Andreas J. Hirsch – författare

Swiss artist HR Giger (1940–2014) is most famous for his creation of the space monster in Ridley Scott’s 1979 horror sci-fi film Alien, which earned him an Oscar. Yet this was just one of the most popular expressions of Giger’s biomechanical arsenal of creatures, which consistently merged hybrids of human and machine into images of haunting power and dark psychedelia. The visions drew on demons of the past, as well as evoking mythologies for the future. Above all, they gave expression to the collective fears and fantasies of his age: fear of the atom, of pollution and wasted resources, and of a future in which our bodies depend on machines for survival. Following the SUMO-sized monograph which was begun shortly before the artist's unexpected death, this affordable anniversay edition pays homage to Giger’s unique vision. The book shows the complete story of Giger’s life and art, his sculptures, film design, and iconic album covers as well as the heritage he left us in his own artist’s museum and self-designed bar in the Swiss Alps. In an in-depth essay, Giger scholar Andreas J. Hirsch plunges into the themes of the artist’s oeuvre while an extensive biography draws on contemporary quotes and Giger’s own statements.

Vienna combines drama and elegance like no other. For centuries the heart of the Austro-Hungarian Empire, the stately city on the Danube, has been defined by vast palaces and imperial grandeur—but behind the Baroque opulence, Vienna is also a place of genteel coffee house culture, epicurean tradition, and a heritage of both delicate and daring music, art, and design, from Johann Strauss to Egon Schiele, from Gustav Mahler to Josef Hoffmann.This volume is a treasure trove of photography from the last 175 years, following the evolution of Vienna from imperial capital to modern metropolis. Like a visual walk through time and cityscape, hundreds of carefully curated pictures trace the developments in Vienna’s built environment and the cultural and historical trends they reflect, whether the urban Gesamtkunstwerk of the 19th-century Ringstrasse or the experiments of “Red Vienna” in the 1920s, when the city had a social democrat government for the first time.Through these remarkable photographs, we discover not only the great landmarks and lesser-known corners of Vienna, but also the ubiquity and the tumult of its history. We see the cultural blossoming of the fin de siècle, when radical innovators such as Gustav Klimt, Egon Schiele, Adolf Loos, and Sigmund Freud turned Vienna into a “laboratory of modernity”; the clashes of 1934; the ascent of Nazi dictatorship; and the horrors writ by the Holocaust in what was once one of the most populous and multi-ethnic cities on earth. More recently, fascinating postwar photographs explore the Vienna of the Third Man, at once a city in ruins and a hub for spies. The book closes with the most recent pictures, celebrating the emergence of today’s Vienna—one of the most attractive cities in Europe, in which rich history once again coexists with international flair and vibrant contemporary culture.

“At its essence, Giger’s art digs down into our psyches and touches our very deepest primal instincts and fears. His art stands in a category of its own. The proof of this lies in the intensity of his work and imagination, which I can only compare to Hieronymus Bosch and Francis Bacon in their powers to provoke and disturb.” – Ridley ScottSwiss artist HR Giger (1940–2014) is most famous for his creation of the space monster in Ridley Scott’s 1979 horror sci-fi film Alien, which earned him an Oscar. In retrospect, this was just one of the most popular expressions of Giger’s biomechanical arsenal of creatures, which consistently merged hybrids of human and machine into images of haunting power and dark psychedelia. The visions drew on demons of the past, as well as evoking mythologies for the future. Above all, they gave expression to the collective fears and fantasies of his age: fear of the atom, of pollution and wasted resources, and of a future in which our bodies depend on machines for survival.This book was begun shortly before the artist’s untimely death and shows the complete story of Giger’s life and art, his sculptures, film work, and iconic album covers as well as the heritage he left us in his own artist’s museum and self-designed bar in the Swiss Alps. In an in-depth essay, Giger scholar Andreas J. Hirsch plunges into the themes of Giger’s oeuvre and world while an extensive artist biography draws on contemporary quotes and Giger’s own writings.