Amy Key – författare

'The book I've been waiting for my entire life' DOLLY ALDERTONIs it possible that life without romantic love isn't so bad?When poet Amy Key was growing up, she looked forward to a life shaped by romance, fuelled by desire, longing and the conventional markers of success that come when you share a life with another person. But that didn't happen for her. Now in her forties, she sets out to explore the realities of a life lived in the absence of romantic love.Using Joni Mitchell's seminal album Blue - which shaped Key's expectations of love - as an anchor, Arrangements in Blue elegantly honours a life lived completely by, and for, oneself.Building a home, travelling alone, choosing whether to be a mother, recognising her own milestones, learning the limits of self-care and the expansive potential of self-friendship, Key uncovers the many forms of connection and care that often go unnoticed.With profound candour and intimacy, Arrangements in Blue explores the painful feelings we are usually too ashamed to discuss: loneliness, envy, grief and failure.The result is a book which inspires us to live and love more honestly.**A SUNDAY TIMES AND INDEPENDENT BOOK OF THE YEAR 2023***‘Marks an important shift in ideas about intimacy' OBSERVER

'The book I've been waiting for my entire life' DOLLY ALDERTONIs it possible that life without romantic love isn't so bad?When poet Amy Key was growing up, she looked forward to a life shaped by romance, fuelled by desire, longing and the conventional markers of success that come when you share a life with another person. But that didn't happen for her. Now in her forties, she sets out to explore the realities of a life lived in the absence of romantic love.Using Joni Mitchell's seminal album Blue - which shaped Key's expectations of love - as an anchor, Arrangements in Blue elegantly honours a life lived completely by, and for, oneself.Building a home, travelling alone, choosing whether to be a mother, recognising her own milestones, learning the limits of self-care and the expansive potential of self-friendship, Key uncovers the many forms of connection and care that often go unnoticed.With profound candour and intimacy, Arrangements in Blue explores the painful feelings we are usually too ashamed to discuss: loneliness, envy, grief and failure.The result is a book which inspires us to live and love more honestly.**A SUNDAY TIMES AND INDEPENDENT BOOK OF THE YEAR 2023***‘Marks an important shift in ideas about intimacy' OBSERVER

Amy Key's Isn't Forever is a spell book for feminine selfhood in a world where a sense of self is flimsy, elusive and unrequited. The poems in this book are obsessive in their desire to construct and breach the terms of their own intimacy. The poems have their own `narrative costume' but are vexed with it, not quite able to master the 'diligence of having a body'. This is a book where a tender and sabotaging shame of aloneness has taken root. Where wants cluster and are at war with each other. Where the heart is at once 'all lurgy' and an 'investment piece' to be saved for best. Where the sea is the only solace, but the sea is blase. The `ta-dah!' and candour of these poems is an exercise in Amy Key's imaginative protection and urge for personal extravaganza, an attempt to acknowledge but fight back the brutal inner voice. The obscure audience of the reader is never out of sight. Amy Key's first collection Luxe was published by Salt in 2013. Isn't Forever, her second book-length collection, is a Poetry Book Society Wildcard Choice.

Poetry Book Society Wild Card Choice. Amy Key’s Isn’t Forever is a grimoire for feminine selfhood in a world where a sense of self is flimsy, elusive and unrequited. The poems in this book are obsessive in their desire to construct and breach the terms of their own intimacy. They have their own ‘narrative costume’ but are vexed with it, not quite able to master the ‘diligence of having a body’. This is a book where a tender and sabotaging shame of aloneness has taken root. Where wants cluster and are at war with each other. Where the heart is at once ‘all lurgy’ and an investment piece to be saved for best. Where the sea is the only solace, but the sea is blasé. The ‘ta-dah!’ and candour of these poems is an exercise in Amy Key’s imaginative protection and urge for personal extravaganza, an attempt to acknowledge but fight back the brutal inner voice. The obscure audience of the reader is never out of sight.

Luxe is a magnificent spree in a bric-a-brac shop. A haul of pre-loved and glittering objets – pralines in a crystal bowl, a handful of tame ladybirds, a portrait in vinyl and cola-cubes – are artfully displayed on the poems’ shelves to represent the conflicts and connections of a fabulous circle of friends and lovers, those real, remembered and imagined.