Andrew Leland – författare

The Believer is a monthly magazine where length is no object. It features long articles, interviews, and book reviews, as well as poems, comics, and a two-page vertically-oriented Schema spread, more or less unreproduceable on the web. The common thread in all these facets is that the Believer gives people and books the benefit of the doubt (the working title of this magazine was the Optimist).On each issue, Charles Burns's beautiful illustrations adorn the cover; our regular raft of writers, artists, and photographers fill the pages; and the feel of the Westcan Printing Group’s gorgeous “Roland Enviro 100 Natural” recycled acid-free heavy stock paper warms your heart.

The Believer is a monthly magazine where length is no object. It features long articles, interviews, and book reviews, as well as poems, comics, and a two-page vertically-oriented Schema spread, more or less unreproduceable on the web. The common thread in all these facets is that the Believer gives people and books the benefit of the doubt (the working title of this magazine was the Optimist).On each issue, Charles Burns's beautiful illustrations adorn the cover; our regular raft of writers, artists, and photographers fill the pages; and the feel of the Westcan Printing Group’s gorgeous “Roland Enviro 100 Natural” recycled acid-free heavy stock paper warms your heart.

The Believer’s mission is to introduce readers to the best and most interesting work in the world of art, culture, and thought—whether that means literature, painting, wrestling, philosophy, or cooking—in an attractive vehicle that’s free from the bugbears of condescension, mustiness, and jargony obfuscation. Its content (including essays, interviews, comics, poetry, and reviews) offers fresh perspectives from editors Heidi Julavits, Vendela Vida, and Andrew Leland. Each issue includes the popular columns “Stuff I’ve Been Reading,” by Nick Hornby; “What the Swedes Read” (a look at Nobel Prize-winners), by Daniel Handler; and “Real Life Rock Top 10,” by Greil Marcus. The July/August Music Issue includes a free CD of new music curated for the magazine, the March/April Film Issue includes a free DVD of otherwise unreleased films, and the November/December Art Issue includes a free, always-changing bonus item.The Believer is a monthly magazine where length is no object. There are book reviews that are not necessarily timely, and that are very often long. There are also interviews that are very long. We will focus on writers and books we like. We will give people and books the benefit of the doubt. The working title of this magazine was The Optimist. ––The Editors

The Believer is a monthly magazine where length is no object. It features long articles, interviews, and book reviews, as well as poems, comics, and a two-page vertically-oriented Schema spread, more or less unreproduceable on the web. The common thread in all these facets is that the Believer gives people and books the benefit of the doubt (the working title of this magazine was the Optimist).On each issue, Charles Burns's beautiful illustrations adorn the cover; our regular raft of writers, artists, and photographers fill the pages; and the feel of the Westcan Printing Group’s gorgeous “Roland Enviro 100 Natural” recycled acid-free heavy stock paper warms your heart.

The Believer is a monthly magazine where length is no object. There are book reviews that are not necessarily timely, and that are very often long. There are also interviews that are very long. Focusing on writers and books they like, The Believer gives people and books the benefit of the doubt. The working title of this magazine was The Optimist.

The Believer is a monthly magazine where length is no object. There are book reviews that are not necessarily timely, and that are very often long. There are also interviews that are very long. Focusing on writers and books they like, The Believer gives people and books the benefit of the doubt. The working title of this magazine was The Optimist.

The Believer is a monthly magazine where length is no object. There are book reviews that are not necessarily timely, and that are very often long. There are also interviews that are very long. Focusing on writers and books they like, The Believer gives people and books the benefit of the doubt. The working title of this magazine was The Optimist.

The Believer is a monthly magazine where length is no object. It features long articles, interviews, and book reviews, as well as poems, comics, and a two-page vertically-oriented Schema spread, more or less unreproduceable on the web. The common thread in all these facets is that the Believer gives people and books the benefit of the doubt (the working title of this magazine was the Optimist).On each issue, Charles Burns's beautiful illustrations adorn the cover; our regular raft of writers, artists, and photographers fill the pages; and the feel of the Westcan Printing Group’s gorgeous “Roland Enviro 100 Natural” recycled acid-free heavy stock paper warms your heart.

The Believer’s mission is to introduce readers to the best and most interesting work in the world of art, culture, and thought—whether that means literature, painting, wrestling, philosophy, or cooking—in an attractive vehicle that’s free from the bugbears of condescension, mustiness, and jargony obfuscation. Its content (including essays, interviews, comics, poetry, and reviews) offers fresh perspectives from editors Heidi Julavits, Vendela Vida, and Andrew Leland. Each issue includes the popular columns “Stuff I’ve Been Reading,” by Nick Hornby; “What the Swedes Read” (a look at Nobel Prize-winners), by Daniel Handler; and “Real Life Rock Top 10,” by Greil Marcus. The July/August Music Issue includes a free CD of new music curated for the magazine, the March/April Film Issue includes a free DVD of otherwise unreleased films, and the November/December Art Issue includes a free, always-changing bonus item.The Believer is a monthly magazine where length is no object. There are book reviews that are not necessarily timely, and that are very often long. There are also interviews that are very long. We will focus on writers and books we like. We will give people and books the benefit of the doubt. The working title of this magazine was The Optimist. ––The Editors

FINALIST FOR THE PULITZER PRIZE Named one of the best books of the year by: THE NEW YORKER • THE WASHINGTON POST • THE ATLANTIC • NPR • PUBLISHERS WEEKLY • LITHUB"Fascinating...The great strength of this memoir is its voracious, humble curiosity." - The Atlantic, The 10 Best Books of the YearA witty, winning, and revelatory personal narrative of the author’s transition from sightedness to blindness and his quest to learn about blindness as a rich culture all its own.We meet Andrew Leland as he’s suspended in the liminal state of the soon-to-be blind: he’s midway through his life with retinitis pigmentosa, a condition that ushers those who live with it from sightedness to blindness over years, even decades. He grew up with full vision, but starting in his teenage years, his sight began to degrade from the outside in. Soon— but without knowing exactly when—he will likely have no vision left.Full of apprehension but also dogged curiosity, Leland embarks on a sweeping exploration of the state of being that awaits him: not only the physical experience of blindness but also its language, politics, and customs. He negotiates his changing relationships with his wife and son, and with his own sense of self, as he moves from his mainstream, “typical” life to one with a disability. Part memoir, part historical and cultural investigation, The Country of the Blind represents Leland’s determination not to merely survive this transition but to grow from it—to seek out and revel in that which makes blindness enlightening. Brimming with warmth and humor, it is an exhilarating tour of a new way of being.