Andrew Snyder – författare

For decades, festivals have been important sites of inquiry for folklorists and ethnomusicologists alike as celebrations of culture. Moving beyond traditional discussions of staged culture and multiculturalism, however, this edited volume explores how festivals may be mobilized as strategic forms of direct action.Festival Activism is a diverse collection of case studies from scholars, performers, and arts administrators, all of whom deftly argue that festivals do more than simply celebrate culture; they also shape culture, creating new forms of aspirational community with direct political effects. Specifically, this volume addresses the many ways festivals provide resources for imagining and enacting social change, alternative citizenship, and long-term political transformation, revealing how performers, participants, and organizers encounter and challenge the myriad forms of violence that frame their worlds.With its emphasis on activism, direct action, and social justice, Festival Activism points toward a new paradigm in festival research, one that focuses on decolonial and justice-oriented methods to illuminate festivals' latent political potential.

For decades, festivals have been important sites of inquiry for folklorists and ethnomusicologists alike as celebrations of culture. Moving beyond traditional discussions of staged culture and multiculturalism, however, this edited volume explores how festivals may be mobilized as strategic forms of direct action.Festival Activism is a diverse collection of case studies from scholars, performers, and arts administrators, all of whom deftly argue that festivals do more than simply celebrate culture; they also shape culture, creating new forms of aspirational community with direct political effects. Specifically, this volume addresses the many ways festivals provide resources for imagining and enacting social change, alternative citizenship, and long-term political transformation, revealing how performers, participants, and organizers encounter and challenge the myriad forms of violence that frame their worlds.With its emphasis on activism, direct action, and social justice, Festival Activism points toward a new paradigm in festival research, one that focuses on decolonial and justice-oriented methods to illuminate festivals' latent political potential.

HONK! A Street Band Renaissance of Music and Activism explores a fast-growing and transnational movement of street bands—particularly brass and percussion ensembles—and examines how this exciting phenomenon mobilizes communities to reimagine public spaces, protest injustice, and assert their activism. Through the joy of participatory music making, HONK! bands foster active musical engagement in street protests while encouraging grassroots organization, representing a manifestation of cultural activity that exists at the intersections of community, activism, and music. This collection of twenty essays considers the parallels between the diversity of these movements and the diversity of the musical repertoire these bands play and share.In five parts, musicians, activists, and scholars voiced in various local contexts cover a range of themes and topics:History and ScopeRepertoire, Pedagogy, and PerformanceInclusion and OrganizationFestival Organization and PoliticsOn the Front Lines of ProtestThe HONK! Festival of Activist Street Bands began in Somerville, Massachusetts in 2006 as an independent, non-commercial, street festival. It has since spread to four continents. HONK! A Street Band Renaissance of Music and Activism explores the phenomenon that inspires street bands and musicians to change the world and provide musical, social, and political alternatives in contemporary times.Visit the companion webiste: http://www.honkrenaissance.net/

HONK! A Street Band Renaissance of Music and Activism explores a fast-growing and transnational movement of street bands—particularly brass and percussion ensembles—and examines how this exciting phenomenon mobilizes communities to reimagine public spaces, protest injustice, and assert their activism. Through the joy of participatory music making, HONK! bands foster active musical engagement in street protests while encouraging grassroots organization, representing a manifestation of cultural activity that exists at the intersections of community, activism, and music. This collection of twenty essays considers the parallels between the diversity of these movements and the diversity of the musical repertoire these bands play and share.In five parts, musicians, activists, and scholars voiced in various local contexts cover a range of themes and topics:History and ScopeRepertoire, Pedagogy, and PerformanceInclusion and OrganizationFestival Organization and PoliticsOn the Front Lines of ProtestThe HONK! Festival of Activist Street Bands began in Somerville, Massachusetts in 2006 as an independent, non-commercial, street festival. It has since spread to four continents. HONK! A Street Band Renaissance of Music and Activism explores the phenomenon that inspires street bands and musicians to change the world and provide musical, social, and political alternatives in contemporary times.Visit the companion webiste: http://www.honkrenaissance.net/