Andreas Schönle – författare

Images of ruins may represent the raw realities created by bombs, natural disasters, or factory closings, but the way we see and understand ruins is not raw or unmediated. Rather, looking at ruins, writing about them, and representing them are acts framed by a long tradition. This unique interdisciplinary collection traces discourses about and representations of ruins from a richly contextualized perspective. In the introduction, Julia Hell and Andreas SchÖnle discuss how European modernity emerged partly through a confrontation with the ruins of the premodern past.Several contributors discuss ideas about ruins developed by philosophers such as Immanuel Kant, Georg Simmel, and Walter Benjamin. One contributor examines how W. G. Sebald’s novel The Rings of Saturn betrays the ruins erased or forgotten in the Hegelian philosophy of history. Another analyzes the repressed specter of being bombed out of existence that underpins post-Second World War modernist architecture, especially Le Corbusier’s plans for Paris. Still another compares the ways that formerly dominant white populations relate to urban-industrial ruins in Detroit and to colonial ruins in Namibia. Other topics include atomic ruins at a Nevada test site, the connection between the cinema and ruins, the various narratives that have accrued around the Inca ruin of VilcashuamÁn, Tolstoy’s response in War and Peace to the destruction of Moscow in the fire of 1812, the Nazis’ obsession with imperial ruins, and the emergence in Mumbai of a new “kinetic city” on what some might consider the ruins of a modernist city. By focusing on the concept of ruin, this collection sheds new light on modernity and its vast ramifications and complexities.Contributors. Kerstin Barndt, Jon Beasley-Murray, Russell A. Berman, Jonathan Bolton, Svetlana Boym, Amir Eshel, Julia Hell, Daniel Herwitz, Andreas Huyssen, Rahul Mehrotra, Johannes von Moltke, Vladimir Paperny, Helen Petrovsky, Todd Presner, Helmut Puff, Alexander Regier, Eric Rentschler, Lucia Saks, Andreas SchÖnle, Tatiana Smoliarova, George Steinmetz, Jonathan Veitch, Gustavo Verdesio, Anthony Vidler

Despite attempts to promote the aesthetics of ruins in Russia—from Catherine the Great's construction of fake ruins in imperial parks to Josef Brodsky's elegiac meditations—ruins have never achieved the status they enjoy in Western Europe. While the Soviet Union was notorious for leveling churches, post-Soviet Russia has only intensified the practice of massive destruction and reconstruction. Architecture of Oblivion examines the role of ruins in the development of Russia's historical consciousness from the eighteenth century to the present. Investigating the meaning and functions ruins have acquired in Russian culture, Schönle looks at ideological reasons for the current disregard for the value of ruins and historical buildings, in particular by political authorities, and reveals how ruins have often become a site of resistance to official ideology and an invitation to map out alternative visions of history and of statehood. An interdisciplinary study of Russia's response to ruins has never been attempted, although the topic of ruins has garnered considerable interest in Western Europe and in the U.S. This original work from a leading authority on the subject will appeal to historians of Russian culture and thought, literature and art scholars, and general readers interested in ruins.

This illuminating volume provides a new understanding of the subjective identity and public roles of Russia's Europeanized elite between the years of 1762 and 1825. Through a series of rich case studies, the editors reconstruct the social group's worldview, complex identities, conflicting loyalties, and evolving habits. The studies explore the institutions that shaped these nobles, their attitude to state service, the changing patterns of their family life, their emotional world, religious beliefs, and sense of time.The creation of a Europeanized elite in Russia was a state-initiated project that aimed to overcome the presumed "backwardness" of the country. The evolution of this social group in its relations to political authority provides insight into the fraught identity of a country developing on the geopolitical periphery of Europe. In contrast to postcolonial studies that explore the imposition of political, social, and cultural structures on colonized societies, this multidisciplinary volume explores the patterns of behavior and emotion that emerge from the processes of self-Europeanization. The Europeanized Elite in Russia, 1762–1825, will appeal to scholars and general readers interested in Russian history and culture, particularly in light of current political debates about globalization and widening social inequality in Europe.