Andrew Patrizio – författare

An indispensable survey of methods in ecocritical art history.Ecocriticism is one of the most important and exciting developments in current art history. This is the first book to provide a survey of its methods, showing what they can offer art historians. It also indicates what the interdisciplinary project of ecocriticism stands to gain from art historians, their methods and practices.The book assembles twenty-three essays written by international scholars that span a wide range of methodological approaches, including ecofeminism, planetary ecologies, material ecocriticism, ecopolitics, and indigenous ecopoetics. The essays are framed by a series of editorial introductions that provide orientation within a disciplinary territory that is still in a state of flux. Written in clear, jargon-free language, they are accompanied by thematically arranged lists of bibliographies to facilitate further study and empower readers to approach the study of art enriched with ecocritical tools.This book is an indispensable resource for art history in the twenty-first century.Parts of this book are open access and can be read on our platform manchesterhive here: https://www.manchesterhive.com/display/9781526180582/9781526180582.xml

In the popular imagination, art history remains steeped in outmoded notions of tradition, material value and elitism. How can we awaken, define and orientate an ecological sensibility within the history of art? Building on the latest work in the discipline, this book provides the blueprint for an ‘ecocritical art history’, one that is prepared to meet the challenges of the Anthropocene, climate change and global warming. Without ignoring its own histories, the book looks beyond – at politics, posthumanism, new materialism, feminism, queer theory and critical animal studies – invigorating the art-historical practices of the future.

In the popular imagination, art history remains steeped in outmoded notions of tradition, material value and elitism. How can we awaken, define and orientate an ecological sensibility within the history of art? Building on the latest work in the discipline, this book provides the blueprint for an ‘ecocritical art history’, one that is prepared to meet the challenges of the Anthropocene, climate change and global warming. Without ignoring its own histories, the book looks beyond – at politics, posthumanism, new materialism, feminism, queer theory and critical animal studies – invigorating the art-historical practices of the future.

An indispensable survey of methods in ecocritical art history.Ecocriticism is one of the most important and exciting developments in current art history. This is the first book to provide a survey of its methods, showing what they can offer art historians. It also indicates what the interdisciplinary project of ecocriticism stands to gain from art historians, their methods and practices.The book assembles twenty-three essays written by international scholars that span a wide range of methodological approaches, including ecofeminism, planetary ecologies, material ecocriticism, ecopolitics, and indigenous ecopoetics. The essays are framed by a series of editorial introductions that provide orientation within a disciplinary territory that is still in a state of flux. Written in clear, jargon-free language, they are accompanied by thematically arranged lists of bibliographies to facilitate further study and empower readers to approach the study of art enriched with ecocritical tools.This book is an indispensable resource for art history in the twenty-first century.Parts of this book are open access and can be read on our platform manchesterhive here: https://www.manchesterhive.com/display/9781526180582/9781526180582.xml