Andrea Poma – författare

Hermann Cohen’s philosophy has now, finally, received the recognition it deserves. His thought undoubtedly has all the characteristics of a classic. It faced the great problems of philosophical tradition, with full critical awareness and at the same time, with the capacity to open up new, original routes. It represents one of the last expressions of great systematic thought. The papers collected in this volume deal with different aspects of Cohen’s thought, ethical, political, aesthetic and religious aspectsin particular. However they all represent attempts to follow the ubiquitous presence of certain important themes in Cohen and their capacity for containing meanings that cannot be limited to a single philosophical sphere: themes that are keys to reading unity of inspiration in his thought, which is more deeply imbedded than the exterior architectural unity of his work. The search for the fundamental themes behind Cohen is an important task, if we wish to see this philosopher as a present-day vital point of reference.

It proposes an original theory of postmodern humanism based on the absence of form and describes the development of philosophical thought as a musical “cadenza” that produces meaning in the empty space between the past of the modern and the future of the postmodern.

It proposes an original theory of postmodern humanism based on the absence of form and describes the development of philosophical thought as a musical “cadenza” that produces meaning in the empty space between the past of the modern and the future of the postmodern.

Hermann Cohen’s philosophy has now, finally, received the recognition it deserves. His thought undoubtedly has all the characteristics of a classic. It faced the great problems of philosophical tradition, with full critical awareness and at the same time, with the capacity to open up new, original routes. It represents one of the last expressions of great systematic thought. The papers collected in this volume deal with different aspects of Cohen’s thought, ethical, political, aesthetic and religious aspectsin particular. However they all represent attempts to follow the ubiquitous presence of certain important themes in Cohen and their capacity for containing meanings that cannot be limited to a single philosophical sphere: themes that are keys to reading unity of inspiration in his thought, which is more deeply imbedded than the exterior architectural unity of his work. The search for the fundamental themes behind Cohen is an important task, if we wish to see this philosopher as a present-day vital point of reference.

It shows and upholds many thesis: Leibniz's rational conception of faith, his rational notion of mystery, the reformation of classical ontology, and the importance of Leibniz's thought in the tradition of the critical idealism.

It shows and upholds many thesis: Leibniz's rational conception of faith, his rational notion of mystery, the reformation of classical ontology, and the importance of Leibniz's thought in the tradition of the critical idealism.

A translation from the Italian of a study of the work of Hermann Cohen, a figure generally recognized as the most significant Jewish thinker of the past 100 yearsThis is a translation of Andrea Poma's La filosofia critica di Hermann Cohen, which first appeared in 1988.During the second half of the nineteenth century, the German philosophical scene had witnessed the extinction of absolute idealism and the predominance of the naive materialism of the adherents of scientism. Hermann Cohen's philosophy stood out in favor of the value of critical reason, on which scientific idealism, in the form of a revival of authentic rational idealism, is founded. His standpoint rejected the opposite extremes of both absolute idealism and naive materialism. The Marburg school, one of the great German philosophical schools at the turn of the century, grew out of Cohen's philosophy, which inspired a large number of twentieth-century thinkers. Cohen was, without doubt, one of the principal adherents of the "return to Kant" as a fundamental point of reference of "Critical Idealism." He based this revival on a long, historical, philosophical tradition, represented by Plato, Descartes, Leibniz, and others, apart from Kant himself. Although Cohen saw himself as Kant's heir, he went beyond Kant in his development and deepening of the meaning of critical philosophy in his own philosophical system. He followed an original path, which revealed a great deal of the hitherto concealed potential of this type of philosophy. In his later years Cohen turned his attention mainly to the philosophy of religion, but his last works are not simply what would be termed the Summa theologica of contemporary Judaism. They also belong to a continuous line connecting them to his previous thought, deepening the meaning and extending the potentiality of critical philosophy and its connection to religious problems, satisfactorily developing the aspect of thought on the limit of reason, which, for critical philosophy, is a necessary complement to thought within the limits of reason.