Andrew Ballantyne – författare

This highly original and sophisticated look at architecture helps us to understand the cultural significance of the buildings that surround us. It avoids the traditional style-spotting approach in favour of giving an idea of what it is about buildings that moves us, and what it is that makes them important artistically and culturally. The book begins by looking at how architecture acquires meaning through tradition, and concludes with the exoticism of the recent avant garde. Illustrations of particular buildings help to anchor the general points with specific examples, from ancient Egypt to the present day. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

Architecture can influence the way we feel, and can help us along as we go about our lives, or sabotage our habitual ways of doing things. The essays collected here challenge, and help to define a view of architecture which ranges from the minimal domesticity of Diogenes' barrel, to the exuberant experiments of the contemporary avant-garde. There are essays by philosophers, architects and art historians, including Roger Scruton, Bernard Tschumi, Demetri Pophyrios, Kenneth Frampton, Diane Ghirardo and David Goldblatt.

Architecture can influence the way we feel, and can help us along as we go about our lives, or sabotage our habitual ways of doing things. The essays collected here challenge, and help to define a view of architecture which ranges from the minimal domesticity of Diogenes' barrel, to the exuberant experiments of the contemporary avant-garde. There are essays by philosophers, architects and art historians, including Roger Scruton, Bernard Tschumi, Demetri Pophyrios, Kenneth Frampton, Diane Ghirardo and David Goldblatt.

Architecture as Experience investigates the perception and appropriation of places across intervals of time and culture. The particular concern of the volume is to bring together fresh empirical research and animate it through contact with theoretical sophistication, without overwhelming the material.The chapters establish the continuity of a particular physical object and show it in at least two alternative historical perspectives, in which recognisable features are shown in different lights. The results are often surprising, inverting the common idea of a historic place as having an enduring meaning. This book shows the insight that can be gained from learning about earlier constructions of meaning which have been derived from the same buildings that stand before us today.

Architecture as Experience investigates the perception and appropriation of places across intervals of time and culture. The particular concern of the volume is to bring together fresh empirical research and animate it through contact with theoretical sophistication, without overwhelming the material.The chapters establish the continuity of a particular physical object and show it in at least two alternative historical perspectives, in which recognisable features are shown in different lights. The results are often surprising, inverting the common idea of a historic place as having an enduring meaning. This book shows the insight that can be gained from learning about earlier constructions of meaning which have been derived from the same buildings that stand before us today.

The work of Gilles Deleuze and Felix Guattari has been inspirational for architects and architectural theorists in recent years. It has influenced the design work of architects as diverse as Greg Lynn and David Chipperfield, and is regularly cited by avant-gardist architects and by students, but usually without being well understood. The first collaboration between Deleuze and Guattari was Anti-Oedipus: Capitalism and Schizophrenia, which was taken up as a manifesto for the post-structuralist life, and was associated with the spirit of the student revolts of 1968. Their ideas promote creativity and innovation, and their work is wide-ranging, complex and endlessly stimulating. They range across politics, psychoanalysis, physics, art and literature, changing preconceptions along the way. Deleuze & Guattari for Architects is a perfect introduction for students of architecture in design studio at all levels, students of architecture pursuing undergraduate and postgraduate courses in architectural theory, academics and interested architectural practitioners.

The work of Gilles Deleuze and Felix Guattari has been inspirational for architects and architectural theorists in recent years. It has influenced the design work of architects as diverse as Greg Lynn and David Chipperfield, and is regularly cited by avant-gardist architects and by students, but usually without being well understood. The first collaboration between Deleuze and Guattari was Anti-Oedipus: Capitalism and Schizophrenia, which was taken up as a manifesto for the post-structuralist life, and was associated with the spirit of the student revolts of 1968. Their ideas promote creativity and innovation, and their work is wide-ranging, complex and endlessly stimulating. They range across politics, psychoanalysis, physics, art and literature, changing preconceptions along the way. Deleuze & Guattari for Architects is a perfect introduction for students of architecture in design studio at all levels, students of architecture pursuing undergraduate and postgraduate courses in architectural theory, academics and interested architectural practitioners.

Investigating various ways in which the cultures of the town and the countryside interact in architecture, original essays in this book written by an international range of recognized theorists will help all students of architecture and urban design understand how the urban and rural relate.Taking a broad historical sweep, this collection draws on a symposium of the Society of Architectural Historians of Great Britain.

Investigating various ways in which the cultures of the town and the countryside interact in architecture, original essays in this book written by an international range of recognized theorists will help all students of architecture and urban design understand how the urban and rural relate.Taking a broad historical sweep, this collection draws on a symposium of the Society of Architectural Historians of Great Britain.

