Anna Green – författare

Anna Green provides a coherent and accessible introduction to the major theoretical approaches and key concepts within this most diverse of historical fields. 'Cultural History' explores the conceptual, affective and imaginative worlds of human consciousness, as reflected in elite intellectual works as well as everyday social beliefs and practices.

Anna Green provides a coherent and accessible introduction to the major theoretical approaches and key concepts within this most diverse of historical fields. 'Cultural History' explores the conceptual, affective and imaginative worlds of human consciousness, as reflected in elite intellectual works as well as everyday social beliefs and practices.

The houses of history is a clear, jargon-free introduction to the major theoretical approaches employed by historians. This innovative critical reader provides accessible introductions to fourteen schools of thought, from the empiricist to the postcolonial, including chapters on Marxist history, Freud and psychohistory, the Annales, historical sociology, narrative, gender, public history and the history of the emotions.Each chapter begins with a succinct description of the ideas integral to a particular theory. The authors then explore the insights and controversies arising from the application of this model, drawing upon debates and examples from around the world. Each chapter concludes with a representative example from a historian writing within this conceptual framework.This newly revised edition of the highly successful textbook is the ideal basis for an introductory course in history and theory for students of history at all levels.

The houses of history is a clear, jargon-free introduction to the major theoretical approaches employed by historians. This innovative critical reader provides accessible introductions to fourteen schools of thought, from the empiricist to the postcolonial, including chapters on Marxist history, Freud and psychohistory, the Annales, historical sociology, narrative, gender, public history and the history of the emotions.Each chapter begins with a succinct description of the ideas integral to a particular theory. The authors then explore the insights and controversies arising from the application of this model, drawing upon debates and examples from around the world. Each chapter concludes with a representative example from a historian writing within this conceptual framework.This newly revised edition of the highly successful textbook is the ideal basis for an introductory course in history and theory for students of history at all levels.

The premise of Anna Green's timely and original book, is that nineteenth-century representations of childhood and adolescence-in paintings, but also in other forms of visual culture and in diverse written discourses of the period-are critical for understanding modernity. Whilst such well-worn signifiers for modernity as the city, the dandy and the prostitute have been well mined, childhood and adolescence have not. Paintings of the young produced in France from 1848 to 1886, Green contends, inform not only our understanding of modern life but also our perception of modernist or avant-garde painting. Figuring largely are Manet and the Impressionists, as well as a gamut of more traditional painters of children who are crucial in providing context for the avant garde. Because modernity is an essentially urban phenomenon, Green's focus is primarily on the city, usually Parisian, child. The painted youth of her study are organized initially by class and gender. Then the chapters are structured according to themes (parent-child relations, modes of discipline, work, education, and play, the spectacle, sexuality) that straddle the congruences among the book's triple trajectory: the young, their modernist representations, and the experience of modernity. Green's interdisciplinary approach ensures that this book will be of interest not only to art historians but to all those concerned with the cultural and social history of childhood.

Every piece of historical writing has a theoretical basis on which evidence is selected, filtered, and understood. This is as true of scientific empiricism as it is of poststructualism. The Houses of History provides a comprehensive introduction to the twelve schools of thought which have had the greatest influence on the study of history in the twentieth century. Ranging from Empiricism to Postcolonialism, Marxism to the Ethnohistorians, each chapter begins with an introduction to the particular school, the main protagonists, the critics, and is followed by a useful section of further readings. From the classic, such as G. R. Elton's "England Under the Tudors" and E. P. Thompson's "The Making of the English Working Class," to the recent, such as Henrietta Whiteman's "White Buffalo Woman" and Judith Walkowitz's "City of Dreadful Delight," the diverse selections collected here bring together the leading historians and theorists of the century. Comprehensive and accessible to undergraduates, The Houses of History is ideally suited to classroom use.

