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An essential introduction to the life and work of J.M.W. Turner, whose pioneering explorations into oil and watercolours transformed landscape painting and continue to offer revelatory and definitive interpretations of his time.J.M.W. Turner (1775–1851) is arguably Britain’s greatest painter. An extraordinary and prolific artist of incredible range, his pioneering explorations in oils and watercolours, his innovative use of colour and the proliferation of his work through print media enabled him to forge a stellar reputation in his own time. Yet, his dramatic landscapes, marine paintings and revelatory scenes of industry, war and contemporary life are as captivating to audiences today as they were then.This book is an essential introduction to the life and work of this influential artist. Tracing Turner’s journey from his modest beginnings and formative years, through to his tours and engagement with the British and Continental landscape, alongside pioneering historical, biblical and classical narrative paintings, it highlights his breathtaking technical skill and deep engagement with his own times. Showcasing an impressive selection of iconic and significant works from across his career, it reveals the enduring power of Turner’s work and the true extent of his artistic genius.
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Sussex, the only place outside London where Blake ever lived, inspired a wide body of extraordinary work, done for new and existing patrons and ranging from the familiar to the rarely considered. Accompanying the first exhibition devoted to the subject, William Blake in Sussex considers the collective significance of the English county to the life and work of the the celebrated artist and writer. Disillusioned with London life and struggling to make a living, Blake and his wife Catherine went in 1800 to live at the coastal village of Felpham, which the artist soon described as “the sweetest spot on earth." Providing his principal encounters with both English rural life and the coast, the artist’s three years “on the banks of the ocean” informed his two greatest illustrated epic poems, Milton and Jerusalem, and continued to be reflected in his work for the rest of his career: “In Felpham," claimed Blake, “I saw and heard Visions of Albion”. In addition to the work associated with Felpham, this publication considers the collections of nearby Petworth House, which include three major paintings by Blake – otherwise unrepresented in other grand houses of Britain – along with related prints, books and archival material. The authors will examine the relationships formed by Blake in Sussex, particularly with the poet William Hayley, the sculptor John Flaxman, the 3rd Earl of Egremont (one of the great collectors of contemporary art in the early 19th century) and his estranged wife Elizabeth Ilive, who commissioned two of the three paintings now in Petworth. Blake’s work for Hayley, often dismissed as illustrative and decorative, will be reappraised, and other projects he worked on in Sussex – including remarkable biblical watercolors produced for his great London patron, Thomas Butts – will be celebrated. Blake’s infamous arrest and trial for sedition – chief among the events profoundly affecting him in Sussex – will be discussed. It is not widely known that Blake was tried first in Petworth, where he was vouched for by the 3rd Earl.