Andrea Long Chu – författare

This highly anticipated book by the Pulitzer Prize winning critic Andrea Long Chu asks one of the most urgent questions of our time: what is authority when everyone has an opinion on everything?'A rigorous thinker armed with a killer turn of phrase'Observer'Her writing is razor-sharp, personal, and vociferous in its proclamations, but it’s also fun – it’s got bite'New Statesman'Fun reading'Guardian'A galaxy-brain-level thinker' Torrey Peters'One of the most charismatic and original thinkers at work today' Brandon Taylor'Thrilling... Authority reminds us we haven't yet felt all there is to feel' Kaveh Akbar'A pure joy to read' Claire DedererSince her canonical 2017 essay ‘On Liking Women’, the Pulitzer Prize–winning critic Andrea Long Chu has established herself as one of the most provocative, funny, brilliant and stylish critics at work today. With devastating wit and polemical clarity, she defies the imperative to leave politics out of art, instead modeling how the left might brave the culture wars without throwing in with the cynics and doomsayers.Authority brings together Chu’s critical work across a wide range of media—novels, television, theater, video games—as well as an acclaimed tetralogy of literary essays first published in n+1. As a critic, Chu places The Phantom of the Opera within a centuries-old conflict between music and drama; questions the enduring habit of reading Octavia Butler’s science fiction as a parable of slavery; teases out the ideology behind Hillary Clinton’s (fictional) sex life; and charges fellow critics like Maggie Nelson and Zadie Smith with a complacent humanism.The unifying theme of the book is authority and taste in literature, art, culture and politics: how do we decide what's good, and how do we convince others that our judgement is correct?

"Everyone is female, and everyone hates it."So begins Andrea Long Chu''s genre-defying investigation into sex and lies, desperate artists and reckless politics, the smothering embrace of gender and the punishing force of desire. Drawing inspiration from a forgotten play by Valerie Solanas-who wrote the SCUM Manifesto and shot Andy Warhol-Chu aims her searing wit and surgical intuition at targets ranging from performance art to psychoanalysis, incels to porn, and even feminists like herself. Each step of the way she defends the indefensible claim that femaleness is less a biological state of women and more a fatal existential condition that afflicts the entire human race-men, women, and everyone else. In a new afterword, Chu reflects on the book''s reception, the growing anti-trans movement in America, and the continuing need for a radical theory of desire.

"Everyone is female, and everyone hates it."So begins Andrea Long Chu's genre-defying investigation into sex and lies, desperate artists and reckless politics, the smothering embrace of gender and the punishing force of desire. Drawing inspiration from a forgotten play by Valerie Solanas-who wrote the SCUM Manifesto and shot Andy Warhol-Chu aims her searing wit and surgical intuition at targets ranging from performance art to psychoanalysis, incels to porn, and even feminists like herself. Each step of the way she defends the indefensible claim that femaleness is less a biological state of women and more a fatal existential condition that afflicts the entire human race-men, women, and everyone else. In a new afterword, Chu reflects on the book's reception, the growing anti-trans movement in America, and the continuing need for a radical theory of desire.

'A rigorous thinker armed with a killer turn of phrase'Observer'Her writing is razor-sharp, personal, and vociferous in its proclamations, but it’s also fun – it’s got bite'New Statesman'A galaxy-brain-level thinker' Torrey PetersA bold, provocative collection of essays by a Pulitzer winner on one of the most urgent questions of our time: what is authority when everyone has an opinion on everything?This book brings together sharp, illuminating essays on everything from musical theatre to sci-fi novels, as well as an acclaimed tetralogy of personal essays. Throughout, Andrea Long Chu defies the imperative to leave politics out of art, charging fellow critics with complacent humanism and modelling how the left might brave the culture wars with both its faculty of judgment and its sense of justice intact.'A pure joy to read'Claire Dederer'Provocative, beautiful and addictive… I couldn't stop reading'Angela Saini'Thrilling... Authority reminds us we haven't yet felt all there is to feel'Kaveh Akbar

Brought to you by Penguin. Since her canonical 2017 essay 'On Liking Women', the Pulitzer Prize-winning critic Andrea Long Chu has established herself as a public intellectual straight out of the 1960s. With devastating wit and polemical clarity, she defies the imperative to leave politics out of art, instead modeling how the left might brave the culture wars without throwing in with the cynics and doomsayers.Authority brings together Chu's critical work across a wide range of media-novels, television, theater, video games-as well as an acclaimed tetralogy of literary essays first published in n+1. As a critic, Chu places The Phantom of the Opera within a centuries-old conflict between music and drama; questions the enduring habit of reading Octavia Butler's science fiction as a parable of slavery; teases out the ideology behind Hillary Clinton's (fictional) sex life; and charges fellow critics like Maggie Nelson and Zadie Smith with a complacent humanism.The unifying theme of the book is authority and taste in literature, art, culture and politics: how do we decide what's good, and how do we convince others that our judgement is correct?'A galaxy-brain-level thinker' Torrey Peters'One of the most charismatic and original thinkers at work today' Brandon Taylor'Thrilling... Authority reminds us we haven't yet felt all there is to feel' Kaveh Akbar(c) Andrea Long Chu 2025 (P) Macmillan Audio 2025