Amy R. Whitehead – författare

Critically examining the notion of ‘world religions’, Charles D. Orzech compares five purpose-built museums of world religions and their online extensions. Inspired by the 19th and 20th century discipline of comparative religion, these museums seek to promote religious tolerance by representing religious diversity and by arguing for underlying kinship among religions. From locations in Europe (Marburg, Glasgow and St Petersburg), to North America (Quebec) to Asia (Taipei), each museum advances a particular cultural history. This book shows how the curation of the objects they contain shapes public perceptions of religion, giving material form to the discourses about religion and world religions.Raising important questions about religion and secularity, museum displays and religious piety, Museums of World Religions questions the ideology that informs these museums. Building on recent anthropological work on the agency of religious objects, the author critiques these museums and suggests new approaches to displaying the matter of religion.

Food, Festival and Religion explores how communities in northern Italy find a restorative sense of place through foodways, costuming and other forms of materiality. Festivals examined by the author vary geographically from the northern rural corners of Italy to the fashionable heart of urban Milan. The origins of these lived religious events range from Christian to vernacular Italian witchcraft and contemporary Paganism, which is rapidly growing in Italy. Francesca Ciancimino Howell demonstrates that during ritualized occasions the sacred is located within the mundane. She argues that communal feasting, pilgrimage, rituals and costumed events can represent forms of lived religious materiality. Building on the work of scholars including Foucault, Grimes and Ingold, Howell offers a theoretical “Scale of Engagement” which further tests the interfaces between and among the materialities of place, food, ritual and festivals and provides a widely-applicable model for analyzing grassroots events and community initiatives.Through extensive ethnographic research and fieldwork data, this book demonstrates that popular Italian festivals can be ritualized, liminal spaces, contributing greatly to the fields of religious, performance and ritual studies.

This book explores the material religion of contemporary Shimla, a vibrant postcolonial city, famed for its colonial heritage, set against the backdrop of the North-Western Himalayas. Jonathan Miles-Watson demonstrates that this landscape is able to peacefully reconcile the apparent tensions of faith, heritage and identity in a way that unseats traditional theories of religion, politics and heritage. It presents a mystery that is written in space through time; the key to unlocking this mystery lies in clear view, at the city’s heart, in the contemporary material religion that surrounds nominally Christian sacred sites. Although the material religion centres on landscapes that are identifiable as Christian, the book demonstrates that Hindus, atheists and Sikhs all have a role to play in the mutually constitutive relations that lie at the centre of these knots of sacred entanglement.This book builds upon over a decade of research to present an ethnographic account of devotional practices that speaks to contemporary developments in both the anthropology of Christianity and material religion. Through this exploration the book answers the mystery of Shimla’s postcolonial harmony, while complicating established theories in the anthropology of religion, postcolonial studies, mythography, heritage studies and material culture.

What happens when the written words of biblical scripture are transformed into experiential, choreographed environments? To answer this question, anthropologist James Bielo explores a diverse range of practices and places that “materialize the Bible,” including gardens, theme parks, shrines, museums, memorials, exhibitions, theatrical productions, and other forms of replication. Integrating ethnographic, archival, and mass media data, case studies focus primarily on U.S. Christianity from the late 19th-century to the present.Composed as 20 short chapters that may be read in any order, the book is divided into three sections. Section I, “Variations on Replication,” analyzes examples that recontextualize elements from the (actual or imagined) biblical past. Section II, “The Power of Nature,” turns to the natural world associated with Christian scripture and how it is mobilized as a privileged media. Section III, “Choreographing Experience,” examines lived interactions with the affordances of materializing the Bible. Bielo argues that materializing the Bible works as an authorizing practice to intensify intimacies with scripture and circulate potent ideologies. Performed through the sensory experience of bodies, physical technologies, and infrastructures of place, Bielo illustrates how this phenomenon is always, ultimately, about expressions of power.

Material Devotion in a South Indian Poetic World contributes new methods for the study and interpretation of material religion found within literary landscapes. The poets of Hindu devotion are known for their intimate celebration of deities, and while verses over a thousand years old are still treasured, translated, and performed, little attention has been paid to the evocative sensorial worlds referenced by these literary compositions. This book offers a material interpretation of an understudied poem that defined an entire genre of South Asian literature —Tirukkovaiyar—the 9th-century Tamil poem dedicated to Shiva.The poetry of Tamil South India invites travel across real and imagined geography, naming royal patrons, ancient temple towns, and natural landscapes. Leah Elizabeth Comeau locates the materiality of devotion to Shiva in a world unique to the South Indian vernacular and yet captivating to audiences across time, place, and tradition.

