Anna Feuerstein - Böcker

Bringing together new perspectives in childhood studies and animal studies, this book is the first collection to critically address the manifold alignments and frequent co-constitutions of children and pets in our families, our cultures, and our societies. The cultural politics of power shaping relationships between children, pets, and adults inform the wide range of essays included in this collection, as they explore issues such as protection, discipline, mastery, wildness, play, and domestication. The volume use the frequent social and cultural intersections between children and pets as an opportunity to analyze institutions that create pet and child subjectivity, from education and training to putting children and pets on display for entertainment purposes. Essays analyze legal discourses, visual culture, literature for children and adults, migration narratives, magazines for children, music, and language socialization to discuss how notions of nationalism, race, gender, heteronormativity, and speciesism shape cultural constructions of children and pets. Examining childhood and pethood in America, Europe, Asia, and the Pacific, this collection shows how discourses linking children and pets are pervasive and work across cultures. By presenting innovative approaches to the child and the pet, the book brings to light alternative paths toward understanding these figures, leading to new openings and questions about kinship, agency, and the power of care that so often shapes our relationships with children and animals. This will be an important volume for scholars of animal studies, childhood studies, children’s literature, cultural studies, political theory, education, art history, and sociology.

During the Victorian era, animals were increasingly viewed not as property or utility, but as thinking, feeling subjects worthy of inclusion within a political community. This book re-examines the nineteenth-century British animal welfare movement and animal characters in the Victorian novel in light of liberal thought, and argues that liberalism was a decisive factor in determining the cultural, ideological, and material makeup of animal-human relationships. While the animal welfare movement often represented animals as desiring submission to the human, animal characters in the Victorian novel critiqued the liberal norms that led to the oppression of both animals and humans. Through readings of animal rights legislation, animal welfare texts, and writings by Charles Dickens, Lewis Carroll, Thomas Hardy, and Olive Schreiner, Anna Feuerstein outlines the remarkably powerful political role that animals played in the Victorian novel, as they offer ways to move beyond the exclusionary and contradictory strategies of liberal thought.

During the Victorian era, animals were increasingly viewed not as property or utility, but as thinking, feeling subjects worthy of inclusion within a political community. This book re-examines the nineteenth-century British animal welfare movement and animal characters in the Victorian novel in light of liberal thought, and argues that liberalism was a decisive factor in determining the cultural, ideological, and material makeup of animal-human relationships. While the animal welfare movement often represented animals as desiring submission to the human, animal characters in the Victorian novel critiqued the liberal norms that led to the oppression of both animals and humans. Through readings of animal rights legislation, animal welfare texts, and writings by Charles Dickens, Lewis Carroll, Thomas Hardy, and Olive Schreiner, Anna Feuerstein outlines the remarkably powerful political role that animals played in the Victorian novel, as they offer ways to move beyond the exclusionary and contradictory strategies of liberal thought.