Angela Readman – författare

Shortlisted for the 2016 Edge Hill Short Story PrizeA girl repeatedly chops her boyfriend in half but, while her ‘other half’ multiplies, she is still not satisfied. Love transforms a mother working down the chippie – into Elvis. Clary’s father puts antlers on stuffed rabbits to make jackalopes, but when her mother walks out on them, Clary has to help her father if they are to survive.Beautiful, sharp and fearless, Costa Short Story Award winner Angela Readman’s debut collection is aptly titled, for each story packs its share of explosive material. Exposing all kinds of prejudice – against age, status, disability – the stories also offer quirky new strategies for troubled lives.If Angela Carter is Readman’s fairy godmother, then David Lynch is her wicked stepbrother. Don’t say you weren’t warned . . .

It’s the 1950s, and Lorrie is unimpressed when her family moves to the remote Scottish island where her grandad runs a whisky distillery. She befriends Sylvie, the shy girl next door: ‘The slightest smile from Sylvie was a fluffy elephant at the fair. It had to be won with a clear aim,’ writes Lorrie. Yet fun-loving Lorrie isn’t sure Sylvie’s is the friendship she wants to win. As the adults around them struggle to keep their lives on an even keel, the two young women are drawn into a series of events that leave the small town wondering who exactly Sylvie is and what strange gift she is hiding.Readman’s feel for emotional nuance and flair for mixing strangeness with poignant detail make this long-awaited debut novel one to savour.

Out of the doll’s house and into the woods, Bunny Girls steps out of the shadows of girlhood and looks at the world with wide eyes. Surreal, spiky, wise and darkly funny, this new collection by Costa-winning author and poet Angela Readman expertly mixes shades of film noir, northern wit, and magic realism. Through the lens of childhood, these poems address autism, anxiety, and darker concerns buried by cultural ideals of femininity.Here in Readman’s skilful words are odes to severed heads, angels and Disney villains, Marilyn Monroe’s body double, squashed slugs, sexual awakenings, Wendy-houses and snow globes, nosebleeds and blackbirds. Women are both invisible and actively writing themselves into the visible. Where there is isolation and dislocation, its counterbalance is finding breathless, reckless joy in the acts of creation and imagination. At its heart, this enlivening, magnificent book is about darkness and light, the lovely and the frightening, the beautiful and the worrying.

Sugar and Spice and All things nice?Is that what little girls are made of?Magazines, lippy and a push-up bra?Porn star, sex symbol, victim or whore? What does it mean to be a woman in the 21st century? Are we born girls? Or are we the products of what has gone before? Strip reveals the lives of 50's pin-up Bettie Page, hardcore porn stars and the little girl left behind on the way with stunning beauty and poignancy. The poet is not afraid to go beyond the boundaries of taste, and ask what lies beneath images we both admire and demonise. The strong voice of these sensitive and powerful narratives manages to find a sad beauty within lives. These cinematic poems are political in the most subtle sense as they explore the intimacy of power relations, gender, and unpick notions of glamour to find the tale behind the glossy centrefold. The work is a tapestry of how femininity is created, culturally and individually, exposing how the girl on stage stitches together her personae, and then strips her down layer by layer.Poems that refuse to shy away from the dark, the grotesque and the taboo, but lead us, through an interplay of beautifully crafted, sensuous language, striking visuals, voice and often devastating observation to bring us face to face with the 'other' in ourselves. The true shock in these haunting narratives is that these lives speak to all of us about family, sex, power and love.