Andreas Hamburger - Böcker

Women and men in cinema are imaginary constructs created by filmmakers and their audiences. The film-psychoanalytic approach reveals how movies subliminally influence unconscious reception. On the other hand, the movie is embedded in a cultural tradition: Jean Cocteau's film La Belle et la Bete (1946) takes up the classic motif of the animal gro

Through the development of psychoanalytically informed film interpretation, Andreas Hamburger provides new insights into the experience of watching films and their influence upon our internal lives.Building upon a relational understanding of psychoanalysis, this volume develops a methodical procedure for psychoanalytical film interpretation, discusses individual aspects of the medium – such as editing, spatial and temporal design – and puts approaches to film psychoanalysis and cinema theory into a systematic perspective. Hamburger exemplifies his arguments in a detailed analysis of numerous film examples and demonstrates how an in-depth encounter with the medium can provoke new and surprising understandings.Providing an interdisciplinary perspective that crosses the study of popular culture with psychoanalytic theory, this book will be required reading not only for students and scholars of film, but also for psychoanalysts in practice and training.

Through the development of psychoanalytically informed film interpretation, Andreas Hamburger provides new insights into the experience of watching films and their influence upon our internal lives.Building upon a relational understanding of psychoanalysis, this volume develops a methodical procedure for psychoanalytical film interpretation, discusses individual aspects of the medium – such as editing, spatial and temporal design – and puts approaches to film psychoanalysis and cinema theory into a systematic perspective. Hamburger exemplifies his arguments in a detailed analysis of numerous film examples and demonstrates how an in-depth encounter with the medium can provoke new and surprising understandings.Providing an interdisciplinary perspective that crosses the study of popular culture with psychoanalytic theory, this book will be required reading not only for students and scholars of film, but also for psychoanalysts in practice and training.

Thomas Kretschmar and Andreas Hamburger provide an important overview of psychodynamic work in companies, presenting different viewpoints and explaining key psychoanalytic terms and techniques for coaching and supervision. Written in the form of a dialogue between Kretschmar, an entrepreneur, and Hamburger, a psychoanalyst, the book provides unique insight into psychodynamic coaching and supervision.Psychodynamic Coaching and Supervision for Executives begins with an overview of coaching, psychodynamic approaches, the unconscious and relevant psychoanalytic theory. Kretschmar and Hamburger then consider Operationalized Psychodynamic Diagnosis (OPD) in business, assess current research into coaching and supervision and present a selection of key case studies. At the end of each chapter, the authors compare their positions, giving important contextual information, exploring objections, complications and improvements, and providing a precise summary of the topic.This book will be an illuminating guide for therapists and professionals who wish to learn how psychoanalytic theory and practice can be used for coaching, counseling and supervision in an organizational context.

Thomas Kretschmar and Andreas Hamburger provide an important overview of psychodynamic work in companies, presenting different viewpoints and explaining key psychoanalytic terms and techniques for coaching and supervision. Written in the form of a dialogue between Kretschmar, an entrepreneur, and Hamburger, a psychoanalyst, the book provides unique insight into psychodynamic coaching and supervision.Psychodynamic Coaching and Supervision for Executives begins with an overview of coaching, psychodynamic approaches, the unconscious and relevant psychoanalytic theory. Kretschmar and Hamburger then consider Operationalized Psychodynamic Diagnosis (OPD) in business, assess current research into coaching and supervision and present a selection of key case studies. At the end of each chapter, the authors compare their positions, giving important contextual information, exploring objections, complications and improvements, and providing a precise summary of the topic.This book will be an illuminating guide for therapists and professionals who wish to learn how psychoanalytic theory and practice can be used for coaching, counseling and supervision in an organizational context.

