Andrew Simon - Böcker

Incised river channels are ubiquitous features of landscapes disturbed by environmental change. Problems associated with channel incision include undermining of structures, downstream sedimentation, severe bank erosion and widening, and degradation of aquatic and riparian habitats. In Incised River Channels, research from the disciplines of geomorphology, hydraulics, sediment transport, ecology, environmental management and river engineering is brought together to develop a detailed, integrated treatment, over a range of spatial and temporal scales, of the dynamic behaviour of unstable incised rivers. The book emphasizes the need for improved understanding of the processes and mechanisms of channel adjustment and evolution to underpin sustainable river management and engineering. It contains important original contributions from an international authorship. Contributors include university and government scientists and researchers, as well as practitioners from regulatory and consultancy organizations. Divided into three thematic sections, Incised River Channels covers the nature and significance of incised channels, processes, and mitigation and management. Fundamental principles are illustrated using case studies from a wide range of physiographic environments, providing a wide geographical coverage. This volume will be of interest to academics and advanced level students who are studying fluvial geomorphology and/or river engineering. It will also be of appeal to all those interested in river adjustment and management.

Published by the American Geophysical Union as part of the Water Science and Application Series, Volume 8.Riparian Vegetation and Fluvial Geomorphology presents important new perspectives for the experimentalist, the field practitioner, the theorist, and the modeler, offering a synthesis of scientific advances along with discussions of unresolved problems and research opportunities. The volume is structured in five sections.

Media of the Masses investigates the social life of an everyday technology—the cassette tape—to offer a multisensory history of modern Egypt. Over the 1970s and 1980s, cassettes became a ubiquitous presence in Egyptian homes and stores. Audiocassette technology gave an opening to ordinary individuals, from singers to smugglers, to challenge state-controlled Egyptian media. Enabling an unprecedented number of people to participate in the creation of culture and circulation of content, cassette players and tapes soon informed broader cultural, political, and economic developments and defined "modern" Egyptian households. Drawing on a wide array of audio, visual, and textual sources that exist outside the Egyptian National Archives, Andrew Simon provides a new entry point into understanding everyday life and culture. Cassettes and cassette players, he demonstrates, did not simply join other twentieth century mass media, like records and radio; they were the media of the masses. Comprised of little more than magnetic reels in plastic cases, cassettes empowered cultural consumers to become cultural producers long before the advent of the Internet. Positioned at the productive crossroads of social history, cultural anthropology, and media and sound studies, Media of the Masses ultimately shows how the most ordinary things may yield the most surprising insights.

Media of the Masses investigates the social life of an everyday technology—the cassette tape—to offer a multisensory history of modern Egypt. Over the 1970s and 1980s, cassettes became a ubiquitous presence in Egyptian homes and stores. Audiocassette technology gave an opening to ordinary individuals, from singers to smugglers, to challenge state-controlled Egyptian media. Enabling an unprecedented number of people to participate in the creation of culture and circulation of content, cassette players and tapes soon informed broader cultural, political, and economic developments and defined "modern" Egyptian households. Drawing on a wide array of audio, visual, and textual sources that exist outside the Egyptian National Archives, Andrew Simon provides a new entry point into understanding everyday life and culture. Cassettes and cassette players, he demonstrates, did not simply join other twentieth century mass media, like records and radio; they were the media of the masses. Comprised of little more than magnetic reels in plastic cases, cassettes empowered cultural consumers to become cultural producers long before the advent of the Internet. Positioned at the productive crossroads of social history, cultural anthropology, and media and sound studies, Media of the Masses ultimately shows how the most ordinary things may yield the most surprising insights.