Andrea Barrett – författare

`A great, shivery, seductive read.’ ElleIntelligent, accessible literary fiction of the highest order. Superbly dramatic and beautifully readable.A terrific tale of high endeavour and polar peril, this is the story of a scientific expedition to the Arctic in 1855 and the women the explorers left behind.A brilliant portrait of Victorian society obsessed with mapping and classifying everything under the sun – including the icy Arctic – where theemancipation of women and the evolution of species are the next great revolutions just stirring into life.

A national hardback bestseller in the US – another magnificently imagined and executed book of historical fiction with a contemporary twist, from one of the masters of the form. ‘These stories possess a wonderful clarity and ease, the serene authority of a writer working at the very height of her powers.' New York TimesRanging across two centuries, and from the western Himalayas to an Adirondack village, Servants of the Map travels the territories of yearning and awakening, of loss and unexpected discovery.A mapper of the highest mountain peaks, engaged on the trigonometrical measurement of British India, realizes his true obsession while in deflationary correspondence with his far-off wife. A young woman afire with scientific curiosity must come to terms with a romantic fantasy. Brothers and sisters, torn apart at an early age, are beset by dreams of reunion. Throughout, Barrett’s most characteristic theme – the happenings in that borderland between science and desire – unfolds in the diverse lives of unforgettable human beings.

Exceptional tales of emancipation and evolution at the birth of the modern era. Winner of US National Book Award.’Andrea Barrett’s work stands out for its sheer intelligence. The overall effect is quietly dazzling.’ New York TimesSet against the backdrop of the nineteenth century, this elegant collection of stories take their impulse from the world of science. Interweaving historical and fictional characters, they illuminate the secret passions of those driven by a devotion to, and an intimate acquaintance with, the natural world.’Barrett’s stories fascinate…she pulls us into them as into fast-moving water.’ San Francisco Chronicle’Beautiful stories about the wonder and work of science. The title novella describes the horrors of typhus in the newly arrived Irish immigrants to Quebec, and suggests that, in epidemics, medicine is more a piece of politics than a form of science. In Barrett’s hands, science is transformed from hard and known fact into malleable, strange and thrilling fictional material.’ Boston Globe’An extraordinary story collection. Barrett blends a sure grasp of the history and method of science into each of her evocative tales.’ Chicago Tribune’Many of these stories are set in the late nineteenth century, the adolescence of modern science. Barrett’s women are often scoffed at for their love of learning. Some try to use science as a currency with which to buy acceptance in a male-dominated world. But no character relates only to his or her work. Barrett builds her fictions like stones thrown into prose ponds: science is the stone, while human dramas, personal and social, are the concentric rings that radiate beautifully outward.’ Newsday

Ranging across two centuries, and from the western Himalaya to an Adirondack village, these wonderfully imagined stories and novellas travel the territories of yearning and awakening, of loss and unexpected discovery. A mapper of the highest mountain peaks realizes his true obsession. A young woman afire with scientific curiosity must come to terms with a romantic fantasy. Brothers and sisters, torn apart at an early age, are beset by dreams of reunion. Throughout, Barrett's most characteristic theme—the happenings in that borderland between science and desire—unfolds in the diverse lives of unforgettable human beings. Although each richly layered tale stands independently, readers of Ship Fever (National Book Award winner) and Barrett's extraordinary novel The Voyage of the Narwhal, will discover subtle links both among these new stories and to characters in the earlier works.

This big, beautiful anthology of short fiction is for readers, writers, and anyone curious about the mysterious processes of literary minds. All contributors have been recent faculty members of the prestigious Warren Wilson Low Residency Program, including such literary favorites as Margot Livesey, Charles Baxter, Robert Boswell, Jim Shepard, Antonya Nelson, David Shields, and the editors themselves.Each writer was asked to submit an original story, accompanied by an essay describing the challenges of the story and how they were met. Since writers resist herding, the editors were happily surprised by the wide range of essays—"fiction writers, when given the space, think about their work very differently." We learn about the genesis of a story, how story evolves, what was eventually relinquished and why, and how a story—surprisingly—might "insist" on changing.Arranged alphabetically by author, and beginning with Richard Russo's cogent introduction, this volume is a treasure throughout.

The elegant short fictions gathered hereabout the love of science and the science of love are often set against the backdrop of the nineteenth century. Interweaving historical and fictional characters, they encompass both past and present as they negotiate the complex territory of ambition, failure, achievement, and shattered dreams.In "Ship Fever," the title novella, a young Canadian doctor finds himself at the center of one of history's most tragic epidemics. In "The English Pupil," Linnaeus, in old age, watches as the world he organized within his head slowly drifts beyond his reach. And in "The Littoral Zone," two marine biologists wonder whether their life-altering affair finally was worth it.In the tradition of Alice Munro and William Trevor, these exquisitely rendered fictions encompass whole lives in a brief space. As they move between interior and exterior journeys, "science is transformed from hard and known fact into malleable, strange and thrilling fictional material" (Boston Globe).

In this thoughtful collection of essays, Andrea Barrett draws from her experiences writing some of the most acclaimed historical fiction of our time to explore the mysteries and delights of the genre. Inspiration found in the past, she argues, can illuminate fiction, just as dust scatters light and makes the unseen visible. Delving into some of the largest questions in the genre—How does a writer find meaningful subject matter beyond the confines of their life? How are scraps of history transformed into a fully formed narrative?—Barrett explores how she came to create some of her beloved works and explores lessons gleaned from the work of such masters of historical fiction as including Toni Morrison, Leo Tolstoy, Hilary Mantel and Colm Tóibín. Candid and elegant, Dust and Light is the perfect book for anyone who loves reading fiction set in the past, as well as for anyone aspiring to write it.

