds herself building a community of women from many walks of life.Mary Janeis Pulitzer Prize finalist Amy Herzog's remarkably powerful and compassionate portrait of a contemporary American woman striving for grace.

The Oxford Handbook of Sound and Image in Digital Media surveys the contemporary landscape of audiovisual media. Contributors to the volume look not only to changes brought by digital innovations, but to the complex social and technological past that informs, and is transformed by, new media. This collection is conceived as a series of dialogues and inquiries by leading scholars from both image- and sound-based disciplines. Chapters explore the history and the future of moving-image media across a range of formats including blockbuster films, video games, music videos, social media, digital visualization technologies, experimental film, documentaries, video art, pornography, immersive theater, and electronic music. Sound, music, and noise emerge within these studies as integral forces within shifting networks of representation.The essays in this collection span a range of disciplinary approaches (film studies, musicology, philosophy, cultural studies, the digital humanities) and subjects of study (Iranian documentaries, the Twilight franchise, military combat footage, and Lady Gaga videos). Thematic sections and direct exchanges among authors facilitate further engagement with the debates invoked by the text.

The Oxford Handbook of Sound and Image in Digital Media surveys the contemporary landscape of audiovisual media. Contributors to the volume look not only to changes brought by digital innovations, but to the complex social and technological past that informs, and is transformed by, new media. This collection is conceived as a series of dialogues and inquiries by leading scholars from both image- and sound-based disciplines. Chapters explore the history and the future of moving-image media across a range of formats including blockbuster films, video games, music videos, social media, digital visualization technologies, experimental film, documentaries, video art, pornography, immersive theater, and electronic music. Sound, music, and noise emerge within these studies as integral forces within shifting networks of representation.The essays in this collection span a range of disciplinary approaches (film studies, musicology, philosophy, cultural studies, the digital humanities) and subjects of study (Iranian documentaries, the Twilight franchise, military combat footage, and Lady Gaga videos). Thematic sections and direct exchanges between authors facilitate further engagement with the debates invoked by the text.

Genre: Drama Character: 1 male and 3 females Scenery: Interior After suffering a major loss while he was on a cross-country bike trip, 21 year-old Leo seeks solace from his feisty 91 year-old grandmother Vera in her West Village apartment. Over the course of a single month, these unlikely roommates infuriate, bewilder, and ultimately reach each other. 4000 Miles looks at how two outsiders find their way in today's world. "A funny, moving, altogether wonderful drama. [A] heartening reminder that a keen focus on life's small moments can pay off in a big way onstage." - The New York Times "This well-observed gem deserves to be a hit." - The New York Post "In 4000 Miles , a warm-hearted new play by Amy Herzog, both love and irritability are woven into an illumination of the healing process after the loss of a loved one. The sensitive play [is] filled with small, revelatory and often humorous moments between a grandmother and her grandson." - The Associated Press " 4000 Miles , Amy Herzog's appealing new play, unfolds with the unassuming ease of conversations overheard, among people with complicated relationships." - Bloomberg News

Winner! 2012 New York Times Outstanding Playwright AwardFinalist! 2013 Susan Smith Blackburn PrizeNominee! 2013 Drama Desk Award Outstanding PlayYoung Americans Zack and Abby have the perfect ex-pat life in Paris: a funky bohemian apartment in up-and-coming Belleville; a stable marriage; and Zack's noble mission to fight pediatric AIDS. But when Abby finds Zack at home one afternoon when he's supposed to be at work the questions and answers that follow shake the foundation of their seemingly beautiful life.

Musical spectacles are excessive and abstract, reconfiguring time and space and creating intense bodily responses. Amy Herzog's engaging work examines those instances where music and movement erupt from within more linear narrative frameworks. The representational strategies found in these films are often formulaic, repeating familiar story lines and stereotypical depictions of race, gender, and class. Yet she finds the musical moment contains a powerful disruptive potential.Dreams of Difference, Songs of the Same investigates the tension and the fusion of difference and repetition in films to ask, How does the musical moment work? Herzog looks at an eclectic mix of works, including the Soundie and Scopitone jukebox films, the musicals of French director Jacques Demy, the synchronized swimming spectacles of Esther Williams, and an apocalyptic musical by Taiwanese director Tsai Ming-liang. Several refrains circulate among these texts: their reliance on clichés, their rewriting of cultural narratives, and their hallucinatory treatment of memory and history.Drawing on the philosophical work of Gilles Deleuze, she explores all of these dissonances as productive forces, and in doing so demonstrates the transformative power of the unexpected.

Americans Zack and Abby are bright, young and recently married. He’s a doctor combatting infant disease. She’s an actress, who also teaches yoga. It’s just before Christmas and they’re living the expat high life in bohemian Belleville, Paris.It’s all a little too perfect.Belleville was first produced at Yale Repertory Theatre in 2011, and transferred to New York Theatre Workshop in 2013. The play received its UK premiere at the Donmar Warehouse, London, in 2017, in a production directed by Michael Longhurst.Amy Herzog’s other plays include Mary Jane, Pulitzer Prize finalist 4000 Miles, After the Revolution and The Great God Pan.

In this follow-up to Knit to Flatter, author Amy Herzog is back with more real-talk for knitters. In Knit Wear Love, she guides us through picking a base pattern that works for our inherent shape, then customising it to suit our size and style—all with the skill of a top-notch teacher and designer and the honesty and humour of a BFF.Known for her uncanny ability to simplify what might initially seem complex, Herzog masterminded for Knit Wear Love an easy mix-and-match pattern system that allows us to choose among the eight key jumper forms (pullover, cardigan, vest, cowl, tunic, wrap, tank and bolero/shrug); eight fashion styles (modern, classic, romantic, sporty, bohemian, avant-garde, vintage and casual); a trove of customisation details; ten sizes; and three gauges of yarn.The result?Sweaters we can knit with confidence, wear with pride, and love for many years to come.