Andrew Willis – författare

This textbook provides students with a comprehensive and accessible introduction to the field of media studies. Written by two highly experienced lecturers, the volume covers media texts, media institutions and audiences and the media

By use of checklists, this book provides a practical tool for the building specifier. This new edition features changes to specification classifications (resulting from revisions to the Common Arrangement and SMM7) and the latest British Standards and Codes of Practice.

This is the first collection in English to focus exclusively on the various forms of popular film produced in Spain and to acknowledge the variety, range and depth of Spanish cinema.Contributors from across Hispanic, media and cultural studies explore a range of genres, from the musicals of the 1930s and 1940s to contemporary horror movies, historical epics of the 1940s and 1950s and contemporary representations of the Spanish Civil War. The book includes reappraisals of key popular directors such as Luis Garcia Berlanga and Antonio Mercero as well as critical analyses of celebrated stars like Marisol. It provides innovative consideration of the promotion and reception of horror in the 1960s, recollections of cinema-going in Madrid, and reflections on successful recent works such as 'Abre los Ojos' and 'Solas'.The contributors offer a range of critical and methodological perspectives, opening up new ways of analysing Spanish popular film.

Examines the work of women in East Asian Cinema in front of and behind the screenHighlights understudied areas on women's contributions to film East Asian film in particularHighlights importance of re-historicising women's creative labour in film, not just as actors on screenRecentres women's film history into film history more broadlyCreates opportunities for dialogue amongst established and emerging scholars working in different areas of East Asian film studiesWomen in East Asian Cinema brings together new and emerging work to highlight and explore the understudied contributions of women to the films and creative industries of East Asia. It is a book which foregrounds the importance of re-historicising women's creative labour in film, not just as actors on screen, but as voices who have steered the production, circulation and consumption of these films across global contexts.Over three sections, the book provides perspectives on gender representation in East and South-East Asian cinema; new explorations of women's labour contributions as directors, screenwriters, and editors; and considerations of the contemporary circulation processes through which such work reaches global audiences.By recentring women's film histories within the broader history of cinema and interrogating the geo-political boundaries of what might constitute 'East Asia' in the process, this volume makes a robust intervention into studies of East Asian cinema and women in film.