A history of the Japanese archipelago through its material artefacts over fifteen millennia. This spirited visual account of life in the Japanese archipelago spans over 15,000 years, revealing the stories behind an intriguing selection of objects from the British Museum Collection. It explores the history of the region through artefacts, from the lengthy prehistoric record, through the rise of Buddhism and a military elite in Japan’s classical and medieval periods, to the economic and cultural developments of the early modern and modern eras. Ancient flame pots and jewelry, textiles and armour, folding screens and contemporary manga provide glimpses of the lives of farmers and merchants, medieval warriors and modern women. A wide range of ceramics and sculpture, metalwork and lacquerware, paintings, prints and textiles provides a rich and compelling portrait of a society and culture that occupies a special place in the imagination of its citizens and visitors.

From the second half of the nineteenth century, Japan has been a particularly enthusiastic user of exhibitions. Large-scale international exhibitions, including Osaka 2025, form only the tip of an iceberg comprising over 1,300 industrial, regional, and local exhibitions held in Japan over the past 150 years. In this unique history, Angus Lockyer explores how and why these events have been used as catalysts of development and arenas for fostering modern industry, empire, and nation. He traces their complicated genesis, realization, and reception, demonstrating that although they rarely achieve their stated aims, this does not undermine their utility – Japanese expos have provided a model subsequently adopted around the world. The history of this enthusiasm provides a more nuanced understanding of development in modern Japan, and emphasizes the shared experiences of global modernity.

A history of the Japanese archipelago through its material artefacts over fifteen millennia. This spirited visual account of life in the Japanese archipelago spans over 15,000 years, revealing the stories behind an intriguing selection of objects from the British Museum Collection. It explores the history of the region through artefacts, from the lengthy prehistoric record, through the rise of Buddhism and a military elite in Japan’s classical and medieval periods, to the economic and cultural developments of the early modern and modern eras. Ancient flame pots and jewelry, textiles and armour, folding screens and contemporary manga provide glimpses of the lives of farmers and merchants, medieval warriors and modern women. A wide range of ceramics and sculpture, metalwork and lacquerware, paintings, prints and textiles provides a rich and compelling portrait of a society and culture that occupies a special place in the imagination of its citizens and visitors.

From the second half of the nineteenth century, Japan has been a particularly enthusiastic user of exhibitions. Large-scale international exhibitions, including Osaka 2025, form only the tip of an iceberg comprising over 1,300 industrial, regional, and local exhibitions held in Japan over the past 150 years. In this unique history, Angus Lockyer explores how and why these events have been used as catalysts of development and arenas for fostering modern industry, empire, and nation. He traces their complicated genesis, realization, and reception, demonstrating that although they rarely achieve their stated aims, this does not undermine their utility – Japanese expos have provided a model subsequently adopted around the world. The history of this enthusiasm provides a more nuanced understanding of development in modern Japan, and emphasizes the shared experiences of global modernity.