Andrea Khalil – författare

This book provides a unique investigation into the gender dynamics of the Arab Spring as it unfolded in North Africa. It covers issues such as gender legislation in the post-revolution period, sexual harassment, gender activism, politics and the female body, women and Islamist movements, state feminism, women and political economy, and women’s rights in the context of political transitions. Chapters on Morocco, Tunisia, Algeria, Libya and Egypt are written by specialist and activists from those countries. It includes a rare, first hand insight into the gender debates, human rights violations and politics of post Qaddafi Libya, written by a Libyan scholar directly engaged in these developments. An analysis of post-Mubarak gender debates in Egypt is detailed by a gender activist and scholar currently engaged in these debates in favour of gender equitable legislation and human rights in Egypt. Two former Ministers of Women’s Affairs from Tunisia and Algeria, who are also prolific scholars, provide analysis on the situation of women’s rights in the context of Islamism and freedom of artistic expression in Tunisia and Algeria. In addition to these first hand accounts written by North African political and civil society actors, the book provides a comprehensive theoretical background that allows for readers to understand the historical and deeper cultural contexts of gender struggles. The Foreword frames the larger debate about gender equality and democratisation in the North Africa/Middle Eat region and clearly presents the lines of investigation of the chapters. Each chapter contains a clear framing of the subject that will orient, educate, and intelligently inform the general reader about the history, current developments and stakes of women’s struggles that have intensified and shifted since the beginning of the Arab Spring.

This book was published as a special issue of the Journal of North African Studies.

This book provides a unique investigation into the gender dynamics of the Arab Spring as it unfolded in North Africa. It covers issues such as gender legislation in the post-revolution period, sexual harassment, gender activism, politics and the female body, women and Islamist movements, state feminism, women and political economy, and women’s rights in the context of political transitions. Chapters on Morocco, Tunisia, Algeria, Libya and Egypt are written by specialist and activists from those countries. It includes a rare, first hand insight into the gender debates, human rights violations and politics of post Qaddafi Libya, written by a Libyan scholar directly engaged in these developments. An analysis of post-Mubarak gender debates in Egypt is detailed by a gender activist and scholar currently engaged in these debates in favour of gender equitable legislation and human rights in Egypt. Two former Ministers of Women’s Affairs from Tunisia and Algeria, who are also prolific scholars, provide analysis on the situation of women’s rights in the context of Islamism and freedom of artistic expression in Tunisia and Algeria. In addition to these first hand accounts written by North African political and civil society actors, the book provides a comprehensive theoretical background that allows for readers to understand the historical and deeper cultural contexts of gender struggles. The Foreword frames the larger debate about gender equality and democratisation in the North Africa/Middle Eat region and clearly presents the lines of investigation of the chapters. Each chapter contains a clear framing of the subject that will orient, educate, and intelligently inform the general reader about the history, current developments and stakes of women’s struggles that have intensified and shifted since the beginning of the Arab Spring.

This book was published as a special issue of the Journal of North African Studies.

This book takes predominant crowd theory to task, questioning received ideas about ‘mob psychology’ that remain prevalent today. It is a synchronic study of crowds, crowd dynamics and the relationships of crowds to political power in Tunisia, Libya and Algeria (2011-2013) that has far reaching implications embedded in its thesis.

One central theme of the book is gender, providing an in-depth look at women’s participation in the recent uprisings and crowds of 2011-2013 and the subsequent gender-related aspects of political transitions. The book also focuses on the social and political dynamics of tribalism and group belonging (‘asabiyya), including analysis and discussions with Libyan regional tribal chiefs, Libyan and Tunisian tribal members and citizens regarding their notions of tribal belonging. Crowd language and literature are also central to the book’s discussion of how crowds represent themselves, how we as observers represent crowds, and how crowds confront languages of authoritarianism and subjugation.

Crowds and Politics in North Africa includes interviews with crowd participants and key civil society actors from Tunisia, Libya and Algeria. Among these, there are numerous interviews with Benghazi residents, activists and tribal leaders. One of the original case studies in the book is the crowd dynamics during and after the attack on the US consular installation in Benghazi, Libya. The book presents interviews and fieldwork within a literary and cultural theoretical context showing how crowds in the region resonate in forms of cultural resistance to authoritarianism. A valuable resource, this book will be of use to students and scholars with an interest in North African culture, society and politics more broadly.

This book takes predominant crowd theory to task, questioning received ideas about ‘mob psychology’ that remain prevalent today. It is a synchronic study of crowds, crowd dynamics and the relationships of crowds to political power in Tunisia, Libya and Algeria (2011-2013) that has far reaching implications embedded in its thesis.

One central theme of the book is gender, providing an in-depth look at women’s participation in the recent uprisings and crowds of 2011-2013 and the subsequent gender-related aspects of political transitions. The book also focuses on the social and political dynamics of tribalism and group belonging (‘asabiyya), including analysis and discussions with Libyan regional tribal chiefs, Libyan and Tunisian tribal members and citizens regarding their notions of tribal belonging. Crowd language and literature are also central to the book’s discussion of how crowds represent themselves, how we as observers represent crowds, and how crowds confront languages of authoritarianism and subjugation.

Crowds and Politics in North Africa includes interviews with crowd participants and key civil society actors from Tunisia, Libya and Algeria. Among these, there are numerous interviews with Benghazi residents, activists and tribal leaders. One of the original case studies in the book is the crowd dynamics during and after the attack on the US consular installation in Benghazi, Libya. The book presents interviews and fieldwork within a literary and cultural theoretical context showing how crowds in the region resonate in forms of cultural resistance to authoritarianism. A valuable resource, this book will be of use to students and scholars with an interest in North African culture, society and politics more broadly.

This book provides insight into contemporary film production from North African countries referred to as the Maghreb. Focus is both on the socio-economic context of film production, which suffers some of the same setbacks and obstacles as other regions of the developing world, and on the thematic details treated in the films themselves. The book delves into ideas such as gender and sexuality, national identity, political conflict, and issues of post and neo-colonial relationships in the context of globalisation.

The book includes close analyses of individual films which at times show the taboo subjects of sexual and substance abuse, the lives of street children, and prostitution, as well as upper-class contradictions between an increasingly global position of privilege while in the midst of a traditionalist society. Others chapters focus on an individual filmmakers’ world view as depicted in representations of contemporary daily life of the average Tunisian, Moroccan or Algerian. The book provides an understanding of day to day existence in Morocco, Tunisia, and Algeria as depicted by local artists. The theoretical questions raised stretch beyond this topic to touch on ‘third world’ art and film production, and production in conditions of political repression and rigid moral conservatism.