The essays in this collection acknowledge the rich Gothic tradition in Asian narratives that deal with themes of the fantastic, the macabre, and the spectral. Through close analyses of Asian works using the theoretical framework outlined by Gothic criticism, these essays seek to expand the notion of the Gothic to include several popular Asian works.Broadly divided into essays on postcolonial Asian Gothic, Asian-American Gothic, and the Gothic writings of specific Asian nations, this volume covers a wide variety of Asian texts. The essays of Part One demonstrate the flexibility of Postcolonial Gothic literature in adopting divergent or even contradictory ideologies. Part Two evokes the Gothic as the theoretical framework from which to interrogate the writings of Asian-American authors Maxine Hong Kingston, Sky Lee, lě thi diem thuy and David Henry Hwang. Part Three studies the Gothic tradition in the national literatures of China, Japan, Korea, and Turkey.

Examining film, literature and art produced during and after the Malayan Emergency, the guerrilla war fought between the Malayan National Liberation Army and the military forces of the British Commonwealth, this collection demonstrates how art functions as a record of cultural memory that both reinforces and challenges official histories. Beyond that, it also brings new understandings of the Malayan Emergency itself, and Malaysia’s subsequent development as a postcolonial nation.The first section of the book focuses on films and writings produced during the period of the Emergency to capture the socio-political circumstances of the time and understand its effect on the people. The second section goes on to explore representations of the Emergency generated after the event, highlighting how it was reimagined or reevaluated by later artists, and what ideological ends they served. Offering a comparative methodological approach, it investigates works that account for a range of perspectives, including British, Communist and Malayan/Malaysian. Bringing together the personal and political within individual and collective histories, this collection offers a new understanding of how the Emergency contributed to the formation of postcolonial Malaysia, and demonstrates the central role that film, literature and art play in the creation of cultural memory.

Examining film, literature and art produced during and after the Malayan Emergency, the guerrilla war fought between the Malayan National Liberation Army and the military forces of the British Commonwealth, this collection demonstrates how art functions as a record of cultural memory that both reinforces and challenges official histories. Beyond that, it also brings new understandings of the Malayan Emergency itself, and Malaysia''s subsequent development as a postcolonial nation.The first section of the book focuses on films and writings produced during the period of the Emergency to capture the socio-political circumstances of the time and understand its effect on the people. The second section goes on to explore representations of the Emergency generated after the event, highlighting how it was reimagined or reevaluated by later artists, and what ideological ends they served. Offering a comparative methodological approach, it investigates works that account for a range of perspectives, including British, Communist and Malayan/Malaysian. Bringing together the personal and political within individual and collective histories, this collection offers a new understanding of how the Emergency contributed to the formation of postcolonial Malaysia, and demonstrates the central role that film, literature and art play in the creation of cultural memory.

Examining film, literature and art produced during and after the Malayan Emergency, the guerrilla war fought between the Malayan National Liberation Army and the military forces of the British Commonwealth, this collection demonstrates how art functions as a record of cultural memory that both reinforces and challenges official histories. Beyond that, it also brings new understandings of the Malayan Emergency itself, and Malaysia''s subsequent development as a postcolonial nation.The first section of the book focuses on films and writings produced during the period of the Emergency to capture the socio-political circumstances of the time and understand its effect on the people. The second section goes on to explore representations of the Emergency generated after the event, highlighting how it was reimagined or reevaluated by later artists, and what ideological ends they served. Offering a comparative methodological approach, it investigates works that account for a range of perspectives, including British, Communist and Malayan/Malaysian. Bringing together the personal and political within individual and collective histories, this collection offers a new understanding of how the Emergency contributed to the formation of postcolonial Malaysia, and demonstrates the central role that film, literature and art play in the creation of cultural memory.

Examining film, literature and art produced during and after the Malayan Emergency, the guerrilla war fought between the Malayan National Liberation Army and the military forces of the British Commonwealth, this collection demonstrates how art functions as a record of cultural memory that both reinforces and challenges official histories. Beyond that, it also brings new understandings of the Malayan Emergency itself, and Malaysia’s subsequent development as a postcolonial nation.The first section of the book focuses on films and writings produced during the period of the Emergency to capture the socio-political circumstances of the time and understand its effect on the people. The second section goes on to explore representations of the Emergency generated after the event, highlighting how it was reimagined or reevaluated by later artists, and what ideological ends they served. Offering a comparative methodological approach, it investigates works that account for a range of perspectives, including British, Communist and Malayan/Malaysian. Bringing together the personal and political within individual and collective histories, this collection offers a new understanding of how the Emergency contributed to the formation of postcolonial Malaysia, and demonstrates the central role that film, literature and art play in the creation of cultural memory.

