Anik Sarkar – författare

This handbook offers a critical introduction to Indian Indie cinema, exploring its subversion of dominant ideas, aesthetics and narratives; its inclusion of marginal and alternative experiences and ideologies; its relationship with audiences; and its defiance of norms followed by commercial Bollywood cinema.It takes a critical look at independent and alternative films in India that cover a wide range of genres, regions, textual forms and languages. These films may be regional, experimental in style or feature innovative and timely sociopolitical interventions. The handbook contextualises this cinema historically and addresses the key issues concerning its significance. A definitive guide to independent Indian films, this volume provides acritical understanding of the many experimentations undertaken by alternative voices and filmmakers in India; offers new conceptual engagements that widen perspectives on “minor” and regional cinema; and covers a wide range of films while touching upon current and new filmmaking trends, emerging cinematic styles, film production and key filmmakers.These analyses of the Indie film industry and films in India are an essential read for students and researchers of media and film studies, film studies, cultural studies, world cinema and contemporary cinema, besides being of interest to film buffs.

This handbook offers a critical introduction to Indian Indie cinema, exploring its subversion of dominant ideas, aesthetics and narratives; its inclusion of marginal and alternative experiences and ideologies; its relationship with audiences; and its defiance of norms followed by commercial Bollywood cinema.It takes a critical look at independent and alternative films in India that cover a wide range of genres, regions, textual forms and languages. These films may be regional, experimental in style or feature innovative and timely sociopolitical interventions. The handbook contextualises this cinema historically and addresses the key issues concerning its significance. A definitive guide to independent Indian films, this volume provides acritical understanding of the many experimentations undertaken by alternative voices and filmmakers in India; offers new conceptual engagements that widen perspectives on “minor” and regional cinema; and covers a wide range of films while touching upon current and new filmmaking trends, emerging cinematic styles, film production and key filmmakers.These analyses of the Indie film industry and films in India are an essential read for students and researchers of media and film studies, film studies, cultural studies, world cinema and contemporary cinema, besides being of interest to film buffs.

Fabulating Ecologies: Screening Caution, Citizenry, and the Machinic Apocalypse undertakes a comprehensive exploration into the world of eco-fabulations within cinematic narratives. The chapters navigate speculative and futuristic possibilities in films, ideating entangled existences within domains that transcend the human experience. With such a framework, the work provokes a reassessment of established paradigms around environment, techno-apocalypse, citizenship, and anthropocentrism, all within the context of a fluid and evolving posthuman thought in contemporary science fiction cinema. Many recent films and media forms associated with the science fiction genre have effectively exhibited premonitions about impending planetary threats, and the ones explored in this book are a small part of a larger lineage of films. This book recognizes such films as “cautionary” forms of media because they create an instinctive feeling of urgency. Cautionary cinema efficiently transmits narratives of foreboding, comprising the capacity to portray both fear and hope, through a combination of disruptive shock and empathetic resonance. The argument for machinocene being a logical supersedence to the Anthropocene is strengthened by the ubiquitous presence of heavy machinery and unrestrained technology in these ecologies that tilt us toward a calamitous vision of the future.

Delving into Apichatpong Weerasethakul’s films, this book uncovers a plethora of conceptual paradigms. Apichatpong's films frequently utilize rural Thailand as a backdrop, showcasing daily life, interactions, rituals, and customs, all infused with a Southeast Asian essence. This utilization of local imagery provides a national quality to his works, allowing a global audience to explore both urban and rural aspects of Thai society, along with discourses on history, culture, politics, and practices. Beyond the surface, the films also address universal and intricate themes, transcending cultural boundaries. The book delves into a range of lesser-explored aspects regarding the films and filmmaking of Apichatpong, developing fresh perspectives on the representation of nonhumans, hybrid forms, transmedia plot, technique, production among others. With meticulous analyses of his key works this interdisciplinary study unveils the threads that bind Apichatpong’s creative practice, innovative techniques, and philosophical insights. An essential read for cinephiles, scholars, and seekers of cinematic depth, this book uncovers the vibrant tapestry of meaning within Apichatpong’s enigmatic film-worlds.