Andrew Osmond – författare

Official art book of Seasons 1 and 2 of the anime series Pacific Rim: The Black, featuring concept art created during the development of the series.Pacific Rim: The Black burst onto TV screens in March 2021, marking a bold new chapter in the Pacific Rim franchise. Its captivating story of young siblings Taylor and Hayley and their epic trek across the desolate Australian landscape to track down their parents was captured in dynamic anime style, complete with earth-shaking Kaiju-Jaeger battles and a cast of unforgettable characters.The Art of Pacific Rim: The Black retraces Taylor and Hayley's dramatic odyssey from the perspectives of the talented producers, directors, writers and animators who created this immensely popular series. They provide fascinating insight into how the series came about, the development of the characters, the design of the Kaiju and Jaegers, and much more. This lush, coffee table hardback book is packed with stunning imagery from the series, including sketches, concept art and final renders. With an exclusive foreword from showrunner Greg Johnson and visuals covering Seasons 1 and 2, there has never been a better time to dive deeper into 'The Black'!

My Neighbour Totoro (1988) is one of the best-loved films created by Hayao Miyazaki and Studio Ghibli. Nearly forty years after its first release, Totoro remains beloved in Japan and abroad, a child’s-eye vision of the sublime and a celebration of the magical richness of the Japanese countryside. Everything feels placed at a child’s level, from the implicit spiritual environmentalism to the characters’ fears of death. Totoro has no fighting, no villains. The film’s artistry is as unassuming as it is extraordinary.Andrew Osmond’s study places Totoro in the context of Miyazaki’s and Studio Ghibli’s films, and considers what makes it so exceptional and seemingly inimitable.

Twenty years ago, animated features were widely perceived as cartoons for children. Today, though, they encompass an astonishing range of films, styles and techniques. There is the powerful adult drama of Waltz with Bashir; the Gallic sophistication of Belleville Rendez-Vous; the eye-popping violence of Japan''s Akira; and the stop-motion whimsy of Wallace & Gromit in The Curse of the Were-Rabbit. Andrew Osmond provides an entertaining and illuminating guide to the endlessly diverse world of animated features, with entries on 100 of the most interesting and important animated films from around the world, from the 1920s to the present day.There are key studio brands such as Disney, Pixar and Dreamworks, but there are also recognised auteur directors such as America''s Brad Bird (The Incredibles) and Japan''s Hayao Miyazaki (Spirited Away). Technologies such as motion-capture, used in films such as Avatar, blur the distinctions between live-action and animation. Meanwhile, lone artists such as Nina Paley (Sita Sings the Blues) and Bill Plympton (Idiots and Angels) make entire films by themselves.Blending in-depth history and criticism, 100 Animated Feature Films balances the blockbusters with local success stories from Eastern Europe to Hong Kong. There are entries on Dreamworks'' Shrek, Pixar''s Toy Story, and Disney''s The Jungle Book, but you will also find pieces on Germany''s silhouette-based The Adventures of Prince Achmed, the oldest surviving animated feature; on the thirty year production of Richard Williams'' legendary opus, The Thief and the Cobbler; and on the lost work of Argentina''s Quirino Cristiani, who reputedly made the first animated feature in 1917.

Spirited Away, directed by the veteran anime film-maker Hayao Miyazaki, is Japan''s most successful film, and one of the top-grossing ''foreign language'' films ever released. Set in modern Japan, the film is a wildly imaginative fantasy, at once personal and universal. It tells the story of a listless little girl, Chihiro, who stumbles into a magical world where gods relax in a palatial bathhouse, where there are giant babies and hard-working soot sprites, and where a trainruns across the sea. Andrew Osmond''s insightful study describes how Miyazaki directed Spirited Away with a degree of creative control undreamt of in most popular cinema, using the film''s delightful, freewheeling visual ideas to explore issues ranging from personal agency and responsibility to what Miyazaki sees as the lamentable state of modern Japan. Osmond unpacks the film''s visual language, which many Western (and some Japanese) audiences find both beautiful and bewildering. He traces connections between Spirited Away and Miyazaki''s prior body of work, arguing that Spirited Away uses the cartoon medium to create a compellingly immersive drawn world.This edition includes a new foreword by the author in which he considers the world of animated cinema post-Spirited Away, considering its influence on films ranging from del Toro''s Pan''s Labyrinth to Pixar''s Inside Out.