Forced Migration and Social Trauma addresses the topic of social trauma and migration by bringing together a broad range of interdisciplinary and international contributors, comprising refugee care practitioners, trauma researchers, sociologists and specialists in public policy from all along the Balkan refugee route into Europe. It gives the essence of a moderated dialogue between psychologists and psychoanalysts, sociologists, public policy and refugee care experts.Migration is connected to social trauma and cannot be handled without being aware of this context. The way refugees are treated in the transit or target countries is often determined by the socio-traumatic history of these countries. Social trauma can be collectively committed and perpetuated, leaving transgenerational traces in posttraumatic and attachment disorders, uprootedness and loss of social and political confidence. Media and cultural artefacts like press, TV and the internet influence collective coping as well as traumatic perpetuation. This book shows how xenophobia in the refugee receiving or transit countries can be caused by projection rather than by experience, and that the way refugees are received and regarded in a country may be connected to the country’s cultural‐traumatic history. Refugees, who are often individually and collectively traumatised, experience multiple re-enactments; however, such retraumatisations between refugees and receiving populations or institutions often remain unaddressed. The split between welcoming and hostile attitudes sometimes leads to unconscious institutional defences, such as lack of cooperation between medical, psychotherapeutic, humanitarian and legal institutions. An interdisciplinary and international exchange on migration and social trauma is necessary on all levels – this book gives convincing examples of this dialogue. Forced Migration and Social Trauma will be of great interest to all who are involved in the modern issues of refuge and migration.

Forced Migration and Social Trauma addresses the topic of social trauma and migration by bringing together a broad range of interdisciplinary and international contributors, comprising refugee care practitioners, trauma researchers, sociologists and specialists in public policy from all along the Balkan refugee route into Europe. It gives the essence of a moderated dialogue between psychologists and psychoanalysts, sociologists, public policy and refugee care experts.Migration is connected to social trauma and cannot be handled without being aware of this context. The way refugees are treated in the transit or target countries is often determined by the socio-traumatic history of these countries. Social trauma can be collectively committed and perpetuated, leaving transgenerational traces in posttraumatic and attachment disorders, uprootedness and loss of social and political confidence. Media and cultural artefacts like press, TV and the internet influence collective coping as well as traumatic perpetuation. This book shows how xenophobia in the refugee receiving or transit countries can be caused by projection rather than by experience, and that the way refugees are received and regarded in a country may be connected to the country’s cultural‐traumatic history. Refugees, who are often individually and collectively traumatised, experience multiple re-enactments; however, such retraumatisations between refugees and receiving populations or institutions often remain unaddressed. The split between welcoming and hostile attitudes sometimes leads to unconscious institutional defences, such as lack of cooperation between medical, psychotherapeutic, humanitarian and legal institutions. An interdisciplinary and international exchange on migration and social trauma is necessary on all levels – this book gives convincing examples of this dialogue. Forced Migration and Social Trauma will be of great interest to all who are involved in the modern issues of refuge and migration.

Psychoanalytic work with socially traumatised patients is an increasingly popular vocation, but remains extremely demanding and little covered in the literature. In Psychoanalysis and Holocaust Testimony, a range of contributors draw upon their own clinical work, and on research findings from work with seriously disturbed Holocaust survivors, to illuminate how best to conduct clinical work with such patients in order to maximise the chances of a positive outcome, and to reflect transferred trauma for the clinician.Psychoanalysis and Holocaust Testimony closely examines the phenomenology of destruction inherent in the discourse of extreme traumatization, focusing on a particular case study: the recording of video testimonies from a group of extremely traumatized, chronically hospitalized Holocaust survivors in psychiatric institutions in Israel. This case study demonstrates how society reacts to unwanted memories, in media, history, and psychoanalysis – but it also shows how psychotherapists and researchers try to approach the buried memories of the survivors, through being receptive to shattered life narratives. Questions of bearing witness, testimony, the role of denial, and the impact of traumatic narrative on society and subsequent generations are explored. A central thread of this book is the unconscious countertransference resistance to the trauma discourse, which manifests itself in arenas that are widely apart, such as genocide denial, the "disappearance" of the hospitalized Holocaust survivors and of their life stories, mishearing their testimonies and ultimately refusing them the diagnosis of "traumatic psychosis". Psychoanalysis and Holocaust Testimony provides an essential, multidisciplinary guide to working psychoanalytically with severely traumatised patients. It will appeal to psychoanalysts, psychoanalytic psychotherapists and trauma studies therapists.

