Andrew Beatty – författare

Java is famous for its combination of diverse cultural forms and religious beliefs. Andrew Beatty considers Javanese solutions to the problem of cultural difference, and explores the ways in which Javanese villages make sense of their complex and multi-layered culture. Pantheist mystics, supernaturalists, orthodox Muslims and Hindu converts at once construct contrasting faiths and create a common ground through syncretist ritual. Vividly evoking the religious life of Javanese villagers, its controversies and reconciliations, its humour and irony, its philosophical seriousness, and its formal beauty, Dr Beatty probes beyond the finished surfaces of ritual and cosmology to show the debate and compromise inherent in practical religion. This is the most comprehensive study of Javanese religion since Clifford Geertz's classic study of 1960.

Java is famous for its combination of diverse cultural forms and religious beliefs. Andrew Beatty considers Javanese solutions to the problem of cultural difference, and explores the ways in which Javanese villages make sense of their complex and multi-layered culture. Pantheist mystics, supernaturalists, orthodox Muslims and Hindu converts at once construct contrasting faiths and create a common ground through syncretist ritual. Vividly evoking the religious life of Javanese villagers, its controversies and reconciliations, its humour and irony, its philosophical seriousness, and its formal beauty, Dr Beatty probes beyond the finished surfaces of ritual and cosmology to show the debate and compromise inherent in practical religion. This is the most comprehensive study of Javanese religion since Clifford Geertz's classic study of 1960.

Andrew Beatty gives us what no Western writer has been able to do: an intimate picture of how Islamic fundamentalism can displace older and more easygoing forms of belief. He has also written an unforgettably human story set in a beautiful place.Andrew Beatty lived with his family for two and a half years in a village in East Java. When he arrived, he was entranced by a strange and sensual way of life, an unusual tolerance of diversity. Mysticism, Islamic piety and animism coexisted peacefully; the ancient traditions of the shadow play, of spirit beliefs and were-tigers seemed set to endure. Java appeared a model for our strife-ridden world, a recipe for multiculturalism.But a harsh and puritanical Islamism, fed by modern uncertainties, was driving young women to wear the veil and young men to renounce the old rituals. The mosque loudspeakers grew strident, cultural boundaries sharpened. As a wave of witch-killings shook the countryside, Beatty and his family began to feel like vulnerable outsiders.Set among Java's rice fields and volcanoes, this is the story of how one of the biggest issues of our time plays out in ordinary lives.

This is a unique report from deep inside the largest Muslim country in the world. It is not another work of journalism; instead it is a picture of how Islamic fundamentalism can displace older and more easygoing forms of belief, inside families and small communities. The author lived with his family for two and a half years in a village in Eastern Java, and gives us an intimate experience of a process that is taking place all over the Islamic world, a microcosm of threatening change. Andrew Beatty has also written an unforgettably human story set in a beautiful place.When he first visited this idyllic-seeming village in Java, he was entranced by its strange and sensual way of life. Javan mysticism, Hinduism and Islam coexisted without competing with each other; and the ancient traditions of the shadow and dragon plays, of celebratory feasting, of communion with the spirits of the dead and belief in werewolves seemed set to endure as they had always done. Public tolerance of transvestism and of short-lived affairs gave the village a most unpuritanical atmosphere. But the village was shadowed by a dark past, like the rest of Indonesia: in 1965 local people suspected of communism were murdered in huge numbers. And in the present, the chill wind of Islamism was driving apparently modern young women to take the veil, and young men to announce that they would no longer participate in the old rituals. The loudspeakers fixed on the local mosques grew more intrusive and strident, blaring intolerance at all hours of the day. Violent incidents multiplied, and boundaries sharpened: Beatty and his family began to feel like vulnerable outsiders. And out in the countryside a hysterical fit of killings began, a kind of witch-craze.This is a story of how one of the biggest issues of our time plays out in ordinary lives.

