Andrew Lawson – författare

In the unstable economy of the nineteenth-century, few Americans could feel secure. Paper money made values less tangible, while a series of financial manias, panics, and depressions clouded everyday life with uncertainty and risk. In this groundbreaking study, Andrew Lawson traces the origins of American realism to a new structure of feeling: the desire of embattled and aspiring middle class for a more solid and durable reality.The story begins with New England authors Susan Warner and Rose Terry Cooke, whose gentry-class families became insolvent in the wake of the 1837 Panic, and moves to the western frontier, where the early careers of Rebecca Harding Davis and William Dean Howells were shaped by a constant struggle for social position and financial security. We see how the pull of downward social mobility affected even the outwardly successful, bourgeois family of Henry James in New York, while the drought-stricken wheat fields of Iowa and South Dakota produced the most militant American realist, Hamlin Garland. For these writers, realism offered to stabilize an uncertain world by capturing it with a new sharpness and accuracy. It also revealed a new cast of social actors-factory workers, slaves, farm laborers, the disabled, and the homeless, all victims of an unregulated market.Combining economic history and literary analysis to powerful effect, Downwardly Mobile shows how the fluctuating fortunes of the American middle class forced the emergence of a new kind of literature, while posing difficult political choices about how the middle class might remedy its precarious condition.

Downwardly Mobile explores the links between a growing sense of economic precariousness within the American middle class and the development of literary realism over the course of the nineteenth century by Rose Terry Cooke, Rebecca Harding Davis, William Dean Howells, Henry James, and Hamlin Garland. The book argues that, in each of these writers, the opacity and abstraction of social relationships in an expanding market economy combined with a sense of pervasive insecurity to produce a "hunger for the real" - a commitment to a mimetic literature capable of stabilizing the social world by capturing it with a new sharpness and accuracy. The book relocates the origins of literary realism in the antebellum period and a structure of feeling based in the residual household economy which prized the virtues of the local, the particular, and the concrete, against the alienating abstractions of the emerging market. In a parallel line of argument, the book explores the ways in which sympathetic identification with lower-class figures served to locate American realist authors in a confused and shifting social space.

This book refocuses current understandings of American Literature from the revolutionary period to the present-day through an analytical accounting of class, reestablishing a foundation for discussions of class in American culture. American Studies scholars have explored the ways in which American society operates through inequality and modes of social control, focusing primarily on issues of status group identities involving race/ethnicity, gender, sexuality, and disability. The essays in this volume focus on both the historically changing experience of class and its continuing hold on American life. The collection visits popular as well as canonical literature, recognizing that class is constructed in and mediated by the affective and the sensational. It analyzes class division, class difference, and class identity in American culture, enabling readers to grasp why class matters, as well as the economic, social, and political matter of class. Redefining the field of American literary cultural studies and asking it to rethink its preoccupation with race and gender as primary determinants of identity, contributors explore the disciplining of the laboring body and of the emotions, the political role of the novel in contesting the limits of class power and authority, and the role of the modern consumer culture in both blurring and sharpening class divisions.

Jubilee edition of the classic text first published in 1963 Anaesthetists require a particularly specialized knowledge of anatomyThe anaesthetist must know intimately the respiratory passages, the major veins and the peripheralnerves to deliver safe and effective pain control.As one of the great teachers of anatomy, Professor Harold Ellis is eminently qualified to elegantlyprovide the anatomical detail required of anaesthetists. Modern approaches to practice, includingthe use of imaging to guide anaesthetic practice, add further depth to the fine full-colour anatomicalillustrations.Designed for anaesthetists, Anatomy for Anaesthetists covers: • The Respiratory Pathway, Lungs, Thoracic Wall and Diaphragm• The Heart and Great Veins of the Neck• The Peripheral Nerves• The Autonomic Nervous System• The Cranial Nerves• The Anatomy of PainClinical Notes throughout provide the clinical context for the anatomical detail. Designed for trainees, but of continuing relevance to practicing anaesthetists, and now in its Golden Jubilee edition, Anatomy for Anaesthetists provides a central pillar of anaesthetic knowledge.

This book refocuses current understandings of American Literature from the revolutionary period to the present-day through an analytical accounting of class, reestablishing a foundation for discussions of class in American culture. American Studies scholars have explored the ways in which American society operates through inequality and modes of social control, focusing primarily on issues of status group identities involving race/ethnicity, gender, sexuality, and disability. The essays in this volume focus on both the historically changing experience of class and its continuing hold on American life. The collection visits popular as well as canonical literature, recognizing that class is constructed in and mediated by the affective and the sensational. It analyzes class division, class difference, and class identity in American culture, enabling readers to grasp why class matters, as well as the economic, social, and political matter of class. Redefining the field of American literary cultural studies and asking it to rethink its preoccupation with race and gender as primary determinants of identity, contributors explore the disciplining of the laboring body and of the emotions, the political role of the novel in contesting the limits of class power and authority, and the role of the modern consumer culture in both blurring and sharpening class divisions.

This timely book explores the innovative non-doctrinal methods currently being used in environmental law research. Drawing on their extensive experience, expert contributors provide insight on how creative approaches to research can improve understanding of lawand policy, leading to more effective legal protection for the environment.Focusing on qualitative research, chapters explain how to use non-doctrinal methods in environmental law research, including in-depth examples of successful uses. Contributors identify the theoretical and practical challenges facing contemporary environmental lawresearchers, providing guidance on designing productive research programs. Alongside practical tips, the book examines the scholarly philosophy of environmental law research, determining how and why it differs from other areas of research. It focuses in particular on how to respect scientific principles when moving away from traditional doctrinal research methods. Non-doctrinal Research Methods in Environmental Law will be an invaluable guide for environmental law academics and researchers seeking to expand their understanding of modern research methods. With extensive case studies and practical guidance, it will also be a useful resource for research methods scholars and teachers.

The perfect companion to Merrell's bestselling Dream Homes and More Dream Homes, Dream Gardens is a stylish sourcebook of 100 modern and contemporary gardens from around the world. Now available in paperback for the first time, this critically acclaimed volume presents an array of wonderful locations and garden-design ideas, from small, sophisticated, minimalist city gardens to large, richly planted gardens in breathtaking rural locations. Each garden is beautifully photographed to show all its key features and essential details, while concise descriptions explore the aims and achievements of some of today's most influential garden designers. With full captions identifying the plants depicted, Dream Gardens is a valuable source of information and inspiration.

A revised and updated edition of Andrew Lawson's classic work Andrew Lawson has an artist's eye, a scientist's training and long experience as both a gardener and a photographer of gardens. In this book he calls on all his skills and practical knowledge to illuminate the complex subject of using colour in the garden and to demonstrate the extraordinary power of colour to change the sense of space, to suggest coolness or warmth and to evoke different moods. The Gardener's Book of Colour shows how to put colours together in garden beds, borders and containers, explaining how to construct harmonizing and contrasting schemes and exuberant displays of mixed colour. All the major schemes are supported by keyline drawings giving full planting details. In addition, illustrated plant directories, arranged by colour and flowering season, provide cultivation details for over 850 plants, enabling you to assemble the right plants for your chosen scheme and to carry that scheme through the year.Authoritative and accessible, The Gardener's Book of Colour will stimulate your imagination and put exciting new ideas within your grasp. Whether you want an instant splash of brilliant seasonal colour or a sumptuous border with subtle year-round appeal, this book will show you how to achieve it.