Psychoanalytic work with socially traumatised patients is an increasingly popular vocation, but remains extremely demanding and little covered in the literature. In Psychoanalysis and Holocaust Testimony, a range of contributors draw upon their own clinical work, and on research findings from work with seriously disturbed Holocaust survivors, to illuminate how best to conduct clinical work with such patients in order to maximise the chances of a positive outcome, and to reflect transferred trauma for the clinician.Psychoanalysis and Holocaust Testimony closely examines the phenomenology of destruction inherent in the discourse of extreme traumatization, focusing on a particular case study: the recording of video testimonies from a group of extremely traumatized, chronically hospitalized Holocaust survivors in psychiatric institutions in Israel. This case study demonstrates how society reacts to unwanted memories, in media, history, and psychoanalysis – but it also shows how psychotherapists and researchers try to approach the buried memories of the survivors, through being receptive to shattered life narratives. Questions of bearing witness, testimony, the role of denial, and the impact of traumatic narrative on society and subsequent generations are explored. A central thread of this book is the unconscious countertransference resistance to the trauma discourse, which manifests itself in arenas that are widely apart, such as genocide denial, the "disappearance" of the hospitalized Holocaust survivors and of their life stories, mishearing their testimonies and ultimately refusing them the diagnosis of "traumatic psychosis". Psychoanalysis and Holocaust Testimony provides an essential, multidisciplinary guide to working psychoanalytically with severely traumatised patients. It will appeal to psychoanalysts, psychoanalytic psychotherapists and trauma studies therapists.

Women and men in cinema are imaginary constructs created by filmmakers and their audiences. The film-psychoanalytic approach reveals how movies subliminally influence unconscious reception. On the other hand, the movie is embedded in a cultural tradition: Jean Cocteau's film La Belle et la Bete (1946) takes up the classic motif of the animal groom from the story of Cupid and Psyche in Apuleius' The Golden Ass (originally a tale about the stunning momentum of genuine female desire), liberates it from its baroque educational moral (a girl's virtue and prudence will help her to overcome her sexual fears), and turns it into a boyhood story: inside the ugly rascal there is a good, but relatively boring prince - at least in comparison to the monsters of film history. In the seventy years since it was made, La Belle et la Bete has inspired numerous interpretations and has been employed by theorists of all genres and interests. In this book, Andreas Hamburger and other contributors consider its background, content, and reception, and explore the impact Cocteau has on our perceptions of beauties and beasts.Introducing the monster as a suffering person, Cocteau's film reacts to the disturbing experience of World War II and the Holocaust. It questions hegemonial masculinity, designing a poetic, hallucinatory attempt at healing for a traumatized generation. Moreover, it addresses female and male adolescent development. Its deliberately incredible finale ironically portrays traditional constructs of femininity and masculinity, thus going beyond the scope of a compensatory fairy tale.

Trauma is one of the most important topics discussed throughout the clinical, social and cultural field. Social traumatization, as we meet it in the aftermath of genocide, war and persecution, is targeted at whole groups and thus affects the individual's immediate holding environment, cutting it off from an important resilience factor; further on, social trauma is implemented in a societal context, thus involving the surrounding society in the traumatic process. Both conditions entail major consequences for the impact and prognosis of the resulting individual posttraumatic disorders as well as for the social and cultural consequences. The volume connects clinical and epidemiological studies on the sequelae of social trauma to reflections from social psychology and the humanities.Post-war and post-dictatorial societies are in particular marked by the effects of massive, large group traumatization, and if these are not acknowledged, explored, and mourned, the unprocessed cumulative trauma that has become deeply embedded in the collective memory leads to periodical reactivations. To address social trauma, an interdisciplinary approach is required. Psychoanalysis, psychology, and psychiatry describe individual coping and consequences; but society as a whole also has to be studied, where traumatogenic actions such as the persecution of religious, societal, and ethnical groups emerge and continue, and it is society and culture as a whole that have to deal with the historical scars and traces.Scholars of different disciplines from the Balkan region and Germany have formed a research network to join their efforts in studying the topic of long-time consequences of social traumatization. International supporters as Anna Buchheim, Horst Kachele, Mark Solms, Annette Streeck-Fischer, Mary Target, Svenja Taubner, and Vamik Volkan lent their hand in shaping this cooperation, and the joint research was conducted not just "on", but "in" the situation of social post-traumatic states - that is, in the very region where just two decades ago a war and persecution took place, and connected to the Western countries who were deeply involved. Young researchers planned, conducted, and shared their studies in multinational, multiethnic, and multidisciplinary groups in close cooperation with senior researchers.

