Andrew Wheeler – författare

There are more coral species in deep, cold-waters than in tropical coral reefs. This broad-ranging treatment is the first to synthesise current understanding of all types of cold-water coral, covering their ecology, biology, palaeontology and geology. Beginning with a history of research in the field, the authors describe the approaches needed to study corals in the deep sea. They consider coral habitats created by stony scleractinian as well as octocoral species. The importance of corals as long-lived geological structures and palaeoclimate archives is discussed, in addition to ways in which they can be conserved. Topic boxes explain unfamiliar concepts, and case studies summarise significant studies, coral habitats or particular conservation measures. Written for professionals and students of marine science, this text is enhanced by an extensive glossary, online resources, and a unique collection of colour photographs and illustrations of corals and the habitats they form.

There are more coral species in deep, cold-waters than in tropical coral reefs. This broad-ranging treatment is the first to synthesise current understanding of all types of cold-water coral, covering their ecology, biology, palaeontology and geology. Beginning with a history of research in the field, the authors describe the approaches needed to study corals in the deep sea. They consider coral habitats created by stony scleractinian as well as octocoral species. The importance of corals as long-lived geological structures and palaeoclimate archives is discussed, in addition to ways in which they can be conserved. Topic boxes explain unfamiliar concepts, and case studies summarise significant studies, coral habitats or particular conservation measures. Written for professionals and students of marine science, this text is enhanced by an extensive glossary, online resources, and a unique collection of colour photographs and illustrations of corals and the habitats they form.

What does it mean to be a hero? A magical sword? A prophecy? What does it mean to be a leader? A royal title? A kingdom to lead? Misty is a Princess, but does that make her a damsel or a leader? Misty has a Prince, but does that make him the hero? Misty, Princess of Beldora, is faced with a conundrum. Engaged to the buffoonish - if well meaning - prince Pete, Misty finds herself sufforcated by the expectations of royalty life. Soon Misty notices a spy from the neighboring kingdom of Grimoire. Quickly a plot is revealed to steal the one sword that has the power to kill Lord Badlug, current ruler of Grimoire who seeks to expand his empire by invading neighboring countries. However, because of some magical red tape, Badlug can only invade another country once he becomes a member of the royal family. Misty makes the rash decision to attempt to end Lord Badlug, but ends up losing the sword to his witch, and getting kidnapped. Pete, in all his well-meaning goodness, sets out to rescue her. Thrown in turmoil over the kidnapping of his daughter, Misty's father vows to bring war to the land of Grimoire in an effort to save her before her wedding to Lord Badlug. While Misty attempts to not only rescue herself, but the country of Grimoire itself from Lord Badlug. Only then does she discover simply disposing of Badlug won't lead to an immediate happy ending. Having gotten to know the citizens of Grimoire, Misty learns more about the political upheaval she's about to cause whether she marries Lord Badlug, or overthrows him. With the help of her new-found allies, Gorga, Fogmoth, Robin and surprisingly Pete, Misty recaptures her sword, and also learns there's more to being a leader and a hero than prophecies, and royal titles.

Mark is a good Catholic boy. He goes to church, he says his prayers, and he spends too much time worrying about hell. When Mark realizes he has a crush on another boy in his school, he struggles to reconcile his feelings with his faith as the weight of centuries of shame and judgment—and his fear of his parents' response—presses on his shoulders. Mark seeks advice from his priest, as well as a local drag performer, but also receives unexpected input from key figures in Catholic history and lore, including Joan of Arc, Michelangelo, St. Sebastian, and Savonarola. Ultimately, only Mark can answer the question: Is it possible for him to be both Catholic and gay?