Anic Zanzi – författare

Laure Pigeon (1882-1965) is one of the leading figures in Art Brut (Outsider Art), along with Aloïse Corbaz and Adolf Wölfli. The Collection de l’Art Brut in Lausanne probably possesses her entire oeuvre, amounting to over 400 works, including writings, notebooks, small-scale drawings and an extensive series of large compositions in blue ink. These are all part of the corpus of works acquired by Jean Dubuffet, the historic collection around which the museum was founded. In 1978, the Collection de l’Art Brut held the first and only monographic exhibition dedicated to this artist. A new exhibition in 2025 has now been devoted to her exclusively. It offers a representative selection of her striking graphic work, spanning a period of 30 years.Like Madge Gill, Jeanne Tripier, Augustin Lesage and Raphaël Lonné, Laure Pigeon too was a member of the spiritualist fraternity – men and women who feel “selected” to receive messages from the hereafter and claim the deceased are responsible for their creations. The spiritualist’s hand is therefore guided and merely executes what the spirits dictate.The catalogue, in French and English, includes essays by several authors and a large number of colour illustrations.Text in English and French.

The theatre is the central theme of this fourth volume in our series titled 'Art Brut - The Collection', published to coincide with the fourth Art Brut Biennale. After exploring architecture, vehicles, and bodies, attention turns to the theatre, a theme that is developed in its various aspects. The simplest example is the depiction of theatrical architecture, as in the work of Eugen Gabritschevsky or Victorien Sardou. Other artists create works that are intimately connected to the world of theatre, however without necessarily being a part of it. For example, for Giovanni Battista Podestà or Vahan Poladian, a public stage is a place where they put on a 'performance' that responds to a society that consigns them to its margins. Their intrinsically ephemeral approach uses clothing or accessories as a means of communication and to have their voices or protestations heard. Other artists conceive whole cosmogonies that take the form of a gigantic staging of a fanciful, phantasmagoric world, as in the case of Aloïse Corbaz, whose work is to be viewed as a 'Theatre of the universe', or in that of Marguerite Burnat-Provins, with her graphic work titled 'Ma Ville'.The book includes over 100 illustrations, many of which are published for the first time, carefully chosen to enable the reader to explore the theme of the theatre in Outsider Art, or Art Brut. Also available in the series:Vehicles ISBN 9788874396580Architecture ISBN 9788874397105Body ISBN 9788874397884