With contributions from Özcan Alper, Damir Arsenijević, Friederike Bassenge, Alen Drljević, Andreas Hamburger, Camellia Hancheva, Dženana Husremović, Lars Kraume, Dijana Jelača, Ajna Jusić, Cem Kaptanoglu, Stephan Komandarev, Maida Koso-Drljević, Nadia Kozhouharova, Gamze Özçürümez, Tatjana Petzer, Vivian Pramataroff-Hamburger, Goran Radovanović, Biljana Stanković, Svetlozar Vassilev, and Jasmila Žbanić.In the last decade, the concept of trauma has experienced a surprising boom in sociological and media debates. In a culture of outrage, blanket narratives of victimhood often overshadow the concrete, known social violations and their observable real economic and psychological consequences. The aim of this volume is to reflect on this shift in discourse and to compare it with the concrete historical backgrounds and psychosocial constitutions of countries that have been haunted by social trauma in different ways. In discussing feature films from Germany and four Balkan countries, the book presents the distinct social-traumatic histories, how they are negotiated in different societies, and the motifs cinema uses to narrate them.The award-winning films featured are Sadilishteto [The Judgement], Grbavica [Esma’s Secret – Grbavica], Muškarci ne plaču [Men Don’t Cry], Enklava [Enclave], Der Staat gegen Fritz Bauer [The People vs. Fritz Bauer], and Sonbahar [Autumn]. The individual film analyses are each accompanied by interviews with the filmmakers and introduced by overarching themes, the role of cinema as a place of social understanding in a post-traumatic society, and the methodology of film analysis.With contributions from the worlds of film, psychoanalysis, activism, psychiatry, film studies, literary and cultural studies, psychology, trauma studies, philosophy, psychotherapy, and human relations, this book has a broad appeal. It is a must-read for those looking for a deeper insight into social trauma and the impact of sociocultural factors, shown so clearly through the filmmaker’s lens.

This book explores the intersection of clinical and social aspects of traumatic experiences in postdictatorial and post-war societies, forced migration, and other circumstances of collective violence. Contributors outline conceptual approaches, treatment methods, and research strategies for understanding social traumatizations in a wider conceptual frame that includes both clinical psychology and psychiatry. Accrued from a seven year interdisciplinary and international dialogue, the book presents multiple scholarly and practical views from clinical psychology and psychiatry to social and cultural theory, developmental psychology, memory studies, law, research methodology, ethics, and education.Among the topics discussed:Theory of social traumaPsychoanalytic and psychotherapeutic approaches to social traumaMemory studiesDevelopmental psychology of social traumaLegal and ethical aspectsSpecific methodology andpractice in social trauma researchSocial Trauma: An International Textbook fills a critical gap between clinical and social theories of trauma, offering a basis for university teaching as well as an overview for all who are involved in the modern issues of victims of social violence. It will be a useful reference for students, teachers, and researchers in psychology, medicine, education, and political science, as well as for therapists and mental health practitioners dealing with survivors of collective violence, persecution, torture and forced migration.

This book explores the intersection of clinical and social aspects of traumatic experiences in postdictatorial and post-war societies, forced migration, and other circumstances of collective violence. Contributors outline conceptual approaches, treatment methods, and research strategies for understanding social traumatizations in a wider conceptual frame that includes both clinical psychology and psychiatry. Accrued from a seven year interdisciplinary and international dialogue, the book presents multiple scholarly and practical views from clinical psychology and psychiatry to social and cultural theory, developmental psychology, memory studies, law, research methodology, ethics, and education.Among the topics discussed:Theory of social traumaPsychoanalytic and psychotherapeutic approaches to social traumaMemory studiesDevelopmental psychology of social traumaLegal and ethical aspectsSpecific methodology andpractice in social trauma researchSocial Trauma: An International Textbook fills a critical gap between clinical and social theories of trauma, offering a basis for university teaching as well as an overview for all who are involved in the modern issues of victims of social violence. It will be a useful reference for students, teachers, and researchers in psychology, medicine, education, and political science, as well as for therapists and mental health practitioners dealing with survivors of collective violence, persecution, torture and forced migration.