The premise of Anna Green's timely and original book, is that nineteenth-century representations of childhood and adolescence-in paintings, but also in other forms of visual culture and in diverse written discourses of the period-are critical for understanding modernity. Whilst such well-worn signifiers for modernity as the city, the dandy and the prostitute have been well mined, childhood and adolescence have not. Paintings of the young produced in France from 1848 to 1886, Green contends, inform not only our understanding of modern life but also our perception of modernist or avant-garde painting. Figuring largely are Manet and the Impressionists, as well as a gamut of more traditional painters of children who are crucial in providing context for the avant garde. Because modernity is an essentially urban phenomenon, Green's focus is primarily on the city, usually Parisian, child. The painted youth of her study are organized initially by class and gender. Then the chapters are structured according to themes (parent-child relations, modes of discipline, work, education, and play, the spectacle, sexuality) that straddle the congruences among the book's triple trajectory: the young, their modernist representations, and the experience of modernity. Green's interdisciplinary approach ensures that this book will be of interest not only to art historians but to all those concerned with the cultural and social history of childhood.

Nominated for the 2006 IPEG Book PrizeDrawing on the research of ten scholars from around the world, this volume evaluates China’s privatization experience by investigating the efficiency and fairness of the sale process and the credibility of the government’s ambition to create world-class state-owned conglomerates. One of the first book-length works to evaluate China’s privatization experience. Draws on the research of ten scholars from around the world including Liu Xiaoxuan (Chinese Academy of Social Sciences), Sun Laixiang (SOAS, London University) and Chih-jou Jay Chen (Academic Sinica). Investigates the factors determining the decision by government officials to sell or retain their firms. Evaluates how credible the government’s ambition is to create world-class state-owned conglomerates. Compares the efficiency and fairness of the sales against the lessons learned from the former Soviet bloc. Explains how the state is withdrawing from key sectors such as automobiles, energy and telecoms.

The idea of the Hydrogen Romantic book came to my mind after working for several years with the leading hydrogen energy scientists and observing their activities. One of those scientists, Dr. Turhan Nejat Veziroglu, has devoted his life to this topic, becoming much loved and respected around the world. In addition to all the momentous events in which Dr. Veziroglu has been involved, his memories are very interesting. Such a life is almost like navigating the pages of history, allowing admirers to gain information without being bored. I asked him to spend one hour with me every day, so I could interview him. During those one-hour periods, I asked him questions, and I recorded his responses. After I finished the interviews, I listened to the recordings. From this, I wrote the book. In addition, I did research on the sections dealing with the historical events. I've added this research as narratives in the book.

En sen kväll råkar Miss Butterworth se något mystiskt: ett ungt par som går in i det obebodda, förfallna huset mittemot hennes. En stund senare försvinner mannen ut. Dagen därpå visar sig ett hemskt mord ha skett, och Miss Butterworth är övertygad om att den anklagade inte är skyldig. Ska hon lyckas övertyga den erfarna, sobra Mr. Bryce att hennes magkänsla talar sanning? Eller kommer hon bli tagen för en nyckfull kvinna vars amatörkunskap inom detektivbranschen inte har något värde?En spännande vintage crime om Miss Butterworth och Mr. Bryce. Anna Green (1846-1935) var en känd amerikansk författare och poet. Hon skrev ett stort antal detektivromaner, alltid med en intrikat och sofistikerad handling. Agatha Christie har skrivit i sin självbiografi att Greens böcker influerade hennes skrivande.

En sen kväll råkar Miss Butterworth se något mystiskt: ett ungt par som går in i det obebodda, förfallna huset mittemot hennes. En stund senare försvinner mannen ut. Dagen därpå visar sig ett hemskt mord ha skett, och Miss Butterworth är övertygad om att den anklagade inte är skyldig. Ska hon lyckas övertyga den erfarna, sobra Mr. Bryce att hennes magkänsla talar sanning? Eller kommer hon bli tagen för en nyckfull kvinna vars amatörkunskap inom detektivbranschen inte har något värde? En spännande vintage crime om Miss Butterworth och Mr. Bryce. -