The essays in this collection acknowledge the rich Gothic tradition in Asian narratives that deal with themes of the fantastic, the macabre, and the spectral. Through close analyses of Asian works using the theoretical framework outlined by Gothic criticism, these essays seek to expand the notion of the Gothic to include several popular Asian works.Broadly divided into essays on postcolonial Asian Gothic, Asian-American Gothic, and the Gothic writings of specific Asian nations, this volume covers a wide variety of Asian texts. The essays of Part One demonstrate the flexibility of Postcolonial Gothic literature in adopting divergent or even contradictory ideologies. Part Two evokes the Gothic as the theoretical framework from which to interrogate the writings of Asian-American authors Maxine Hong Kingston, Sky Lee, lě thi diem thuy and David Henry Hwang. Part Three studies the Gothic tradition in the national literatures of China, Japan, Korea, and Turkey.

Examining film, literature and art produced during and after the Malayan Emergency, the guerrilla war fought between the Malayan National Liberation Army and the military forces of the British Commonwealth, this collection demonstrates how art functions as a record of cultural memory that both reinforces and challenges official histories. Beyond that, it also brings new understandings of the Malayan Emergency itself, and Malaysia’s subsequent development as a postcolonial nation.The first section of the book focuses on films and writings produced during the period of the Emergency to capture the socio-political circumstances of the time and understand its effect on the people. The second section goes on to explore representations of the Emergency generated after the event, highlighting how it was reimagined or reevaluated by later artists, and what ideological ends they served. Offering a comparative methodological approach, it investigates works that account for a range of perspectives, including British, Communist and Malayan/Malaysian. Bringing together the personal and political within individual and collective histories, this collection offers a new understanding of how the Emergency contributed to the formation of postcolonial Malaysia, and demonstrates the central role that film, literature and art play in the creation of cultural memory.

Examining film, literature and art produced during and after the Malayan Emergency, the guerrilla war fought between the Malayan National Liberation Army and the military forces of the British Commonwealth, this collection demonstrates how art functions as a record of cultural memory that both reinforces and challenges official histories. Beyond that, it also brings new understandings of the Malayan Emergency itself, and Malaysia''s subsequent development as a postcolonial nation.The first section of the book focuses on films and writings produced during the period of the Emergency to capture the socio-political circumstances of the time and understand its effect on the people. The second section goes on to explore representations of the Emergency generated after the event, highlighting how it was reimagined or reevaluated by later artists, and what ideological ends they served. Offering a comparative methodological approach, it investigates works that account for a range of perspectives, including British, Communist and Malayan/Malaysian. Bringing together the personal and political within individual and collective histories, this collection offers a new understanding of how the Emergency contributed to the formation of postcolonial Malaysia, and demonstrates the central role that film, literature and art play in the creation of cultural memory.

Examining film, literature and art produced during and after the Malayan Emergency, the guerrilla war fought between the Malayan National Liberation Army and the military forces of the British Commonwealth, this collection demonstrates how art functions as a record of cultural memory that both reinforces and challenges official histories. Beyond that, it also brings new understandings of the Malayan Emergency itself, and Malaysia''s subsequent development as a postcolonial nation.The first section of the book focuses on films and writings produced during the period of the Emergency to capture the socio-political circumstances of the time and understand its effect on the people. The second section goes on to explore representations of the Emergency generated after the event, highlighting how it was reimagined or reevaluated by later artists, and what ideological ends they served. Offering a comparative methodological approach, it investigates works that account for a range of perspectives, including British, Communist and Malayan/Malaysian. Bringing together the personal and political within individual and collective histories, this collection offers a new understanding of how the Emergency contributed to the formation of postcolonial Malaysia, and demonstrates the central role that film, literature and art play in the creation of cultural memory.

Examining film, literature and art produced during and after the Malayan Emergency, the guerrilla war fought between the Malayan National Liberation Army and the military forces of the British Commonwealth, this collection demonstrates how art functions as a record of cultural memory that both reinforces and challenges official histories. Beyond that, it also brings new understandings of the Malayan Emergency itself, and Malaysia’s subsequent development as a postcolonial nation.The first section of the book focuses on films and writings produced during the period of the Emergency to capture the socio-political circumstances of the time and understand its effect on the people. The second section goes on to explore representations of the Emergency generated after the event, highlighting how it was reimagined or reevaluated by later artists, and what ideological ends they served. Offering a comparative methodological approach, it investigates works that account for a range of perspectives, including British, Communist and Malayan/Malaysian. Bringing together the personal and political within individual and collective histories, this collection offers a new understanding of how the Emergency contributed to the formation of postcolonial Malaysia, and demonstrates the central role that film, literature and art play in the creation of cultural memory.