Food, Festival and Religion explores how communities in northern Italy find a restorative sense of place through foodways, costuming and other forms of materiality. Festivals examined by the author vary geographically from the northern rural corners of Italy to the fashionable heart of urban Milan. The origins of these lived religious events range from Christian to vernacular Italian witchcraft and contemporary Paganism, which is rapidly growing in Italy. Francesca Ciancimino Howell demonstrates that during ritualized occasions the sacred is located within the mundane. She argues that communal feasting, pilgrimage, rituals and costumed events can represent forms of lived religious materiality. Building on the work of scholars including Foucault, Grimes and Ingold, Howell offers a theoretical “Scale of Engagement” which further tests the interfaces between and among the materialities of place, food, ritual and festivals and provides a widely-applicable model for analyzing grassroots events and community initiatives.Through extensive ethnographic research and fieldwork data, this book demonstrates that popular Italian festivals can be ritualized, liminal spaces, contributing greatly to the fields of religious, performance and ritual studies.

This book explores the material religion of contemporary Shimla, a vibrant postcolonial city, famed for its colonial heritage, set against the backdrop of the North-Western Himalayas. Jonathan Miles-Watson demonstrates that this landscape is able to peacefully reconcile the apparent tensions of faith, heritage and identity in a way that unseats traditional theories of religion, politics and heritage. It presents a mystery that is written in space through time; the key to unlocking this mystery lies in clear view, at the city’s heart, in the contemporary material religion that surrounds nominally Christian sacred sites. Although the material religion centres on landscapes that are identifiable as Christian, the book demonstrates that Hindus, atheists and Sikhs all have a role to play in the mutually constitutive relations that lie at the centre of these knots of sacred entanglement.This book builds upon over a decade of research to present an ethnographic account of devotional practices that speaks to contemporary developments in both the anthropology of Christianity and material religion. Through this exploration the book answers the mystery of Shimla’s postcolonial harmony, while complicating established theories in the anthropology of religion, postcolonial studies, mythography, heritage studies and material culture.

This book offers a clear, concise introduction to the meaning of problematic terms, and the ways in which they should legitimately be used. Each entry considers the following:– Why is this concept problematic?– What are the origins of the concept?– How is it used or misused, and by whom?– Is it still a legitimate concept in the study of religion and, if so, what are its legitimate uses?– Are there other concepts that are preferable when writing on religion?Concepts covered include:– Belief– Religion – Magic– Secularisation – ViolenceThis is a jargon-free indispensable resource for students and scholars that encourages the critical use of terms in the study of religion.

This book offers a clear, concise introduction to the meaning of problematic terms, and the ways in which they should be handled legitimately. Each entry considers the following:– Why is this concept problematic?– What are the origins of the concept?– How is it used or misused, and by whom?– Is it still a legitimate concept in the study of religion and, if so, what are its legitimate uses?– Are there other concepts that are preferable when writing on religion?Concepts covered include: belief, religion, magic, secularization and violence.This is a jargon-free, indispensable resource for students and scholars that encourages the critical use of terms in the study of religion.

What happens when the written words of biblical scripture are transformed into experiential, choreographed environments? To answer this question, anthropologist James Bielo explores a diverse range of practices and places that “materialize the Bible,” including gardens, theme parks, shrines, museums, memorials, exhibitions, theatrical productions, and other forms of replication. Integrating ethnographic, archival, and mass media data, case studies focus primarily on U.S. Christianity from the late 19th-century to the present.Composed as 20 short chapters that may be read in any order, the book is divided into three sections. Section I, “Variations on Replication,” analyzes examples that recontextualize elements from the (actual or imagined) biblical past. Section II, “The Power of Nature,” turns to the natural world associated with Christian scripture and how it is mobilized as a privileged media. Section III, “Choreographing Experience,” examines lived interactions with the affordances of materializing the Bible. Bielo argues that materializing the Bible works as an authorizing practice to intensify intimacies with scripture and circulate potent ideologies. Performed through the sensory experience of bodies, physical technologies, and infrastructures of place, Bielo illustrates how this phenomenon is always, ultimately, about expressions of power.

Critically examining the notion of ‘world religions’, Charles D. Orzech compares five purpose-built museums of world religions and their online extensions. Inspired by the 19th and 20th century discipline of comparative religion, these museums seek to promote religious tolerance by representing religious diversity and by arguing for underlying kinship among religions. From locations in Europe (Marburg, Glasgow and St Petersburg), to North America (Quebec) to Asia (Taipei), each museum advances a particular cultural history. This book shows how the curation of the objects they contain shapes public perceptions of religion, giving material form to the discourses about religion and world religions.Raising important questions about religion and secularity, museum displays and religious piety, Museums of World Religions questions the ideology that informs these museums. Building on recent anthropological work on the agency of religious objects, the author critiques these museums and suggests new approaches to displaying the matter of religion.

Finalist for the American Academy of Religion (AAR) Book Award 2020In Qur’anic Matters, Natalia Suit explores the materiality of books, focusing on the mushaf. With its paper, binding, ink, and script, the mushaf is not simply a carrier of the Qur’anic text but, by the virtue of its material body, it also has the ability to engender reformulations of religious knowledge and practice. Reading the Qur’an on a screen of a phone, for example, does not require the same forms of ritual ablutions as reading a printed text. The rules of purity limiting the access to the Qur’anic text for menstruating woman change when the Qur’anic text is mediated by digital bytes instead of paper.Qur’anic Matters spans the time between two important technological shifts—the introduction of printed Qur’anic books in Egypt in the early nineteenth century and the digitization of the Qur’an almost two centuries later. Throughout, Natalia Suit weaves together the theological, legal, economic, and social “presences” of the Qur’anic books into a single account. She argues that the message and the materiality of the object are not separate from each other, nor are they separate from the human bodies with which they come in contact.

