Andy Lawrence – författare

Designed for researchers seeking new ways to explore their field and media professionals aiming to extend their practice, this filmmaking handbook shows you how to plug in to issues at the intersection of documentary cinema and ethnography. Exploring the unique potential for filmmaking to describe lifeworlds and the role of video editing in generating new ideas about human experience, it offers practical and theoretical advice for those making their first films.Based on over twenty years of teaching and industry experience, Filmmaking for fieldwork aims to inspire the development of core skills in camera use, sound recording and editing that can be applied to sensory, observational, participatory, reflexive and immersive modes of storytelling. Written for a multi-disciplinary audience, this book covers all stages necessary to produce a documentary film, from conception through to preparation, production, editing and distribution.

Empirical art: Filmmaking for fieldwork in practice is an insightful exploration of what the craft of filmmaking brings to social science research. Providing creative avenues on how to narrate encounters, relationships, and experiences during fieldwork, this comprehensive volume offers a rich tapestry of theoretical explorations and explorative methodologies. Skilfully connecting the worlds of ethnography, art and cinema, the contributors in this book act as a compass for filmmakers and researchers venturing to use a camera and microphone to relate and narrate their research collaborations and fieldsites.Drawing from the authors’ extensive experience in disciplines like social anthropology, environmental humanities, and political science, “Empirical Art” breaks down the intricate process of crafting ethnographic films that departs from the researcher's subjectivity. Covering aspects of filmmaking from conceptualisation to production and distribution, readers are equipped with a treasure trove of collaborative techniques, innovative approaches, and ethical considerations necessary to generate and examine storytelling practices in contemporary fields of study.The authors discuss the significance of the multiple roles that technologies of filmmaking play in reflecting on cultural practices, social dynamics, and (beyond) human storytelling and their transformative potentials. Whether a seasoned filmmaker, an aspiring ethnographer, or an academic seeking new dimensions for their research, Empirical Art serves as a guide to integrating visual storytelling, cinema craft and empirical research.

This textbook presents an introduction to the use of probability in physics, treating introductory ideas of both statistical physics and of statistical inference, as well the importance of probability in information theory, quantum mechanics, and stochastic processes, in a unified manner. The book also presents a harmonised view of frequentist and Bayesian approaches to inference, emphasising their complementary value. The aim is to steer a middle course between the "cookbook" style and an overly dry mathematical statistics style. The treatment is driven by real physics examples throughout, but developed with a level of mathematical clarity and rigour appropriate to mid-career physics undergraduates. Exercises and solutions are included.

This book on astronomical measurement takes a fresh approach to teaching the subject. After discussing some general principles, it follows the chain of measurement through atmosphere, imaging, detection, spectroscopy, timing, and hypothesis testing. The various wavelength regimes are covered in each section, emphasising what is the same, and what is different. The author concentrates on the physics of detection and the principles of measurement, aiming to make this logically coherent. The book is based on a short self contained lecture course for advanced undergraduate students developed and taught by the author over several years.

This book on astronomical measurement takes a fresh approach to teaching the subject. After discussing some general principles, it follows the chain of measurement through atmosphere, imaging, detection, spectroscopy, timing, and hypothesis testing. The various wavelength regimes are covered in each section, emphasising what is the same, and what is different. The author concentrates on the physics of detection and the principles of measurement, aiming to make this logically coherent. The book is based on a short self contained lecture course for advanced undergraduate students developed and taught by the author over several years.