Are emotions human universals? Is the concept of emotion an invention of Western tradition? If people in other cultures live radically different emotional lives how can we ever understand them? Using vivid, often dramatic, examples from around the world, and in dialogue with current work in psychology and philosophy, Andrew Beatty develops an anthropological perspective on the affective life, showing how emotions colour experience and transform situations; how, in turn, they are shaped by culture and history. In stark contrast with accounts that depend on lab simulations, interviews, and documentary reconstruction, he takes the reader into unfamiliar cultural worlds through a 'narrative' approach to emotions in naturalistic settings, showing how emotions tell a story and belong to larger stories. Combining richly detailed reporting with a careful critique of alternative approaches, he argues for an intimate grasp of local realities that restores the heartbeat to ethnography.

Set on an isolated Indonesian island, this is the gripping true story of a fieldworker's experience of living in a tribal society during a period of crisis. Featuring a cast of unforgettable characters, After the Ancestors follows a bitter feud between rivals as it escalates into murder, intrigue and revenge. A vivid account of life within a radically different world, it also portrays a unique culture undergoing the transition from tribalism to modernity. A century of alien rule has left the island, once famous for its warrior ethos, with a hybrid culture. As the possibilities for heroic action recede, men raised to be orators and over-reachers rather than church elders and peasants find themselves occupying a stage too small for their personalities. 'Where can we turn', asks one tribesman, 'we who come after the ancestors?' A revenge tragedy for modern times, After the Ancestors will be enjoyed by anthropologists and general readers alike.

Are emotions human universals? Is the concept of emotion an invention of Western tradition? If people in other cultures live radically different emotional lives how can we ever understand them? Using vivid, often dramatic, examples from around the world, and in dialogue with current work in psychology and philosophy, Andrew Beatty develops an anthropological perspective on the affective life, showing how emotions colour experience and transform situations; how, in turn, they are shaped by culture and history. In stark contrast with accounts that depend on lab simulations, interviews, and documentary reconstruction, he takes the reader into unfamiliar cultural worlds through a 'narrative' approach to emotions in naturalistic settings, showing how emotions tell a story and belong to larger stories. Combining richly detailed reporting with a careful critique of alternative approaches, he argues for an intimate grasp of local realities that restores the heartbeat to ethnography.

Are emotions human universals? Is the concept of emotion an invention of Western tradition? If people in other cultures live radically different emotional lives how can we ever understand them? Using vivid, often dramatic, examples from around the world, and in dialogue with current work in psychology and philosophy, Andrew Beatty develops an anthropological perspective on the affective life, showing how emotions colour experience and transform situations; how, in turn, they are shaped by culture and history. In stark contrast with accounts that depend on lab simulations, interviews, and documentary reconstruction, he takes the reader into unfamiliar cultural worlds through a ''narrative'' approach to emotions in naturalistic settings, showing how emotions tell a story and belong to larger stories. Combining richly detailed reporting with a careful critique of alternative approaches, he argues for an intimate grasp of local realities that restores the heartbeat to ethnography.

Are emotions human universals? Is the concept of emotion an invention of Western tradition? If people in other cultures live radically different emotional lives how can we ever understand them? Using vivid, often dramatic, examples from around the world, and in dialogue with current work in psychology and philosophy, Andrew Beatty develops an anthropological perspective on the affective life, showing how emotions colour experience and transform situations; how, in turn, they are shaped by culture and history. In stark contrast with accounts that depend on lab simulations, interviews, and documentary reconstruction, he takes the reader into unfamiliar cultural worlds through a ''narrative'' approach to emotions in naturalistic settings, showing how emotions tell a story and belong to larger stories. Combining richly detailed reporting with a careful critique of alternative approaches, he argues for an intimate grasp of local realities that restores the heartbeat to ethnography.

Set on an isolated Indonesian island, this is the gripping true story of a fieldworker''s experience of living in a tribal society during a period of crisis. Featuring a cast of unforgettable characters, After the Ancestors follows a bitter feud between rivals as it escalates into murder, intrigue and revenge. A vivid account of life within a radically different world, it also portrays a unique culture undergoing the transition from tribalism to modernity. A century of alien rule has left the island, once famous for its warrior ethos, with a hybrid culture. As the possibilities for heroic action recede, men raised to be orators and over-reachers rather than church elders and peasants find themselves occupying a stage too small for their personalities. ''Where can we turn'', asks one tribesman, ''we who come after the ancestors?'' A revenge tragedy for modern times, After the Ancestors will be enjoyed by anthropologists and general readers alike.