Andrew Weiner - Böcker

From New York Times bestselling author and 15-time GRAMMY® Award-winning artist Alicia Keys comes a new authentic and poignant coming-of-age young adult graphic novel, about finding the strength within when your whole world changes in an instant. Lolo Wright always thought she was just a regular fourteen-year-old dealing with regular family drama: her brother, James, is struggling with his studies; her dad’s business constantly teeters on the edge of trouble; and her mother . . . she left long ago. But then Lolo’s world explodes when a cop pulls a gun on James in a dangerous case of mistaken identities. Staring down the barrel, with no one else to help, Lolo discovers powers she never knew she had. Using only her mind, she literally throws the cop out of the way.Problem is that secrets like Lolo’s don’t stay a secret for long. Skin, a dangerous dealer with designs on taking over the neighborhood, hears of Lolo’s telekinetic abilities and decides that he needs her in his crew. Skin might not have Lolo’s powers, but he’s got nothing to lose and is willing to do whatever it takes to get what he wants. And what he wants is Lolo.Lolo’s not willing to let Skin use her to hurt the people—and neighborhood—that she loves. But it’s going to take a whole different kind of bravery to stand-up for what’s right, especially after Lolo’s mom returns suddenly and turns Lolo’s whole world upside-down. For too long, it’s true, Lolo’s had her head in the clouds, but this time, it’s on her . . . and she’s not backing down.Girl on Fire is a young adult graphic novel about a girl who’s a flame. It’s the first-ever graphic novel from beloved GRAMMY® Award-winning artist Alicia Keys, co-written by Andrew Weiner and illustrated by Brittney Williams.  2023 ALA Great Graphic Novels for Teens2023 ITM Recommended YA Fiction List

Perfect for fans of Narwhal and Jelly, this charming and hilarious take on classic fairy tales tackles the family chaos of bedtime.Did you know that Jack was looking for hot dogs when he climbed up the beanstalk? Or that he was led there by a talking fox named Wendy?Ok, maybe that's not how the real story goes, but when Estella's dad, Andrew, tells her bedtime stories, she's always in for a bit of twist!A hilarious modern retelling of Jack and the Beanstalk, Daddy and the Beanstalk is a recipe for fun and adventure-with a hint of magic.

"Laughs abound" -School Library Journal "[A] playful take on a classic story" -BooklistDid you know that Jack was looking for hot dogs when he climbed up the beanstalk? Or that he was led there by a talking fox named Wendy?Ok, maybe that's not how the real story goes, but when Estella's dad, Andrew, tells her bedtime stories, she's always in for a bit of twist!A hilarious modern retelling of Jack and the Beanstalk, Daddy and the Beanstalk is a recipe for fun and adventure-with a hint of magic.

Once again, your favorite daddy-daughter duo buckles up for a wild bedtime story-this one about the time a wizard turned Andy into a frog!It's bedtime, so you know what that means-Estella is ready for another totally true story from her dad's childhood. In tonight's story, Andy is on a class trip to New York City, where he crosses paths with a wizard.But Andy quickly learns that making fun of a grumpy wizard is not a good idea. Before he can say "RIBBIT!" Andy has been transformed into a frog.With the help of his old pal Wendy, Andy will have to hop his way through the Big Apple to reverse the spell in this delightful early reader graphic novel filled with epic adventure, shenanigans, and belly laughs.

In 2015 the Renaissance Society presented an exhibition of newly commissioned works by Los Angeles-based artist Mathias Poledna. Coinciding with the museum’s centennial, it marked the final show in the institution’s first hundred years.For this project Poledna used the notion of iconoclasm and its various historical contexts as a conceptual backdrop for two new works: a 35-mm film installation, co-produced with and premiering at the Renaissance Society, and a substantial alteration to the gallery space: the demolition, dismantling and removal of the gallery’s ceiling structure, a steel truss grid that had horizontally bisected the double-height gallery since 1967. This catalog—featuring a cover designed by artist Peter Downsbrough—documents the exhibition and its installation, and in doing so celebrates a century of the Renaissance Society.