Amy Wright – författare

"Am I normal? Do other women feel like this too, or am I totally alone here?"Spoiler alert! We''re all walking shitshows. Some of us are matinee level and some are sold out, opening night, line out the movie theater door level... but shitshows just the same (did anyone bring the popcorn and Milk Duds?). To pretend that we''ve got it all together and that we''re not just winging it as we go along every single day in this spiraling tornado of motherhood fuckery, is just a complete waste of time and denial.Add in motherhood, marriage, a never ending list of to-do''s, and maybe a light dusting (or a heaping spoonful) of mental illness and you''ve got yourself a sold out blockbuster of a show (that Amy happily shares on the internet as The Drunk Mom)! A hilarious yet eye opening account of what #momlife is really all about, without the filters and pretentious bullshit.Welcome to the show!

Home to extraordinary writers such as William Styron, Tom Wolfe, and Ellen Glasgow, the state of Virginia’s literary past is among the most prolific in the nation. Indeed, this state, with its beautiful and varied ecosystems—Appalachia, Chesapeake Bay, the Shenandoah Valley, and Virginia’s beautiful beaches, just to name a few—seem to serve as the landscapes from which equally varied and nutritive writers spring, from the lyrical, often ecstatic meditations of Charles Wright to the poignant, dynamic narratives and lyrics of Ellen Bryant Voigt, from the moving narratives of Rita Dove to the formal mastery and wit of R. T. Smith. Series Editor William Wright, along with Volume Editors J. Bruce Fuller, Jesse Graves, and Amy Wright, have collaborated to bring readers a wide-ranging survey in The Southern Poetry Anthology, Volume IX: Virginia. This volume seeks to emphasize the uniqueness of the poetic voices of Virginia. In doing so, the editors have acknowledged and included many celebrated writers from the recent past as well as relatively new, diverse voices that reiterate the literary fecundity of one of the most beautiful, revered, and complicated states in the American South.

“The Southern Poetry Anthology, Volume III, second edition, edited with passion and precision, in collaboration with Texas Review Press, transcends the stereotypes surrounding Appalachia, revealing the true diversity and complexity of Appalachia’s poetic voices. Commitment to showcasing the rich and rewarding literary landscape reflects the evolving spirit of this beautiful region. This anthology serves as a testament to the resilience and beauty found in the works of Appalachian poets, painting a vivid picture of a culture that defies easy categorization. Through carefully selected poems, this edition weaves a tapestry that is as vibrant as it is complicated, offering readers a deeper understanding of Appalachia’s multifaceted identity: nuances, complexities, and sheer beauty that define Contemporary Appalachia. Embark on a literary journey that honors tradition while embracing the contemporary, as The Southern Poetry Anthology, Volume III, invites readers to explore the heart and soul of a region that defies stereotypes and resonates with authenticity.” - William Wright, Series Editor

How to capture Amy Wright’s Paper Concert: A Conversation in the Round, a one-of-a-kind book-length essay containing a multitude of individual voices? Wright, conductor extraordinaire, has managed to piece apart, then fold together conversations from a bevy of thinkers like Dorothy Allison, Rae Armantrout, Gerald Stern, Lia Purpura, Raven Jackson, Wendy Walters, Kimiko Hahn, Philanese Slaughter, and others, blended into one harmonious whole. Wright opens the book: “This essay anchors a central thread of dialogue over a dizzying divide. It weaves a decades worth of questions and answers from a range of discussions I’ve had with artists, activists, scientists, philosophers, physicians, priests, musicians, and other representatives of the human population. Some of them are famous, some will be, some should be—but all of them refract the light of the unknowable mystery of the self.”The subjects range from the interconnected (inspiration and craft) to the seemingly disparate (colonialism and entomophagy), all with the hope of finding what truly matters to us.If this book is a paper concert, it is a symphony. Just pull up a chair and listen.