The clothed and adorned body has been at the forefront of Nili S. Fox's scholarship. In her hallmark approach, she draws on theoretical models from anthropology and archaeology, and locates the text within its native cultural environment in conversation with ancient Near Eastern literary and iconographic sources. This volume is a tribute to her, a collection of essays on dress and the body with original research by Fox's students. With the field of dress now garnering the attention of biblical and Ancient Near Eastern scholars alike, this book adds to the growing literature on the topic, demonstrating ways in which both dress and the body communicate cultural and religious beliefs and practices. The body's lived experience is the topic of section one, the body lived. The body and the social construction of identity is discussed in section two, the body cultured, while section three, the body adorned, analyzes the performative nature of dress in the biblical text.

In this volume, Angela Erisman offers a new way to think about the Pentateuch/Torah and its relationship to history. She returns to the seventeenth-century origins of modern biblical scholarship and charts a new course – not through Julius Wellhausen and the Documentary Hypothesis, but through Herrman Gunkel. Erisman reimagines his vision of a literary history grounded in communal experience as a history of responses to political threat before, during, and after the demise of Judah in 586 BCE. She explores creative transformations of genre and offers groundbreaking new readings of key episodes in the wilderness narratives. Offering new answers to old questions about the nature of the exodus, the identity of Moses, and his death in the wilderness, Erisman's study draws from literary and historical criticism. Her synthesis of approaches enables us to situate the wilderness narratives historically, and to understand how and why they continue to be meaningful for readers today.

The clothed and adorned body has been at the forefront of Nili S. Fox's scholarship. In her hallmark approach, she draws on theoretical models from anthropology and archaeology, and locates the text within its native cultural environment in conversation with ancient Near Eastern literary and iconographic sources. This volume is a tribute to her, a collection of essays on dress and the body with original research by Fox's students. With the field of dress now garnering the attention of biblical and Ancient Near Eastern scholars alike, this book adds to the growing literature on the topic, demonstrating ways in which both dress and the body communicate cultural and religious beliefs and practices. The body's lived experience is the topic of section one, the body lived. The body and the social construction of identity is discussed in section two, the body cultured, while section three, the body adorned, analyzes the performative nature of dress in the biblical text.

In this volume, Angela Erisman offers a new way to think about the Pentateuch/Torah and its relationship to history. She returns to the seventeenth-century origins of modern biblical scholarship and charts a new course – not through Julius Wellhausen and the Documentary Hypothesis, but through Herrman Gunkel. Erisman reimagines his vision of a literary history grounded in communal experience as a history of responses to political threat before, during, and after the demise of Judah in 586 BCE. She explores creative transformations of genre and offers groundbreaking new readings of key episodes in the wilderness narratives. Offering new answers to old questions about the nature of the exodus, the identity of Moses, and his death in the wilderness, Erisman's study draws from literary and historical criticism. Her synthesis of approaches enables us to situate the wilderness narratives historically, and to understand how and why they continue to be meaningful for readers today.