Angelo Hornak - Böcker
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This publication incorporates a radically new presentation of the cathedral and its history. By means of a careful interaction of text and images, the guide conveys the sense of the Cathedral as a working institution and brings to life dynamically the history of the Cathedral. Canterbury Cathedral is a major centre of Christianity and a place of pilgrimage to the shrine of one of England's most important saints, Thomas Becket. This publication incorporates a radically new presentation of the cathedral and its history. By means of a careful interaction of text and images, the guide conveys the sense of the Cathedral as a working institution and brings to life dynamically the history of the Cathedral. This is reinforced by highlighted text and illustration spreads on historic figures associated with the Cathedral, such as The Black Prince, Chaucer and Saint Augustine. The guide presents accessible information about the Cathedral, by means of a walking guide divided into small sections, which highlight such features as the West Door, the Nave and Crypt. The use of plans and colour coding also helps orientate the visitor easily through the Cathedral complex. Images of special events and processions, as well as architectural details, reinforce the notion of the Cathedral as a living community and evoke the essential spirit of this magnificent building.
After the Fire
London Churches in the Age of Wren, Hooke, Hawksmoor and Gibbs
Inbunden, Engelska, 2016
456 kr
Skickas inom 7-10 vardagar
'London was but is no more!' In these words diarist John Evelyn summed up the destruction wrought by the Great Fire that swept through the City of London in 1666. The losses included St Paul's Cathedral and eight-seven parish churches (as well as at least thirteen thousand houses).In After the Fire, celebrated photographer and architectural historian Angelo Hornak explores, with the help of his own stunning photographs, the churches built in London during the sixty years that followed the Great Fire, as London rose from the ashes, more beautiful - and far more spectacular - than ever before. The catastrophe offered a unique opportunity to Christopher Wren and his colleagues - including Robert Hooke and Nicholas Hawksmoor - who, over the next forty years, rebuilt St Paul's and fifty-one other London churches in a dramatic new style inspired by the European Baroque.Forty-five years after the Fire, the Fifty New Churches Act of 1711 gave Nicholas Hawksmoor the scope to build breathtaking (and controversial) new churches including St Anne's Limehouse, Christ Church Spitalfields and St George's Bloomsbury.By the 1720s the pendulum was swinging away from the Baroque of Wren and Hawksmoor, and it was James Gibbs' more restrained St Martin-in the-Fields that was to provide the prototype for churches throughout the English-speaking world - especially in North America - for the next hundred years.