Anna Gotlib - Böcker

While migration has been a human constant, the past decade has brought an unprecedented number of migrants fleeing uninhabitable conditions in the countries or regions where they have been living. These people--displaced by famine, drought, disease, armed conflict, or persecution--often endure these conditions only to find themselves in another set of hostile circumstances as they try to find their way toward safety, at least, and a life of thriving at best.Forced Migration and Health Justice focuses directly on forced migration, health, ethics, and justice. The book deploys a "journey" approach to highlight the ways in which structural injustice is central to what threatens migrants' health. Organized to map migrant journeys, the chapters follow the route of the forcibly displaced, analyzing the cultural norms; political, economic, and social policies; and institutional structures encountered along the way that thwart health justice for forced migrants.The book is divided into four sections. The first section contains case studies depicting the plight of migrants in different regions, while the second section looks at life in detention facilities or encampments, spaces "inhabited" by so many forced migrants. The third section turns to destination countries and their treatment of the forcibly displaced in the context of health care, followed by the final section that offers arguments on the responsibilities of governments, international humanitarian organizations, health professionals, and civil society concerning structural health injustice.

In a Barbie World: Barbie as Narrative, Symbol, and Cipher brings together a group of global scholars representing different disciplines and identities to examine the myriad themes that emerge from the Greta Gerwig film, Barbie.In 2023, Barbie unexpectedly became the highest grossing film of the year and surprised audiences with its perceptive exploration of feminism and feminist philosophies. Taking an inclusive, interdisciplinary approach, this collection is the first book to undertake a philosophical and academic consideration of Barbie. This collection of essays approaches the film from different disciplinary perspectives, considering it simultaneously as a cultural phenomenon and as an academic text. Chapters cover a range of topics, including patriarchy, consumerism, capitalism, colonialism, sexual identity, race, recognition, relationships, mothers and daughters, queerness, girl power, feminism, and, of course, its theatre rival, Oppenheimer.In a Barbie World: Barbie as Narrative, Symbol, and Cipher offers an accessible yet scholarly contribution to the fields of gender studies, political theory, philosophy, film studies, bioethics, and education, among others. It will be of value to students of these subjects at both undergraduate and graduate level, as well as to broader audiences who are interested in Barbie and its themes.The Open Access version of this book, available at http://www.taylorfrancis.com, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives (CC BY-NC-ND) 4.0 license.

In a Barbie World: Barbie as Narrative, Symbol, and Cipher brings together a group of global scholars representing different disciplines and identities to examine the myriad themes that emerge from the Greta Gerwig film, Barbie.In 2023, Barbie unexpectedly became the highest grossing film of the year and surprised audiences with its perceptive exploration of feminism and feminist philosophies. Taking an inclusive, interdisciplinary approach, this collection is the first book to undertake a philosophical and academic consideration of Barbie. This collection of essays approaches the film from different disciplinary perspectives, considering it simultaneously as a cultural phenomenon and as an academic text. Chapters cover a range of topics, including patriarchy, consumerism, capitalism, colonialism, sexual identity, race, recognition, relationships, mothers and daughters, queerness, girl power, feminism, and, of course, its theatre rival, Oppenheimer.In a Barbie World: Barbie as Narrative, Symbol, and Cipher offers an accessible yet scholarly contribution to the fields of gender studies, political theory, philosophy, film studies, bioethics, and education, among others. It will be of value to students of these subjects at both undergraduate and graduate level, as well as to broader audiences who are interested in Barbie and its themes.The Open Access version of this book, available at http://www.taylorfrancis.com, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives (CC BY-NC-ND) 4.0 license.

What does it mean to be in the middle of a pandemic—for us, for our country, or for the world? How do our current inequalities and injustices become amplified by the demands of the pandemic and what, if anything, can be done? Who is most impacted—and why does it seem that so many of the same people are, once again, deemed expendable and "less-than"? How do we explain COVID-19 and its attendant traumas to our children, and what do we teach them about hope, justice, grief, and the role of imagination in survival? And once the worst has passed, how do we start again, and what should we care about as we contemplate individual and collective repair?In this collection of public and political philosophy, philosophers come together to address these and other questions born of a devastating pandemic to which they are neither objective spectators nor external observers insulated by the passage of time. The contributors to this volume are both grounded in, and immediately affected by, their own lived realities as source material for the questions that move and motivate them.Contributors: Alexios Alexander, J. S. Biehl, Eyja M. Brynjarsdóttir, Daniel Conway, Barrett Emerick, Anna Gotlib, Ruth Groenhout, Claire Katz, Eva Feder Kittay, Corey McCall, Jamie Lindemann Nelson, Jennifer Scuro, Kevin Timpe, Vanessa Wills

What does it mean to be sad? What difference does it make whether, how, and why we experience our own, and other people’s, sadness? Is sadness always appropriate and can it be a way of seeing more clearly into ourselves and others? In this volume, a multi-disciplinary team of scholars - from fields including philosophy, women’s and gender studies, bioethics and public health, and neuroscience - addresses these and other questions related to this nearly-universal emotion that all of us experience, and that some of us dread. Somewhat surprisingly, sadness has been largely ignored by philosophers and others within the humanities, or else under-theorized as a subject worthy of serious and careful attention. This volume reverses this trend, presenting sadness as not merely a feeling or affect, but an emotion of great moral significance that in important ways underwrites how we understand ourselves and each other.

What does it mean to be sad? What difference does it make whether, how, and why we experience our own, and other people’s, sadness? Is sadness always appropriate and can it be a way of seeing more clearly into ourselves and others? In this volume, a multi-disciplinary team of scholars - from fields including philosophy, women’s and gender studies, bioethics and public health, and neuroscience - addresses these and other questions related to this nearly-universal emotion that all of us experience, and that some of us dread. Somewhat surprisingly, sadness has been largely ignored by philosophers and others within the humanities, or else under-theorized as a subject worthy of serious and careful attention. This volume reverses this trend, presenting sadness as not merely a feeling or affect, but an emotion of great moral significance that in important ways underwrites how we understand ourselves and each other.

What kind of an emotion is regret? What difference does it make whether, how, and why we experience it, and how does this experience shape our current and future thoughts, decisions, goals? Under what conditions is regret appropriate? Is it always one kind of experience, or does it vary, based on who is doing the regretting, and why? How is regret different from other backward-looking emotions? In The Moral Psychology of Regret, scholars from several disciplines—including philosophy, gender studies, disability studies, law, and neuroscience—come together to address these and other questions related to this ubiquitous emotion that so many of us seem to dread. And while regret has been somewhat under-theorized as a subject worthy of serious and careful attention, this volume is offered with the intent of expanding the discourse on regret as an emotion of great moral significance that underwrites how we understand ourselves and each other.