Andreas Behnke – författare

This book analyses the way in which the North Atlantic Treaty Organisation (NATO) defines the West after the end of the Cold War and the demise of its constitutive ‘Other’, the Soviet Union.

The book offers a theoretical critique of liberal approaches to security, and focuses on NATO’s construction of four geo-cultural spaces that are the sites of particular dangers or threats, which cause these spaces to be defined as the ‘enemy’ of the West. While this forges a collective Western identity, effectively achieved in the 1990s, the book also includes an analysis of NATO’s involvement in the War on Terror – an involvement in which the Alliance fails to define a coherent West, thereby undermining the very source of its long-standing political cohesion. Contributing to theoretical development within Critical Security Studies, Behnke draws on a variety of approaches to provide an analytical framework that examines the political as well as philosophical problems associated with NATO’s performance of security and identity, concluding that in the modern era of globalized, non-territorialized threats and dangers, NATO’s traditional spatial understanding of security is no longer effective given the new dynamics of Western security.

NATO’s Security Discourse after the Cold War will be of great interest to students and researchers of International Relations, Critical Security Studies and International Organizations.

This book analyses the way in which the North Atlantic Treaty Organisation (NATO) defines the West after the end of the Cold War and the demise of its constitutive ‘Other’, the Soviet Union.

The book offers a theoretical critique of liberal approaches to security, and focuses on NATO’s construction of four geo-cultural spaces that are the sites of particular dangers or threats, which cause these spaces to be defined as the ‘enemy’ of the West. While this forges a collective Western identity, effectively achieved in the 1990s, the book also includes an analysis of NATO’s involvement in the War on Terror – an involvement in which the Alliance fails to define a coherent West, thereby undermining the very source of its long-standing political cohesion. Contributing to theoretical development within Critical Security Studies, Behnke draws on a variety of approaches to provide an analytical framework that examines the political as well as philosophical problems associated with NATO’s performance of security and identity, concluding that in the modern era of globalized, non-territorialized threats and dangers, NATO’s traditional spatial understanding of security is no longer effective given the new dynamics of Western security.

NATO’s Security Discourse after the Cold War will be of great interest to students and researchers of International Relations, Critical Security Studies and International Organizations.

This book seeks to address and fill a puzzling omission in contemporary critical IR scholarship. Following on from the aesthetic turn in IR, critical and ‘postmodern’ IR has produced an impressive array of studies into movies, literature, music and art and the way these media produce, mediate, and represent international politics. By contrast, the proponents of the aesthetic turn have overlooked fashion as a source of knowledge about global politics.

Yet stories about the political role of fashion abound in the news media. Margaret Thatcher used dress to define her political image, and more recently the fascination with Michelle Obama, Carla Bruni and other women in similar positions, and the discussions about the appropriateness of their wardrobes, regularly makes the news. In Sudan, a female writer and activist successfully challenged the government over her right to wear trousers in public and in Europe, the debate on women’s headscarves has politicised a garment item and turned it into a symbol of fundamentalism and oppression. In response, the contributors to this book investigate the politics of fashion from a variety of perspectives, addressing theoretical as well as empirical issues, establishing the critical study of fashion and its protagonists as a central contribution to the aesthetic turn in international politics.

The politics of fashion go beyond these examples of the uses and abuses of textiles and fabrics for political purposes, extending into its very ‘grammar’ and vocabulary. This book will be a unique contribution to the field and will be of interest to students and scholars of international relations, critical IR theory and popular culture and world politics.

This book seeks to address and fill a puzzling omission in contemporary critical IR scholarship. Following on from the aesthetic turn in IR, critical and ‘postmodern’ IR has produced an impressive array of studies into movies, literature, music and art and the way these media produce, mediate, and represent international politics. By contrast, the proponents of the aesthetic turn have overlooked fashion as a source of knowledge about global politics.

Yet stories about the political role of fashion abound in the news media. Margaret Thatcher used dress to define her political image, and more recently the fascination with Michelle Obama, Carla Bruni and other women in similar positions, and the discussions about the appropriateness of their wardrobes, regularly makes the news. In Sudan, a female writer and activist successfully challenged the government over her right to wear trousers in public and in Europe, the debate on women’s headscarves has politicised a garment item and turned it into a symbol of fundamentalism and oppression. In response, the contributors to this book investigate the politics of fashion from a variety of perspectives, addressing theoretical as well as empirical issues, establishing the critical study of fashion and its protagonists as a central contribution to the aesthetic turn in international politics.

The politics of fashion go beyond these examples of the uses and abuses of textiles and fabrics for political purposes, extending into its very ‘grammar’ and vocabulary. This book will be a unique contribution to the field and will be of interest to students and scholars of international relations, critical IR theory and popular culture and world politics.