Amy Laura Hall – författare

This is a major study of Kierkegaard and love. Amy Laura Hall explores Kierkegaard's description of love's treachery, difficulty, and hope, reading his Works of Love as a text that both deciphers and complicates the central books in his pseudonymous canon: Fear and Trembling, Repetition, Either/Or, and Stages on Life's Way. In all of these works, the characters are, as in real life, complex and incomplete, and the conclusions are perplexing. Hall argues that a spiritual void brings each text into being, and her interpretation is as much about faith as about love. In a style that is both scholarly and lyrical, she intimates answers to some of the puzzles, making a poetic contribution to ethics and the philosophy of religion.

This is a major study of Kierkegaard and love. Amy Laura Hall explores Kierkegaard's description of love's treachery, difficulty, and hope, reading his Works of Love as a text that both deciphers and complicates the central books in his pseudonymous canon: Fear and Trembling, Repetition, Either/Or, and Stages on Life's Way. In all of these works, the characters are, as in real life, complex and incomplete, and the conclusions are perplexing. Hall argues that a spiritual void brings each text into being, and her interpretation is as much about faith as about love. In a style that is both scholarly and lyrical, she intimates answers to some of the puzzles, making a poetic contribution to ethics and the philosophy of religion.

Genetic manipulation. Designer babies. Prenatal screening. The genomic revolution. Cutting-edge issues in reproductive bioethics grab our attention almost daily, prompting strong responses from various sides. As science advances and comes ever closer to "perfect" procreation and "perfectible" babies, controversy has become a constant in bioethical discussion. Amy Laura Hall seeks out the genesis of such issues rather than trying to divine their future. Her disturbing finding is that mainline Protestantism is complicit in the history and development of reproductive biotechnology. Through analysis of nearly 150 images of the family in the mainstream media in the twentieth century, Hall argues that, by downplaying the gratuity of grace, middle-class Protestants, with American culture at large, have implicitly endorsed the idea of justification through responsibly planned procreation. A tradition that should have welcomed all persons equally has instead fostered a culture of "carefully delineated, racially encoded domesticity." The research in Conceiving Parenthood is new, the theory provocative, and the illustrations exceptional. The book is replete with photos and advertisements from popular magazines from the 1930s through the 1950s—Parents', Ladies' Home Journal, National Geographic, and so on. Hall's analysis of these ads is startling. Her goal, however, is not simply to startle readers but to encourage new conversations within communities of faith&mdashconversations enabling individuals, couples, congregations, even entire neighborhoods to conceive of parenthood in ways that make room for families and children who are deemed to be outside the proper purview of the right sorts of families.

Laughing at the Devil is an invitation to see the world with a medieval visionary now known as Julian of Norwich, believed to be the first woman to have written a book in English. (We do not know her given name, because she became known by the name of a church that became her home.) Julian “saw our Lord scorn [the Devil's] wickedness” and noted that “he wants us to do the same.” In this impassioned, analytic, and irreverent book, Amy Laura Hall emphasizes Julian's call to scorn the Devil. Julian of Norwich envisioned courage during a time of fear. Laughing at the Devil describes how a courageous woman transformed a setting of dread into hope, solidarity, and resistance.

Laughing at the Devil is an invitation to see the world with a medieval visionary now known as Julian of Norwich, believed to be the first woman to have written a book in English. (We do not know her given name, because she became known by the name of a church that became her home.) Julian “saw our Lord scorn [the Devil's] wickedness” and noted that “he wants us to do the same.” In this impassioned, analytic, and irreverent book, Amy Laura Hall emphasizes Julian's call to scorn the Devil. Julian of Norwich envisioned courage during a time of fear. Laughing at the Devil describes how a courageous woman transformed a setting of dread into hope, solidarity, and resistance.

Laughing at the Devil is an invitation to see the world with a medieval visionary now known as Julian of Norwich, believed to be the first woman to have written a book in English. (We do not know her given name, because she became known by the name of a church that became her home.) Julian “saw our Lord scorn [the Devil''s] wickedness” and noted that “he wants us to do the same.” In this impassioned, analytic, and irreverent book, Amy Laura Hall emphasizes Julian''s call to scorn the Devil. Julian of Norwich envisioned courage during a time of fear. Laughing at the Devil describes how a courageous woman transformed a setting of dread into hope, solidarity, and resistance.

For the last two years, acclaimed theologian Amy Laura Hall has written a lively, wide-ranging, opinionated column for her local newspaper. In her column, Hall has sought--without flatly rejecting globalism--to think and act locally. She has also responded to what she sees as a disturbing Christian turn toward asceticism and away from abundance. Drawing from her scholarship, but also from conversations at coffee shops and around the dinner table, Hall''s "missives of love" engage topics such as school dress codes, ubiquitous surveillance cameras, LGBTQ dignity, and bullies in the workplace. They draw richly and variously on pop songs, dead saints, young adult literature, and many stories about actual neighbors and family members. Often offbeat and always riveting, they ask how the world around us works and can work much better for the sake of daily truth and flourishing.