Traditionally, architecture has been preoccupied with the resolution of form. That concern helps to make photogenic buildings, which have received a great deal of attention. This book looks instead at the idea of the flows, which connects things together and moves between things. It is more difficult to discuss, but more necessary, because it is what makes things work. Architects have to think about flow – the flow of people through buildings, the flow of energy into buildings, and waste out of them – but usually the effects of flow do not find expression. The essays gathered here present a collection of exploratory ideas and offer an understanding of buildings, people and settlements through concepts of flow.

Traditionally, architecture has been preoccupied with the resolution of form. That concern helps to make photogenic buildings, which have received a great deal of attention. This book looks instead at the idea of the flows, which connects things together and moves between things. It is more difficult to discuss, but more necessary, because it is what makes things work. Architects have to think about flow – the flow of people through buildings, the flow of energy into buildings, and waste out of them – but usually the effects of flow do not find expression. The essays gathered here present a collection of exploratory ideas and offer an understanding of buildings, people and settlements through concepts of flow.

Architectures: Modernism and After surveys the history of the building from the advent of industrialization to the cultural imperatives of the present moment. Brings together international art and architectural historians to consider a range of topics that have influenced the shape, profile, and aesthetics of the built environment.Presents crucial "moments" in the history of the field when the architecture of the past is made to respond to new and changing cultural circumstances.Provides a view of architectural history as a part of a continuing dialogue between aesthetic criteria and social and cultural imperatives.Part of the New Interventions in Art History Series, which is published in conjunction with the Association of Art Historians.

Architectures: Modernism and After surveys the history of the building from the advent of industrialization to the cultural imperatives of the present moment. Brings together international art and architectural historians to consider a range of topics that have influenced the shape, profile, and aesthetics of the built environment.Presents crucial "moments" in the history of the field when the architecture of the past is made to respond to new and changing cultural circumstances.Provides a view of architectural history as a part of a continuing dialogue between aesthetic criteria and social and cultural imperatives.Part of the New Interventions in Art History Series, which is published in conjunction with the Association of Art Historians.

Lavishly illustrated and accessibly written, Classical Architecture takes the reader on a journey through the history of this iconic architectural genre, starting with an introduction to its origins in ancient Greece, through its resurgence across Europe during the Renaissance, to its influence on modern-day architectural design in locations as diverse as Shanghai and Washington DC.Written by Professor of Architecture and established author Andrew Ballantyne, and illustrated with over 100 photographs, this book will prove invaluable to anyone wanting to explore and understand this important and pervasive architectural style. Classical architecture has developed through many styles to become the backbone of western architecture. It was refined in ancient Greece mainly in sacred places. This architecture of finely modelled columns was taken up by the Romans and spread across their empire, changing on the way, so by the time the Roman empire collapsed it had become an architecture of arches and vaults. The monuments were impressive, even as ruins, and inspired imitation in later ages.

Architecture Theory is a comprehensive and groundbreaking one volume overview of, and introduction to, contemporary critical discourse in architecture. In bringing critical theory and Continental philosophy to bear upon architecture, it provides a solid framework for a fully up-to-date theory of architecture, one that reflects the latest developments and concerns. The book is divided into four sections-groundwork; constructing the "individual"; pluralities; instrumentality-each covering a core theme in contemporary architecture theory. In each section an introductory essay by Andrew Ballantyne provides valuable context, exposition, and analysis. This is followed by a selection of writings on architecture and other related cultural concerns from major contemporary thinkers, including Zvizvek, Irigaray, Lefebvre, Lyotard, Kristeva, Nancy, Virilio, Deleuze, and Negri.

John Ruskin understood beauty and wonder to be the solution to the miseries of the urban poor and the key to living a worthwhile life. The most prominent critic of art and architecture of the nineteenth century, his books, pamphlets and open letters to the press influenced all classes of society, from labourers to lords. Currently he is perhaps almost as well known for his failed marriage (to Effie Gray, who left him for the Pre-Raphaelite artist John Everett Millais) as he is for his art writings, but there is far more to Ruskin than is suggested by movies that portray him as a desk-bound effigy, a humourless Victorian prude.Andrew Ballantyne weaves Ruskin’s life and work into a fascinating account of a precocious individual tirelessly campaigning throughout Victorian England, and reveals in what ways and why Ruskin’s critical reputation endures. Encouraged by his parents to write about the ethical and spiritual value of art, it was in their lifetimes that Ruskin produced his best works – Modern Painters, The Seven Lamps of Architecture, The Stones of Venice and the essays on political economy published as Unto This Last. After their deaths Ruskin was bewildered, but eventually he put himself in the hands of a younger cousin. In relative seclusion at Brantwood, Ruskin’s home in the Lake District, the cousin was able to guard Ruskin’s reputation while, hidden from the public gaze, Ruskin himself suffered a slow decline as his mind became irreversibly unhinged.The originality of Ruskin’s influential books and essays imbued architecture and the arts with a uniquely forceful moral character. With fresh readings of the major texts, this new biography is an engaging, informing study of the life and times of a peerless campaigner of art practice as a means to life.