Spirited Away, directed by the veteran anime film-maker Hayao Miyazaki, is Japan''s most successful film, and one of the top-grossing ''foreign language'' films ever released. Set in modern Japan, the film is a wildly imaginative fantasy, at once personal and universal. It tells the story of a listless little girl, Chihiro, who stumbles into a magical world where gods relax in a palatial bathhouse, where there are giant babies and hard-working soot sprites, and where a trainruns across the sea. Andrew Osmond''s insightful study describes how Miyazaki directed Spirited Away with a degree of creative control undreamt of in most popular cinema, using the film''s delightful, freewheeling visual ideas to explore issues ranging from personal agency and responsibility to what Miyazaki sees as the lamentable state of modern Japan. Osmond unpacks the film''s visual language, which many Western (and some Japanese) audiences find both beautiful and bewildering. He traces connections between Spirited Away and Miyazaki''s prior body of work, arguing that Spirited Away uses the cartoon medium to create a compellingly immersive drawn world.This edition includes a new foreword by the author in which he considers the world of animated cinema post-Spirited Away, considering its influence on films ranging from del Toro''s Pan''s Labyrinth to Pixar''s Inside Out.

Spirited Away, directed by the veteran anime film-maker Hayao Miyazaki, is Japan's most successful film, and one of the top-grossing 'foreign language' films ever released. Set in modern Japan, the film is a wildly imaginative fantasy, at once personal and universal. It tells the story of a listless little girl, Chihiro, who stumbles into a magical world where gods relax in a palatial bathhouse, where there are giant babies and hard-working soot sprites, and where a trainruns across the sea. Andrew Osmond's insightful study describes how Miyazaki directed Spirited Away with a degree of creative control undreamt of in most popular cinema, using the film's delightful, freewheeling visual ideas to explore issues ranging from personal agency and responsibility to what Miyazaki sees as the lamentable state of modern Japan. Osmond unpacks the film's visual language, which many Western (and some Japanese) audiences find both beautiful and bewildering. He traces connections between Spirited Away and Miyazaki's prior body of work, arguing that Spirited Away uses the cartoon medium to create a compellingly immersive drawn world.This edition includes a new foreword by the author in which he considers the world of animated cinema post-Spirited Away, considering its influence on films ranging from del Toro's Pan's Labyrinth to Pixar's Inside Out.

20 years ago, animated features were widely perceived as cartoons for children. Today they encompass an astonishing range of films, styles and techniques. There is the powerful adult drama of Waltz with Bashir; the Gallic sophistication of Belleville Rendez-Vous; the eye-popping violence of Japan's Akira; and the stop-motion whimsy of Wallace & Gromit in The Curse of the Were-Rabbit. Andrew Osmond provides an entertaining and illuminating guide to the endlessly diverse world of animated features, with entries on 100 of the most interesting and important animated films from around the world, from the 1920s to the present day.Blending in-depth history and criticism, 100 Animated Feature Films balances the blockbusters with local success stories from Eastern Europe to Hong Kong. This revised and updated new edition addresses films that have been released since publication of the first edition, such as the mainstream hits Frozen, The Lego Movie and Spider-Man: Into the Spider-Verse, as well as updated entries on franchises such as the Toy Story movies. It also covers bittersweet indie visions such as Michael Dudok de Wit's The Red Turtle, Charlie Kaufman’s Anomalisa, Isao Takahata's Tale of the Princess Kaguya, the family saga The Wolf Children and the popular blockbuster Your Name. Osmond's wide-ranging selection also takes in the Irish fantasy Song of the Sea, France’s I Lost My Body and Brazil's Boy and the World. Osmond's authoritative and entertaining entries combine with a contextualising introduction and key filmographic information to provide an essential guide to animated film.

20 years ago, animated features were widely perceived as cartoons for children. Today they encompass an astonishing range of films, styles and techniques. There is the powerful adult drama of Waltz with Bashir; the Gallic sophistication of Belleville Rendez-Vous; the eye-popping violence of Japan's Akira; and the stop-motion whimsy of Wallace & Gromit in The Curse of the Were-Rabbit. Andrew Osmond provides an entertaining and illuminating guide to the endlessly diverse world of animated features, with entries on 100 of the most interesting and important animated films from around the world, from the 1920s to the present day.Blending in-depth history and criticism, 100 Animated Feature Films balances the blockbusters with local success stories from Eastern Europe to Hong Kong. This revised and updated new edition addresses films that have been released since publication of the first edition, such as the mainstream hits Frozen, The Lego Movie and Spider-Man: Into the Spider-Verse, as well as updated entries on franchises such as the Toy Story movies. It also covers bittersweet indie visions such as Michael Dudok de Wit's The Red Turtle, Charlie Kaufman’s Anomalisa, Isao Takahata's Tale of the Princess Kaguya, the family saga The Wolf Children and the popular blockbuster Your Name. Osmond's wide-ranging selection also takes in the Irish fantasy Song of the Sea, France’s I Lost My Body and Brazil's Boy and the World. Osmond's authoritative and entertaining entries combine with a contextualising introduction and key filmographic information to provide an essential guide to animated film.