The Narwhal has a simple mission: to find the remains—human and material—of a disappeared ship. But its rash and obsessive young commander, Zeke Voorhees, has ulterior motives that may spell doom for the Narwhal and its crew. His soon-to-be brother-in-law, scholar-naturalist Erasmus Darwin Wells, may be the only one aboard who can alter their fate. Back in Philadelphia, the women left behind make journeys of the imagination as they await the Narwhal’s return. Wielding her signature lyrical and precise style, Andrea Barrett unravels the mid-nineteenth-century American romance with the Arctic in a "genuine page turner that long lingers in the mind" (Philip Graham, Chicago Tribune).

In the fall of 1916, America prepares for war—but in the town of Tamarack Lake, the focus is on the sick. Wealthy tubercular patients live in private cure cottages; charity patients, mainly immigrants, fill the large public sanatorium. From within their isolated community, they grapple with some of the most thrilling scientific discoveries of their time—X-ray technology, chemical and biological weapons, changing theories of atomic structure—and their limitations. Prisoners of routine, they take solace in gossip, rumor, and, sometimes, secret attachments. When the well-meaning efforts of one enterprising patient lead instead to a tragic accident and a terrible betrayal, the war comes home, bringing with it a surge of anti-immigrant prejudice. With The Air We Breathe, Andrea Barrett has crafted a "majestic, breathtaking, [and] thrilling" (San Diego Union-Tribune) novel that brilliantly illuminates the inescapable heartbreak of war.

A young boy comes of age amid an explosion of homespun investigations. A widowed science writer tries to reconcile the influence of emotion on scientific theory. A famous biologist finds himself outpaced by his students, even as he seeks to teach them. As the characters in this "elegant, thought-provoking" (Connie Ogle, Miami Herald) collection witness the world transform around them through groundbreaking discoveries—the flight of an early aeroplane, Darwin’s theory of evolution, developments in genetics and X-ray technology—they grapple with the thrill and loss that accompanies scientific progress, and the personal passions and impersonal politics that shape all human knowledge. Throughout these deftly plotted stories, Andrea Barrett weaves subtle connections among the tales within this collection and characters in her earlier works.

In Natural History, Andrea Barrett completes the beautiful arc of intertwined lives of a family of scientists, teachers, and innovators that she has been weaving through multiple books since her National Book Award–winning collection, Ship Fever. The six exquisite stories in Natural History are set largely in a small community in central New York state and portray some of her most beloved characters, spanning the decades between the Civil War to the present day. In “Henrietta and Her Moths,” a woman tends to an insect nursery as her sister’s life follows a different path. In “Open House,” a young man grapples with a choice between a thrilling life spent discovering fossils and a desire to remain close to home. And in the magnificent title novella, “Natural History,” Barrett deepens the connection between her characters, bringing us through to the present day and providing an unforgettable capstone.Told with Barrett’s characteristic elegance, passion for science, and wonderful eye for the natural world, the psychologically astute and moving stories gathered in this collection evoke the ways women’s lives and expectations—in families, in work, and in love—have shifted across a century and more. Building upon one another, these tales brilliantly culminate to reveal how the smallest events of the past can have large reverberations across the generations, and how potent, wondrous, and strange the relationship between history and memory can be.

Servants of the Map sweeps through two centuries, from the Western Himalayas to the Adirondacks, conjuring characters that travel through the territories of yearning and awakening, of loss and unexpected discovery. A mapper of the highest mountain peaks realizes his true obsession. A young woman afire with scientific curiosity must come to terms with a romantic fantasy. Brothers and sisters, torn apart at an early age, are beset by dreams of reunion. As we move through these richly layered tales, Andrea Barrett weaves subtle connections among the stories within this collection and characters in her earlier works.

The celebrated novelist Andrea Barrett has for decades reached backward to find inspiration from the past, and written acclaimed and prize-winning works of historical fiction. In Dust and Light, her first non-fiction work, Barrett draws from that deep well of experience to explore the mysteries, methods and delights of the form. She reveals how she created some of her own beloved works, taking readers on a fascinating journey into some of the largest questions in the genre.Building on pieces originally published in leading literary magazines, Dust and Light is an elegant exploration of the hazy borderlands of fiction sewn from the materials of history. Filled with profound insights, it will be a delight for any devoted fiction readers, and of great use to aspiring writers too.

A Kite in the Wind is an anthology of essays by 20 veteran writers and master teachers. While the contributors offer specific, practical advice on such fundamental aspects of craft as characterization, character names, the first person point of view, and unreliable narrators, they also give extended, thoughtful consideration to more sophisticated topics, including "imminence," or the power of a sense of beginning; creating and maintaining tension; "lushness"; and the deliberate manipulation of information to create particular effects. The essays in A Kite in the Wind begin as personal investigations -- attempts to understand why a decision in a particular story or novel seemed unsuccessful; to define a quality or problem that seemed either unrecognized or unsatisfactorily defined; to understand what, despite years of experience as a fiction writer, resisted comprehension; and to pursue haunting, even unanswerable questions. Unlike a how-to book, the anthology is less an instruction manual than it is an intimate visit with twenty very different writers as they explore topics that excite, intrigue, and even puzzle them.Each discussion uses specific examples and illustrations, including both canonical stories and novels and writing less frequently discussed, from the 19th, 20th, and 21st centuries, by both American and international authors. The contributors share their hard-earned insights for beginning and advanced writers with humility, wit, and compassion. The first section of the book focuses on narration, with particular attention paid to various kinds of narrators; the second, on strategic creation and presentation of character; the third, on some of the roles of the visual, beginning with establishing setting; and the fourth, on structural and organizational issues, from movement through time to the manipulation of information to create mystery and suspense.