Andrea Mariani – författare

This monograph presents a microstudy of a crucially important and profoundly revealing location: the territory around the modern city of Lecco, which lies on the eastern branch of Lake Como, in Lombardy (northern Italy). Contrary to 'traditional' reconstructions that present eastern Lake Como as a marginal region, where no important events took place in Late Antiquity and the Early Middle Ages, this book demonstrates that the area functioned as a key point of connection across the Roman Empire (the Rhine-Danube limes) and continued to function long after the political collapse of the Empire in the West. Furthermore, the region was the location of what can only be described as a state arms factory for the Roman Empire, the importance of which only began to fade in the eleventh century. This book represents the culmination of a comprehensive reconsideration of the historical sources and available archaeological evidence, offering a new framework for analysis and insights into the transformations that took place from the late Empire into the Middle Ages.

This monograph presents a microstudy of a crucially important and profoundly revealing location: the territory around the modern city of Lecco, which lies on the eastern branch of Lake Como, in Lombardy (northern Italy). Contrary to 'traditional' reconstructions that present eastern Lake Como as a marginal region, where no important events took place in Late Antiquity and the Early Middle Ages, this book demonstrates that the area functioned as a key point of connection across the Roman Empire (the Rhine-Danube limes) and continued to function long after the political collapse of the Empire in the West. Furthermore, the region was the location of what can only be described as a state arms factory for the Roman Empire, the importance of which only began to fade in the eleventh century. This book represents the culmination of a comprehensive reconsideration of the historical sources and available archaeological evidence, offering a new framework for analysis and insights into the transformations that took place from the late Empire into the Middle Ages.

The intersection between literature and music is a major feature in Anglo-American cultural history. The present volume analyzes the transatlantic migration of European opera and its appropriation by some of the most important literary figures of the United States. The presence of opera in literary texts is always "operative" and results in artistic outputs possessing more articulated and tense vectors of meaning. The comparative method applied confirms the musical sensitivity of masters such as Poe, Whitman, Melville, Dickinson, Wharton, Cather, reveals the intriguing contradictions in the poetics of Emerson, Thoreau and James and vindicates the role of some minor figures who, through their involvement in the world of musical theater, contributed to the intercultural context.