20 years ago, animated features were widely perceived as cartoons for children. Today they encompass an astonishing range of films, styles and techniques. There is the powerful adult drama of Waltz with Bashir; the Gallic sophistication of Belleville Rendez-Vous; the eye-popping violence of Japan''s Akira; and the stop-motion whimsy of Wallace & Gromit in The Curse of the Were-Rabbit. Andrew Osmond provides an entertaining and illuminating guide to the endlessly diverse world of animated features, with entries on 100 of the most interesting and important animated films from around the world, from the 1920s to the present day.Blending in-depth history and criticism, 100 Animated Feature Films balances the blockbusters with local success stories from Eastern Europe to Hong Kong. This revised and updated new edition addresses films that have been released since publication of the first edition, such as the mainstream hits Frozen, The Lego Movie and Spider-Man: Into the Spider-Verse, as well as updated entries on franchises such as the Toy Story movies. It also covers bittersweet indie visions such as Michael Dudok de Wit''s The Red Turtle, Charlie Kaufman''s Anomalisa, Isao Takahata''s Tale of the Princess Kaguya, the family saga The Wolf Children and the popular blockbuster Your Name. Osmond''s wide-ranging selection also takes in the Irish fantasy Song of the Sea, France''s I Lost My Body and Brazil''s Boy and the World. Osmond''s authoritative and entertaining entries combine with a contextualising introduction and key filmographic information to provide an essential guide to animated film.

20 years ago, animated features were widely perceived as cartoons for children. Today they encompass an astonishing range of films, styles and techniques. There is the powerful adult drama of Waltz with Bashir; the Gallic sophistication of Belleville Rendez-Vous; the eye-popping violence of Japan''s Akira; and the stop-motion whimsy of Wallace & Gromit in The Curse of the Were-Rabbit. Andrew Osmond provides an entertaining and illuminating guide to the endlessly diverse world of animated features, with entries on 100 of the most interesting and important animated films from around the world, from the 1920s to the present day.Blending in-depth history and criticism, 100 Animated Feature Films balances the blockbusters with local success stories from Eastern Europe to Hong Kong. This revised and updated new edition addresses films that have been released since publication of the first edition, such as the mainstream hits Frozen, The Lego Movie and Spider-Man: Into the Spider-Verse, as well as updated entries on franchises such as the Toy Story movies. It also covers bittersweet indie visions such as Michael Dudok de Wit''s The Red Turtle, Charlie Kaufman''s Anomalisa, Isao Takahata''s Tale of the Princess Kaguya, the family saga The Wolf Children and the popular blockbuster Your Name. Osmond''s wide-ranging selection also takes in the Irish fantasy Song of the Sea, France''s I Lost My Body and Brazil''s Boy and the World. Osmond''s authoritative and entertaining entries combine with a contextualising introduction and key filmographic information to provide an essential guide to animated film.

Twenty years ago, animated features were widely perceived as cartoons for children. Today, though, they encompass an astonishing range of films, styles and techniques. There is the powerful adult drama of Waltz with Bashir; the Gallic sophistication of Belleville Rendez-Vous; the eye-popping violence of Japan''s Akira; and the stop-motion whimsy of Wallace & Gromit in The Curse of the Were-Rabbit. Andrew Osmond provides an entertaining and illuminating guide to the endlessly diverse world of animated features, with entries on 100 of the most interesting and important animated films from around the world, from the 1920s to the present day.There are key studio brands such as Disney, Pixar and Dreamworks, but there are also recognised auteur directors such as America''s Brad Bird (The Incredibles) and Japan''s Hayao Miyazaki (Spirited Away). Technologies such as motion-capture, used in films such as Avatar, blur the distinctions between live-action and animation. Meanwhile, lone artists such as Nina Paley (Sita Sings the Blues) and Bill Plympton (Idiots and Angels) make entire films by themselves.Blending in-depth history and criticism, 100 Animated Feature Films balances the blockbusters with local success stories from Eastern Europe to Hong Kong. There are entries on Dreamworks'' Shrek, Pixar''s Toy Story, and Disney''s The Jungle Book, but you will also find pieces on Germany''s silhouette-based The Adventures of Prince Achmed, the oldest surviving animated feature; on the thirty year production of Richard Williams'' legendary opus, The Thief and the Cobbler; and on the lost work of Argentina''s Quirino Cristiani, who reputedly made the first animated feature in 1917.