Durch Informatisierung und Medialisierung werden wir als Individuen immer stärker in eine technologische Ökologie eingewoben. Kann Sigmund Freuds ursprüngliche Absicht, psychische Prozesse naturwissenschaftlich zu erklären, mit den avancierten Mitteln der Technik doch noch verwirklicht werden? Ist die Psychoanalyse eine Möglichkeit, in der technisierten und medialisierten Lebenswelt Subjektivität neu zu fassen oder weicht sie einer vorherrschend technischen Auffassung von Körper und Krankheit? Die Beiträge dieses Bandes fragen aus soziologischer, psychologischer, medizinischer und philosophischer Sicht nach der Relevanz des psychoanalytischen Diskurses für unsere Gesellschaft.

Weiblichkeit im Film hat viele Facetten: Starlets und Diven, eigensinnige, tapfere und souveräne Frauenfiguren. Im Kino ist mehr zu erleben als die einfache Formel vom männlichen Blick erwarten lässt. Das Buch zeichnet in 29 psychoanalytischen Interpretationen nach, wie die Inszenierung der Frau im Film auf Zuschauerinnen und Zuschauer wirkt.

Das interdisziplinäre Lehrbuch zum Sozialen Trauma schließt eine Lücke zwischen klinischen und sozialwissenschaftlichen Traumatheorien und bietet Grundlagen für die universitäre Lehre sowie einen Überblick für alle, die sich mit Opfern sozialer Gewalt befassen. International führende Expert*innen skizzieren konzeptionelle Ansätze, Behandlungsmethoden und Forschungsstrategien zum Verständnis sozialer Traumatisierungen (kollektive Gewalt, Verfolgung, Folter und Zwangsmigration) in einem breiteren Spektrum von Ansätzen, das sowohl die Klinische Psychologie als auch die Psychiatrie, Sozialpsychologie, Entwicklungspsychologie, Kulturwissenschaften, Politologie, Recht, spezifische Forschungsmethodiken, Ethik und Didaktik umfasst. Das Buch, das aus einem zehnjährigen interdisziplinären und internationalen Dialog hervorgegangen ist, bietet somit eine nützliche Referenz.

The book covers a wide range of cinematic femininities: It starts with Marilyn Monroe’s cool phrase "We are all of us stars, and we deserve to twinkle", which self-confidently marked her profession - with a wink, because she did not say "to sparkle". The (self-) staging of women also ironically plays its being tailored to the male gaze. In this section we discuss movies like Some like it hot, Breakfast at Tiffany’s, Cet obscur objet du désir and Le Mépris  - with a notable chapter by Laura Mulvey. Moreover, some fifty films later, the book ends with a section on Self-Empowerment and Identity, featuring films like Thelma & Louise, The Hours, Blue Valentine and Carol.Are women in film really just those who are seen and displayed? Where are the ones who see and who point to something themselves? Where are the women in the audience, behind the camera? If, as feminist psychoanalytical film criticism rightly observes, the stars and starlets, especially in Hollywood mainstream cinema, are supposed to serve the male gaze as eye candy and self-assurance, what is the role of the women who do not fit into this scheme, the anti-heroes, the women who feel and act, those through whose eyes the world experiences a completely different way of being seen? Not only in arthouse cinema, but also in the mainstream, there is far more to the thousand facets of staged femininity than the simple formula of the male gaze. The book shows the most diverse stagings of femininity in great (and terrible) films, and explores (according to the approach of film psychoanalysis) how these staging affect the unconscious, or also the not-yet-conscious of viewers. Each of the eight sections deals with a thematic aspect of the staging of suffering or sovereign femininity in feature films. They follow a chronological structure to illustrate how the genre has evolved. Each section is held together by an editorial introduction.