Andrew Stauffer – författare

Lord Byron was the most celebrated of all the Romantic poets. Troubled, handsome, sexually fluid, disabled, and transgressive, he wrote his way to international fame - and scandal - before finding a kind of redemption in the Greek Revolution. He also left behind the vast trove of thrilling letters (to friends, relatives, lovers, and more) that form the core of this remarkable biography. Published to coincide with the 200th anniversary of Byron's death, and adopting a fresh approach, it explores his life and work through some of his best, most resonant correspondence. Each chapter opens with Byron's own voice - as if we have opened a letter from the poet himself - followed by a vivid account of the emotions and experiences that missive touches. This gripping life traces the meteoric trajectory of a poet whose brilliance shook the world and whose legacy continues to shape art and culture to this day.

This volume in the 21st Century Oxford Authors series offers readers a generous selection of the poetry upon which Byron''s fame depended and his reputation now rests. It presents the poems in the chronological order in which they were published, working in almost every case from their first appearances in print. The Selected Writings include the entirety of Byron''s two best-known works, Childe Harold''s Pilgrimage and Don Juan, but the decision to work book-by-book means that they are presented not as unified works but as evolving serial publications, interspersed with other works published between installments or sequels. Alongside these two major works, wider representation is given to Byron''s lyric poetry than has been typical in modern editions. Furthermore, in keeping with the 21st Century Oxford Authors series, the works are reproduced in something close to their original printed forms. Prioritizing the event of publication over that of composition, this volume offers a version of Byron close to how he would have been known to his original public. With extensive annotations, it emphasizes the social processes by which literary works come to exist in the world, particularly their publication and reception histories. The result is a fresh view of Byron''s literary achievement and an impetus to further reading in the works of this extraordinary creative figure.

This volume in the 21st Century Oxford Authors series offers readers a generous selection of the poetry upon which Byron's fame depended and his reputation now rests. It presents the poems in the chronological order in which they were published, working in almost every case from their first appearances in print. The Selected Writings include the entirety of Byron's two best-known works, Childe Harold's Pilgrimage and Don Juan, but the decision to work book-by-book means that they are presented not as unified works but as evolving serial publications, interspersed with other works published between installments or sequels. Alongside these two major works, wider representation is given to Byron's lyric poetry than has been typical in modern editions. Furthermore, in keeping with the 21st Century Oxford Authors series, the works are reproduced in something close to their original printed forms. Prioritizing the event of publication over that of composition, this volume offers a version of Byron close to how he would have been known to his original public. With extensive annotations, it emphasizes the social processes by which literary works come to exist in the world, particularly their publication and reception histories. The result is a fresh view of Byron's literary achievement and an impetus to further reading in the works of this extraordinary creative figure.

Lord Byron was the most celebrated of all the Romantic poets. Troubled, handsome, sexually fluid, disabled, and transgressive, he wrote his way to international fame - and scandal - before finding a kind of redemption in the Greek Revolution. He also left behind the vast trove of thrilling letters (to friends, relatives, lovers, and more) that form the core of this remarkable biography. Published to coincide with the 200th anniversary of Byron's death, and adopting a fresh approach, it explores his life and work through some of his best, most resonant correspondence. Each chapter opens with Byron's own voice - as if we have opened a letter from the poet himself - followed by a vivid account of the emotions and experiences that missive touches. This gripping life traces the meteoric trajectory of a poet whose brilliance shook the world and whose legacy continues to shape art and culture to this day.

How did British literature develop in the wake of the radical 1790s and during the years of war, reaction, and uncertain renewal that constituted the nineteenth century's first decade? The essays in this volume examine the literary forms and cultural formations that emerged during this paradoxical era of aftermath and new beginnings. They reexamine a period within the Romantic period, and within the larger context of the nineteenth century, exploring the historical self-consciousness of this post-revolutionary era and highlighting the emergence of ideas of temporality and historicity that lead us to reconsider the past as comprised of decadal units, of centuries, and of things like 'the age of revolutions' and the spirits that animate them. Using fresh approaches and methodologies, the essays in this book examine the beginnings of the nineteenth century and its literature according to the critical, theoretical, and archival possibilities of the twenty-first.

Exploring how scholars use digital resources to reconstruct the 19th century, this volume probes key issues in the intersection of digital humanities and history. Part I examines the potential of online research tools for literary scholarship while Part II outlines a prehistory of digital virtuality by exploring specific Victorian cultural forms.

Exploring how scholars use digital resources to reconstruct the 19th century, this volume probes key issues in the intersection of digital humanities and history. Part I examines the potential of online research tools for literary scholarship while Part II outlines a prehistory of digital virtuality by exploring specific Victorian cultural forms.