Grounded in anthropological comparison and the concept of materiality, this book offers an in-depth ethnographic study of the similarities and differences among various forms of religious practices in a Pentecostal Church (Christ Embassy) and an Islamic group (NASFAT) in the Nigerian capital of Abuja.Scholarship in this area tends to focus on inter-religious contestations and conflicts; however, this book proposes that another dynamic is unfolding between Christians and Muslims that is characterised by conviviality, interfaith joint action programmes, mutual influences and even the exchange of religious forms. The comparative approach reveals that, notwithstanding the seemingly opposed worldviews and divergences between Muslims and Christians, they all face similar challenges and apply similar techniques for meeting the challenges posed by the precarious Nigerian urban environment. It is through practices – especially those conducted in (semi-) public settings – that people from different religious persuasions define, encroach on and feel the weight of each other's presence.

Grounded in anthropological comparison and the concept of materiality, this book offers an in-depth ethnographic study of the similarities and differences among various forms of religious practices in a Pentecostal Church (Christ Embassy) and an Islamic group (NASFAT) in the Nigerian capital of Abuja.Scholarship in this area tends to focus on inter-religious contestations and conflicts; however, this book proposes that another dynamic is unfolding between Christians and Muslims that is characterised by conviviality, interfaith joint action programmes, mutual influences and even the exchange of religious forms. The comparative approach reveals that, notwithstanding the seemingly opposed worldviews and divergences between Muslims and Christians, they all face similar challenges and apply similar techniques for meeting the challenges posed by the precarious Nigerian urban environment. It is through practices – especially those conducted in (semi-) public settings – that people from different religious persuasions define, encroach on and feel the weight of each other's presence.

Material Devotion in a South Indian Poetic World contributes new methods for the study and interpretation of material religion found within literary landscapes. The poets of Hindu devotion are known for their intimate celebration of deities, and while verses over a thousand years old are still treasured, translated, and performed, little attention has been paid to the evocative sensorial worlds referenced by these literary compositions. This book offers a material interpretation of an understudied poem that defined an entire genre of South Asian literature —Tirukkovaiyar—the 9th-century Tamil poem dedicated to Shiva.The poetry of Tamil South India invites travel across real and imagined geography, naming royal patrons, ancient temple towns, and natural landscapes. Leah Elizabeth Comeau locates the materiality of devotion to Shiva in a world unique to the South Indian vernacular and yet captivating to audiences across time, place, and tradition.

How have practices and imaginaries of sensing been religiously engaged and contested by Muslims? How do contemporary Muslim practices and debates concerning religious sensing relate to historical precedents?Analysing examples dealing with contemporary Sufism and Muslim religious oratory, this book explores how the senses have been engaged and contested in Muslim religiosity. Combining the research fields of Islamic Studies, anthropology of Islam, material religion and sensory studies, this book covers a range of materials, including writings by Muslim religious authorities, ethnographic material, audio recordings and videos.Focusing on Western contexts, this book provides an innovative approach by foregrounding the piety practices of Western Muslims. Synthesising existing research with his own original analyses, Simon Stjernholm provides a fresh perspective on Islamic tradition, religiosity and sensing.

How have practices and imaginaries of sensing been religiously engaged and contested by Muslims? How do contemporary Muslim practices and debates concerning religious sensing relate to historical precedents?Analysing examples dealing with contemporary Sufism and Muslim religious oratory, this book explores how the senses have been engaged and contested in Muslim religiosity. Combining the research fields of Islamic Studies, anthropology of Islam, material religion and sensory studies, this book covers a range of materials, including writings by Muslim religious authorities, ethnographic material, audio recordings and videos.Focusing on Western contexts, this book provides an innovative approach by foregrounding the piety practices of Western Muslims. Synthesising existing research with his own original analyses, Simon Stjernholm provides a fresh perspective on Islamic tradition, religiosity and sensing.

Objects such as statues and icons have long been problematic in the study of religion, especially in European Christianities. Through examining two groups, the contemporary Pagan Glastonbury Goddess religion in the Southwest of England and a cult of the Virgin Mary in Andalusia, Spain, Amy Whitehead asserts that objects can be more than representational or symbolic. In the context of increasing academic interest in materiality in religions and cultures, she shows how statues, or 'things', are not always interacted with as if they are inert material against which we typically define ourselves as 'modern' humans.Bringing two distinct cultures and religions into tension, animism and 'the fetish' are used as ways in which to think about how humans interact with religious statues in Western Europe and beyond. Both theoretical and descriptive, the book illustrates how religions and cultural practices can be re-examined as performances that necessarily involve not only human persons, but also objects.