Andrea Long Chu – författare

A bold, provocative collection of essays on one of the most urgent questions of our time: What is authority when everyone has an opinion on everything? Since her canonical 2017 essay “On Liking Women,” the Pulitzer Prize–winning critic Andrea Long Chu has established herself as a public intellectual straight out of the 1960s. With devastating wit and polemical clarity, she defies the imperative to leave politics out of art, instead modeling how the left might brave the culture wars without throwing in with the cynics and doomsayers. Authority brings together Chu’s critical work across a wide range of media—novels, television, theater, video games—as well as an acclaimed tetralogy of literary essays first published in n+1. Chu places The Phantom of the Opera within a centuries-old conflict between music and drama; questions the enduring habit of reading Octavia Butler’s science fiction as a parable of slavery; and charges fellow critics like Maggie Nelson and Zadie Smith with a complacent humanism.Criticism today is having a crisis of authority—but so says every generation of critics. In two magisterial new essays, Chu offers a revised intellectual history of this perennial crisis, tracing the surprisingly political contours of criticism from its origins in the Enlightenment to our present age of social media. Rather than succumbing to an endless cycle of trumped-up emergencies, Authority makes a compelling case for how to do criticism in light of the genuine crises, from authoritarianism to genocide, that confront us today.

Many worry that criticism is suffering from a crisis of authority. In a world where everyone’s a critic, what is criticism for? Since her canonical 2018 essay “On Liking Women,” the Pulitzer Prize–winning critic Andrea Long Chu has established herself as a leading public intellectual and a bold cartographer of the new landscape of taste itself. Authority brings together sharp, illuminating essays on everything from musical theater to sci-fi novels, as well as an acclaimed tetralogy of personal essays first published in the magazine n+1. Throughout, Chu defies the imperative to leave politics out of art, charging fellow critics like Maggie Nelson and Zadie Smith with complacent humanism and modeling how the left might brave the culture wars with both its faculty of judgment and its sense of justice intact.In two magisterial new essays, Chu offers a fresh intellectual history of criticism’s crisis of authority, tracing the surprisingly political contours of the discipline from its origins in the Enlightenment to our present age of social media. The desire to recover some lost authority, she argues, is neither new nor particularly freeing. Rather than being taken in by an endless cycle of trumped-up emergencies over the state of our culture, Authority makes a compelling case for how to do criticism in light of the actual crises, from climate change to rising authoritarianism, that confront us today.

Longlisted for the National Book Critics Circle AwardMany worry that criticism is suffering from a crisis of authority. In a world where everyone's a critic, what is criticism for? Since her canonical essay "On Liking Women," the Pulitzer Prize-winning critic Andrea Long Chu has established herself as a leading public intellectual and a bold cartographer of the new landscape of taste itself.Authority brings together sharp, illuminating essays on everything from musical theater to sci-fi novels, as well as an acclaimed tetralogy of personal essays first published in the magazine n+1. Throughout, Chu defies the imperative to leave politics out of art, charging fellow critics like Maggie Nelson and Zadie Smith with complacent humanism and modeling how the left might brave the culture wars with both its faculty of judgment and its sense of justice intact.In two magisterial new essays, Chu offers a fresh intellectual history of criticism's crisis of authority, tracing the surprisingly political contours of the discipline from its origins in the Enlightenment to our present age of social media. The desire to recover some lost authority, she argues, is neither new nor particularly freeing. Rather than being taken in by an endless cycle of trumped-up emergencies over the state of our culture, Authority makes a compelling case for how to do criticism in light of the actual crises, from climate change to rising authoritarianism, that confront us today.