Anke Hein – författare

Archaeology publications tend to focus on the history of archaeology through a lens of an account and summary of discoveries without considering the contexts (cultural, intellectual, political, economic) of knowledge production that have shaped the course of these discoveries, the research questions asked, and the practice of the discipline. Chinese archaeology in particular has been presented largely in short single-author accounts that often focus exclusively on the Central Plains and to a lesser extent northern China. New and varied perspectives on this topic are essential for a better understanding of not just the practice of archaeology in China, but also a well-rounded understanding of modern and present-day China. Historians, anthropologists, and archaeologists alike would benefit from a comprehensive overview of the region and its notable relationship to the discipline of archaeology. The Oxford Handbook of the History and Practice of Chinese Archaeology is a multi-regional and multi-voiced account of the history of Chinese archaeology. It provides insights into the actors, structures, and motivations moving this history forward, from the beginnings of the discipline, up to the present day. This volume brings together 47 chapters contributed by a diverse community of scholars (archaeologists, historians, heritage specialists, and museum professionals) from Asia, Europe and North America to cover many of the most significant issues in Chinese archaeology: the discipline's origins in antiquarian practices at least a millennium old; its beginnings amid the cultural, intellectual and epistemological tumult of the early 20th century; the intersection of local and international scholarship in the formation of the discipline; the specificities of fieldwork practice and institutional organization; and the impact of scientific methods that have transformed knowledge production.

Understanding Authenticity in Chinese Cultural Heritage explores the construction of "authenticity" and its consequences in relation to Chinese cultural heritage—those objects, texts, and intangible practices concerned with China’s past. Including contributions from scholars around the world reflecting on a range of different materials and time periods, Understanding Authenticity emphasizes the situatedness and fluidity of authenticity concepts. Attitudes toward authenticity change over time and place, and vary between communities and object types, among stakeholders in China as they do elsewhere. The book examines how "authenticity" relates to four major aspects of cultural heritage in China—art and material culture; cultural heritage management and preservation; living and intangible heritage; and texts and manuscripts—with individual contributions engaging in a critical and interdisciplinary conversation that weaves together heritage management, art history, archaeology, architecture, tourism, law, history, and literature. Moving beyond conceptual issues, the book also considers the practical ramifications for work in cultural heritage management, museums, and academic research.Understanding Authenticity in Chinese Cultural Heritage provides an opportunity for reflection on the contingencies of authenticity debates - not only in relation to China, but also anywhere around the world. The book will be of interest to scholars and students in a variety of fields, including heritage studies, Asian studies, art history, museum studies, history, and archaeology.

Understanding Authenticity in Chinese Cultural Heritage explores the construction of "authenticity" and its consequences in relation to Chinese cultural heritage—those objects, texts, and intangible practices concerned with China’s past. Including contributions from scholars around the world reflecting on a range of different materials and time periods, Understanding Authenticity emphasizes the situatedness and fluidity of authenticity concepts. Attitudes toward authenticity change over time and place, and vary between communities and object types, among stakeholders in China as they do elsewhere. The book examines how "authenticity" relates to four major aspects of cultural heritage in China—art and material culture; cultural heritage management and preservation; living and intangible heritage; and texts and manuscripts—with individual contributions engaging in a critical and interdisciplinary conversation that weaves together heritage management, art history, archaeology, architecture, tourism, law, history, and literature. Moving beyond conceptual issues, the book also considers the practical ramifications for work in cultural heritage management, museums, and academic research.Understanding Authenticity in Chinese Cultural Heritage provides an opportunity for reflection on the contingencies of authenticity debates - not only in relation to China, but also anywhere around the world. The book will be of interest to scholars and students in a variety of fields, including heritage studies, Asian studies, art history, museum studies, history, and archaeology.

In commemoration of Lothar von Falkenhausen's 60th birthday, this volume assembles eighteen scholarly essays that explore the intersection between art, economy, and ritual in ancient East Asia. The contributions are clustered into four themes: Ritual Economy, Ritual and Sacrifice, Technology, Community, Interaction, and Objects and Meaning, which collectively reflect the theoretical, methodological, and historical questions that Falkenhausen has been examining via his scholarship, research, and teaching throughout his career. Most of the chapters work with archaeological and textual data from China, but there are also studies of materials from Mongolia, Korea, Southeast Asia and even Egypt, showing the global impact of Falkenhausens work. The chronological range of studies extends from the Neolithic through the Bronze Age in China, into the early imperial, medieval, and early modern periods. The authors discuss art, economy, ritual, interaction, and technology in the broad context of East Asian archaeology and its connection to the world beyond.

This book proposes a new model and scheme of analysis for complex burial material and applies it to the prehistoric archaeological record of the Liangshan region in Southwest China that other archaeologists have commonly given a wide berth, regarding it as too patchy, too inhomogeneous, and overall too unwieldy to work with.The model treats burials as composite objects, considering the various elements separately in their respective life histories. The application of this approach to the rich and diverse archaeological record of the Liangshan region serves as a test of this new form of analysis. This volume thus pursues two main aims: to advance the understanding of the archaeology of the immediate study area which has been little examined, and to present and test a new scheme of analysis that can be applied to other bodies of material.