Anna Froula – författare

Terry Gilliam has been making movies for more than forty years, and this volume analyzes a selection of his thrilling directorial work, from his early films with Monty Python to The Imaginarium of Doctor Parnussus (2009). The frenetic genius, auteur, and social critic continues to create indelible images on screen--if, that is, he can get funding for his next project. Featuring eleven original essays from an international group of scholars, this collection argues that when Gilliam makes a movie, he goes to war: against Hollywood caution and convention, against American hyper-consumerism and imperial militarism, against narrative vapidity and spoon-fed mediocrity, and against the brutalizing notion and cruel vision of the "American Dream."

Terry Gilliam has been making movies for more than forty years, and this volume analyzes a selection of his thrilling directorial work, from his early films with Monty Python to The Imaginarium of Doctor Parnussus (2009). The frenetic genius, auteur, and social critic continues to create indelible images on screen--if, that is, he can get funding for his next project. Featuring eleven original essays from an international group of scholars, this collection argues that when Gilliam makes a movie, he goes to war: against Hollywood caution and convention, against American hyper-consumerism and imperial militarism, against narrative vapidity and spoon-fed mediocrity, and against the brutalizing notion and cruel vision of the "American Dream."

This collection offers a critical and feminist media scholarship approach to the ongoing 21st-century true crime media boom.Including contributions from a range of media scholars with diverse areas of expertise and interest, televising true crime features essays that analyze the intersections between and across streaming programs, traditional television, and podcasts, while also exploring the ethics and audiences of true crime, narrative and affect, and genre. Each section presents several essays addressing broad topics from divergent theoretical and methodological approaches but sharing an underlying critical feminist approach to media culture.This multidisciplinary volume will interest students and researchers of media studies, cultural studies, television studies, journalism, critical feminism, true crime genre, documentary studies, platform studies, and gender studies.

This collection offers a critical and feminist media scholarship approach to the ongoing 21st-century true crime media boom.Including contributions from a range of media scholars with diverse areas of expertise and interest, televising true crime features essays that analyze the intersections between and across streaming programs, traditional television, and podcasts, while also exploring the ethics and audiences of true crime, narrative and affect, and genre. Each section presents several essays addressing broad topics from divergent theoretical and methodological approaches but sharing an underlying critical feminist approach to media culture.This multidisciplinary volume will interest students and researchers of media studies, cultural studies, television studies, journalism, critical feminism, true crime genre, documentary studies, platform studies, and gender studies.

This collection offers a critical and feminist media scholarship approach to the ongoing 21st-century true crime media boom.Including contributions from a range of media scholars with diverse areas of expertise and interest, televising true crime features essays that analyze the intersections between and across streaming programs, traditional television, and podcasts, while also exploring the ethics and audiences of true crime, narrative and affect, and genre. Each section presents several essays addressing broad topics from divergent theoretical and methodological approaches but sharing an underlying critical feminist approach to media culture.This multidisciplinary volume will interest students and researchers of media studies, cultural studies, television studies, journalism, critical feminism, true crime genre, documentary studies, platform studies, and gender studies.

Anna Froula is Associate Professor of Film Studies in the Department of English at East Carolina University, USAStacy Takacs is Associate Professor and Director of American Studies at Oklahoma State University, USA

Anna Froula is Associate Professor of Film Studies in the Department of English at East Carolina University, USAStacy Takacs is Associate Professor and Director of American Studies at Oklahoma State University, USA

This is a collection of analyses that focuses on popular culture as a profound discursive site of anxiety and discussion about 9/11 and demystifies the day's events. September 11th, 2001 remains a focal point of American consciousness, a site demanding ongoing excavation, a site at which to mark before and after 'everything' changed. In ways both real and intangible the entire sequence of events of that day continues to resonate in an endlessly proliferating aftermath of meanings that have changed and continue to change. Presenting a collection of analyses by an international body of scholars that examines America's recent history, this book focuses on popular culture as a profound discursive site of anxiety and discussion about 9/11 and demystifies the day's events in order to contextualize them into a historically grounded series of narratives that recognizes the complex relations of a globalized world.

This is a collection of analyses that focuses on popular culture as a profound discursive site of anxiety and discussion about 9/11 and demystifies the day's events. September 11th, 2001 remains a focal point of American consciousness, a site demanding ongoing excavation, a site at which to mark before and after 'everything' changed. In ways both real and intangible the entire sequence of events of that day continues to resonate in an endlessly proliferating aftermath of meanings that have changed and continue to change. Presenting a collection of analyses by an international body of scholars that examines America's recent history, this book focuses on popular culture as a profound discursive site of anxiety and discussion about 9/11 and demystifies the day's events in order to contextualize them into a historically grounded series of narratives that recognizes the complex relations of a globalized world.

September 11th, 2001 remains a focal point of American consciousness, a site demanding ongoing excavation, a site at which to mark before and after "everything" changed. In ways both real and intangible the entire sequence of events of that day continues to resonate in an endlessly proliferating aftermath of meanings that continue to evolve. Presenting a collection of analyses by an international body of scholars that examines America''s recent history, this book focuses on popular culture as a profound discursive site of anxiety and discussion about 9/11 and demystifies the day''s events in order to contextualize them into a historically grounded series of narratives that recognizes the complex relations of a globalized world. Essays in Reframing 9/11 share a collective drive to encourage new and original approaches for understanding the issues both within and beyond the official political rhetoric of the events of the "The Global War on Terror" and issues of national security.