Andrea Hunter – författare

This book offers an in-depth exploration of crowdfunding and crowdsourcing in journalism today, and examines their impacts on the broader media landscape. Crowdfunding and Crowdsourcing in Journalism looks at how these practices disrupt traditional journalism models, including shifting journalistic norms, professional identity, and the ethical issues at play when journalists turn to social media and the Internet to solicit widespread support. While there is often a lot of hype and hope invested in these practices, this book takes a critical look at the labour involved in crowdsourcing journalism practices, and the evolving relationship between audiences and journalists, including issues of civility in online spaces. The author draws on in-depth interviews with journalists in Canada and the United States, as well as examples from the United Kingdom, Germany, Sweden, and Australia, to provide a comprehensive study of increasingly important journalist practices. The book is a valuable resource for academics, researchers, and journalists who are interested in political economy, journalism studies, and labour studies.

This book offers an in-depth exploration of crowdfunding and crowdsourcing in journalism today, and examines their impacts on the broader media landscape. Crowdfunding and Crowdsourcing in Journalism looks at how these practices disrupt traditional journalism models, including shifting journalistic norms, professional identity, and the ethical issues at play when journalists turn to social media and the Internet to solicit widespread support. While there is often a lot of hype and hope invested in these practices, this book takes a critical look at the labour involved in crowdsourcing journalism practices, and the evolving relationship between audiences and journalists, including issues of civility in online spaces. The author draws on in-depth interviews with journalists in Canada and the United States, as well as examples from the United Kingdom, Germany, Sweden, and Australia, to provide a comprehensive study of increasingly important journalist practices. The book is a valuable resource for academics, researchers, and journalists who are interested in political economy, journalism studies, and labour studies.

Feltmaking is a popular medium for craftsmen, but few have explored its potential as an art form. This new book demonsrates the exciting scope of pictorial feltmaking and explains how to create felt pictures with the depth and atmosphere usually associated with a graphite drawing or a watercolour painting. Written by a leading felt artist, it shows to work freely with the wool as if it were paint or a piece of charcoal.

They say that revenge is a dish best served cold - but how cold does it have to be? 
And should it be chopped, sliced or diced? What dish is best suited to a man who at one point had an ex-wife, a wife, a pregnant girlfriend and a new girlfriend - all at the same time? I was an independent, clever, blonde and slightly wild 31-year old Swedish girl when I in 1998 met the man of my dreams. A big hunk of an Englishman, with the looks of Marlon Brando (a young Marlon that is), lush Paul Newman lips and a wide Gene Kelly smile.
 Now, still independent, clever, not-so-blonde-and-wild but also deceived, dumped and ditched by that same man. Sixteen years together, and two kids. So what do you do when you find out that a big part of that has been a lie? Well - you write about it of course!
 This is the true story about how Mr Right became the father of my boys. And how he turned out to be Mr Not-so-Right. Names have been changed of course, but the email correspondence, texts and conversations are real. Welcome to indulge in my revenge - a sweet and juicy real life love story with a spicy twist!